- All right, I call this meeting to order. Thank you everyone for being here. Last meeting of 2025,
- what a year. Okay, agenda item number two, moving on to the BAC minutes. The minutes have been distributed
- and read. Are there any corrections that need to be made to the minutes?
- I'm going to go ahead and motion to approve the minutes. Can I get a second? Second. Thank you. All
- in favor of approving the minutes, say aye. Aye. Any opposed, say nay. Fantastic. The minutes are approved.
- Holly, on the same agenda, point.
- Take us through the finances, please. Money. I've got us pretty much reconciled for this year.
- So four grants. We spent a total of one
- $179,483. Woohoo! Oops, we went over a little. We went over, our budget was $167,537, and we spent an
- extra $11,000 in mini change on budgets. And that overage just comes from my general fund. I just pulled
- some money out of there. Again, I think we just all agreed that just given the nature of things, especially
- for our 501C3s that are really feeling the cuts from the Indiana Arts Commission,
- and other federal funders that they deserve that extra funding. Also, thanks to the Bloomington Urban
- Enterprise Association, who gave us a little more than their $50,000 allocation this year to cover some
- of those funds. So, yay. We will have the same amount of money to spend next year.
- 167,537, and we'll talk about that more next year. The other funds we had for this year was $5,000 in
- workshop expenses. For most of the workshops this year, we actually spent funds that we encumbered last
- year. So what we did was we encumbered
- $4,000 to go to Andrea Sterling, who does great professional development workshops. So she did a couple
- of professional development workshops for the artists who will be going into our artist studio spaces.
- Some of them are already there, and the rest will join before the end of the year. And we also encumbered
- some money for her to be able to do a few more of those professional development workshops for more
- members of our arts community in 2026. With the leftover $1,000, I gave it to Chaz so we can have a fun time.
- at the party tonight. Okay, this $16,500 that we allocated for public art and grants, we have not spent
- that. And I don't think we're gonna have an opportunity to get that out the door before the end of the
- year. And I just wanna acknowledge that the committee that was assigned the task of deciding what to
- do with that funds this year,
- has been through a lot this year. We had an unexpected change in leadership and some other big public
- art projects that kept us from having the time to do this. With your permission, what I would ask is
- just allowing me to use that 16,500 to pay for some other arts expenses that I need to cover before
- the end of the year. Would that be okay?
- with you all. Do you want to ask questions and criticize me happily? No. No. OK. Awesome. Thank you.
- And I'm happy to give you a tally of how that is spent in the new year. Before I stop talking, I realized
- I shouldn't. What things are you
- It will most likely be a couple of public art expenses, so money to pay vendors that helped us with
- some of the traffic box art projects and other art projects. I will probably spend some of that money,
- too, on grants, both for our BAC grants, but also we give pretty large grants to Constellation Stage
- and Screen in the Buzzkirk Chumlee Theater to run our city-owned facilities every year. They can always
- use a little kickback. It takes a lot of money.
- to operate those facilities. We're very lucky to have them doing that work, so I would most likely give
- some of that money to them as well. I realized... Was I gonna say something else about the arts grants?
- No, nevermind. Okay, that's it. I'm happy to answer any questions. I do have just a couple looking for
- updates. What's happening with Anjulite? And there was gonna be a, we were working with a
- I think towards having a piece of art down on the Miller Showers property. What's happening with those?
- Yes, great question. Thanks for asking. So the Anjale project, which is over at the Hopewell Commons,
- That piece has actually been fabricated. It's just sitting in storage right now. It took a little work
- to find a concrete contractor. And by the time that contractor was selected and under contract, the
- concrete would have had to sit for 30 days before we could do that installation. And what we realized
- was by the time the concrete was set for that piece, it would have been too cold to be able to do the
- actual installation. So we agreed with the artist to do that in a spring of
- 2026. And I've promised the funders of that project that I will keep close tabs on the artist in 26
- to make sure that we get a timely install. For Miller Showers, I would like to turn to that in early
- 2026. I think we'd like to kind of get the work on the convention center selection process done before
- we start a new artist selection process. But I am anticipating that we kick
- that off pretty early into 26, and we will still have $150,000 for that project. What ever happened
- to the fire station? The fire station, we are negotiating the funding for that right now. And I can
- say, let me, I'll say, I don't want to get too much in the weeds about this, but I think one thing I've
- realized about the One Person for the Arts project is, you know, our ordinance gives a lot of leeway,
- you know, and it's kind of like,
- The one person for the arts projects right now they're kind of at their discretionary right it says
- in the ordinance. It is recommended that you do this right and some people take this very seriously
- and other people.
- just forget about it. And I think that one thing that I am probably with your support next year could
- do a better job of is just tracking all of those projects because all of those projects like these smaller
- ones like the fire station just aren't making it onto my radar simply because I think folks at the city
- don't know that this policy exists. And we also have an opportunity with this ordinance. It doesn't
- have to necessarily be site specific work. So for example, just because a fire station is being renovated
- doesn't mean we have to do
- an art project.
- at the fire station. We also have the opportunity just to create a fund where we take that 1% of the
- funds and just let that grow so we could focus somewhere else. So one thing I'd like to spend some time
- doing in 26 is just exploring the option to creating that fund and working with you all to decide how
- we're prioritizing things. And also, I think folks like the fire station, and I love this about them,
- they see that, oh my gosh, there's disordinates. And they reach out to me and they need something
- And I think there's also some like misunderstanding of like we can't do that. You know, we can't give
- them a good piece of art. Like we need time to like prioritize everything for each year to make sure
- something good happens. So I think it's just gonna be kind of a matter of working with colleagues in
- other departments to just give ourselves a longer runway to make these things happen. And we're very
- lucky we now have somebody in our department whose title is just
- capital projects manager. So they're responsible for overseeing things now like the entire development
- of Hopewell. And she's offered to help me work on this a little. So having that extra staff capacity
- to help me on this will be a big help for next year. So can we, I guess maybe as individuals, can we
- as a commission,
- help address that ordinance to tighten it up. I would love you to do that, yes. And I do think we should,
- because again, the way it's written now, it's like, we actually are supposed to do an annual report
- on this, but I don't think this is something that's ever been done. You know, I don't think nobody at
- this table has, Lola, I think you've been here the longest. That's specific to Anna, 1%. Yeah, yeah,
- we always go brag about ourselves, but we're never like, this is where we're focusing this year for
- public art, right?
- So, yeah. Well, let's keep that on the radar. Yeah. Yeah, that's definitely on my list of things to
- address. Yeah. Great. Moving along to agenda item number three, city updates. I guess we can continue
- if there are more questions for the city. Yeah. City updates and questions. We're just winding down.
- the year right now, trying to get our last batch of contracts out the door and just trying to wrap the
- year. Again, I'm going to do some work at the end of the year just kind of trying to do some planning
- for 26. I think one thing we've discussed at these meetings is I think sometimes there's a
- lack of transparency of like
- what I am working on as the city arts person that you might not be working on as arts commissioner.
- So I'm going to spend some time thinking about that at the end of this year and next year. And hopefully
- in February 26, I'd like to just report out on how I'm thinking about that now. So yeah, that's what
- I'll be working on. But I'm happy to answer any more questions. You haven't seen anything from Lynn yet.
- It feels quieter than usual. Agenda item number four, update from public art interim chair. So the exciting
- thing is the convention center. So since we last met, we were able to close out the applications. I
- think we received 180 for the call through Holly
- like doing a first sweep, she was able to get that down to 16, the public arts subcommittee, Betsy,
- thank you, looked through these applications. And then we were able to kind of narrow it down even more.
- And so today we were able to meet with, I guess, the CIB recommendation board and kind of get it down
- to like eight or whatever. So that's pretty exciting. There's a lot of talented artists that was not
- And we're still finalizing things, making sure that we're confident about the people that are going
- to be moving on to the final round. So that's pretty exciting. Yeah, I think that's pretty much it as
- far as the convention center and what the progress is there. We should finish that on Monday. Oh, yeah.
- I'm going to meet again on Monday to wrap that up.
- And then you'll be extending invitations to the, it's five finalists or no? Yeah, so the way we wanted
- to break it down is to have five finalists and then we'll have up to three alternates. So that's kind
- of where we're landing there. And I'll reach out to all of them before the end of the year. We're gonna
- hit that goal. Can we see who you've got down here? Is there a list somewhere of the eight
- Yeah, I will so what I'm gonna do so we kind of like today we looked at the top applicants and it was
- actually really cool. I think there was a lot of
- alignment between what the recommendation committee was gravitating towards and what the arts commissioners
- gravitated towards. So that made it easier. And so what we kind of agreed on, Christina, Rob, and I,
- we've seen each other many times today. And what we agreed on was we took that group and we asked the
- recommendation committee today to kind of categorize people as A, B, or C. So A being like definite
- finalists, Bs being maybes or alternates, and Cs being like we love y'all, but this is not the moment.
- I'm going to share that list back with the CIB recommendation committee just so they can have and be
- prepared for a discussion on Monday, but I'd happily share that with the public arts subcommittee as
- well. That makes sense. There were some names much further down the list that were called up and reviewed
- again. It was a very productive meeting and a lot of good synergy there.
- Yeah, yeah, yeah. Maya was there. Yeah, Maya Michelson is part of that committee. Yeah, so it felt really
- good. I think Galen, who's technically the chair of that committee, he's also the owner of Uptown. Galen?
- Yeah, he had some really thoughtful feedback, I thought. That's fantastic. Yeah, it was really great.
- Great. Yeah. Great. Well, yeah, thank you all for being a part of that and updating us.
- It's exciting. It's really exciting. It's exciting. I'm nervous, of course, you know? Because it's like,
- we've talked a lot about, OK, we have to make sure we select the best lighting artists who have applied
- and the best installation artists have applied. And we have to make sure that we're going to get five
- fantastic proposals and no duds. There's a lot of pressure, but I think, yeah. It is tricky. Yeah. But
- I just want to say one thing. I was on the committee way back in the day when Maya was
- charge of the Daly and Knox piece that ended up at the end. And so I just want to tell you that it's
- hard. All of this is hard. And you end up maybe with something you didn't really ask for. So that's
- all. That's all I'm going to say. There have definitely been a lot of conversations about, well, someone's
- going to be mad. And I think that's also, though,
- It's part of public art. If everyone was happy, I think that would be a failure. I just... I just swore
- I would never be involved with public art again. That's a great project. Any other comments or questions
- for the public art crew?
- agenda number five update from grants chair meeting on the 19th is canceled yeah no hundred and eighty
- thousand dollars that's crazy it was great it's been fun it's been a good four years thank you everyone
- Gerard, you're taking over in some interim capacity, or no? We'll discuss it today, but I think Paul
- and I. Oh, cool. Yeah, yeah, yeah. That's awesome. So it's been fun. Thank you all. Thank you. Well,
- everything. Yeah. Are you planning to be in January? Technically, we still have one. Yeah, you've got
- one more. Yeah, I was wondering about that. Is that, do I, I can, yeah, of course, yeah. And then I'll
- be here. I just need to review all the guidelines. OK, I probably actually, it will be helpful to us
- to talk about the schedule for next year.
- Yeah, it's some sort of transition as a full subcommittee or leadership. So, stay tuned for that. Any
- other questions or notes for? Great. Okay, from your chair.
- A couple quick things. One, all right, the task force. It's happening. Things are moving along. We met
- after the public art subcommittee meeting in November, and we really pushed through some stuff. Paul
- and Christina and Gretchen brought some really great feedback, and we've kind of taken what the old
- strategic plan was and
- diving into it, kind of like maybe taking up parts that were redundant or not necessary or maybe didn't
- fully accurately reflect on what we're doing, adding in sort of like new language, but then also kind
- of like we've assessed sort of like the private, like done a good job, I think, of identifying realistic
- goals for the next three years. And I think we're on track to present something in January to the group.
- So stay tuned.
- Okay. The next leadership team. I'm so thrilled to announce that I think we have a leadership team that
- we need to vote on today to start on February 1st as I announced in the midpoint email. We are going
- to sort of go through position by position.
- and we have to do sort of a, we have to do a vote on them. And then, and then we'll just feel great.
- And go party, pretty much. So, okay, I'll go ahead and start with Cher. I always feel, I always get,
- You said it right. I said it right. Okay, fantastic. I second-guess myself. As someone whose name also
- gets mispronounced all the time, has volunteered to take on the role of chair, starting on February
- 1st, taking over for me. Super appreciative of that. Thank you.
- So yeah, real quick, I'm gonna ask for a motion to approve Netta as the upcoming chair. Can I get a
- second on that? Second. All in favor say aye. Aye. Any opposed say nay. You didn't vote. I don't think
- I'm allowed to. Any abstentions?
- All right, fantastic. Thank you all, Linda. Thank you so much. Our next chair. Okay, moving on.
- Vice chair. Rob has offered to take up the role of vice chair. We'll be taking over for Christina, who's
- served on that role for, I believe, two, three years. Oh my gosh, I hope, yeah.
- So yeah, thank you so much for that, Rob. Yeah, look forward to it. Looking forward to getting to know
- you. Definitely, working hard together. So yeah, can I get a motion to vote on Rob Shakespeare as the
- next vice chair? Can I get a verbal second on that? Second? All right. All in favor, say aye. Aye. Any
- opposed, say nay. All right, fantastic. Thank you.
- Betsy is going to stay on as secretary. I don't think we need to vote on that today. Thank you for,
- yeah, just keeping on batting 1,000. Okay, moving on to the subcommittee chairs. We didn't scare Christina.
- She wants to stay on as the public art subcommittee chair in a non-interim capacity, in full capacity.
- Thank you for Christina,
- doing great work so far and very much looking forward to see you continuing on in that role. I'm gonna
- go ahead and motion to vote that Christina moves into the public art subcommittee chair role. I second.
- Fantastic. All in favor say aye. Aye. Any opposed say nay. All right, we're doing great. Okay, and last
- but certainly not least,
- for the grant subcommittee Paul and I are going to I think work as as co-chairs on that committee just
- based on the sort of the Yeah, the the consistent volume of work that that that committee has to work
- through and also I think upcoming procedural changes with sort of the
- The new landscape both in the city and in the state, I think there's just gonna be sort of a lot, a
- lot sort of take on in the coming year. And so Paul and I are gonna work together on that along with,
- of course, with the subcommittee. So yeah, I'm gonna motion, I guess, yeah, a motion to approve Paul
- and I as co-chairs for the grants subcommittee. Second. Second, all right, thank you Betsy.
- All in favor say aye. Aye. Any opposed say nay. Okay, we did it. We have, we have, yeah. All right.
- And that's, yeah, that's all for agenda item number six. Again, thank you to everyone stepping up.
- Thank you, I think, yeah.
- Lou is the only one that's like, I guess, formally leaving a leadership business because Christine is
- staying on and I'm moving on into another capacity, but yeah, thank you for your work. Agenda item number
- seven, upcoming events and important dates. It's the holidays, y'all. Party tonight? Yeah, of course,
- party tonight. I hope to see you all there.
- The Museum of Archaeology and Anthropology is our Commissioner Brandy McDonald's event on the 11th.
- There's a holiday market at Orbit Room tomorrow night. Okay. Yeah. There's one everywhere. Yeah. There's
- one at the wall. Oh, shoot. Oh, the wall-room one is cool. Has anybody? I saw that Sarah did a great
- job. Yeah, yeah, yeah. I think is it the one that was open on the Friday gallery walk?
- That makes sense. That's cool because instead of just like a pop-up market that happens only for like
- three or four hours once, this is an invitation to artists just to have their work for sale all month
- long. And it's also going to be open during like the most popular theater show of the year at the Waldron.
- This is the first year in many years that Constellation has done their holiday performance at the Waldron
- versus the Buskirk Chumley Theater. So they're going to have
- Hordes of people coming in and out and so this is a great opportunity to showcase and sell a lot of
- work by our local artists It's a great awesome idea. Yeah That's a great question There's a balance
- between rental costs and being in-house but then there's the balance between
- a cast, and when you have a bigger audience, obviously, they can get paid more easily. So, yeah. It's
- a juggle, as I understand it. Yeah, I think in the space of those performances, there are some Christmas
- movies, I think, being shown at the VCT.
- Looking to see some holiday class. I think they had Gremlins was one of them. Gremlins, Elf. Yeah, some
- unconventional Christmas films, but then also some more conventional Christmas films. Okay, yeah, any
- other notable events? On a similar note, any announcements? Yeah, things that people are excited about or
- to or just want to share with the group. Elliot and I just saw Stefan Rees in Amsterdam. Oh yeah, so
- Stefan Rees is the artist who did OT 987, the installation that happened in April in the trades district
- and he was accepted to be one of the, I don't know how many artists, 13?
- 13 artists to have a temporary light installation as part of this year's Amsterdam Light Festival. So
- we got to go see him and his piece and some other really cool temporary light installations around the
- different canals in Amsterdam. And he's doing really great. And it was fun to catch up with him and
- just also see what other types of work folks are doing out there. So, yeah. I just saw John Resick today.
- I'm going to be like, yeah. Okay, great. Well, and as far as I can tell, there is no public.
- I'm gonna call a timeout here. I'm gonna make everyone here
- share a memorable moment from 2025. When you think about this past year and a special arts moment that
- you had. Yeah, anything. Does it have to be good? Nope, it could be good. It could be. It have to be
- here? Nope. No, just a little bit of reflecting on the year. A special moment in the arts that you had.
- I have nothing but bad news I'm getting kicked out of my rental for my gallery so that was a terrible
- moment that happened literally the day before my birthday and yeah so but the whole year was great it
- was a great year you know so it's just we weren't supposed to do shows
- In the space. Well, thanks for all your work. Roses was just such a... It's one of the only all-ages
- spaces in Bloomington. I want to try and find something new. It's a loss to the community. I'm working
- with one of the primary organizers of events in that space to think through other options. It's not
- easy right now, but I'm happy to talk with you about that too. But it sucks and I'm sorry.
- Yeah, it's just, no, I mean, it's just the rent-sinking behavior, you know, and then you have to,
- you know, adapt to that. And then it's just, you have to please a landlord and, you know, you have to,
- that's a whole balance. You know what I mean? It's just like, it's like, if you want to do big events,
- you know, there's so much that goes with that. And it's just like, I love that there's so many people
- willing to take on that work, but it's just like,
- the landlord wasn't willing to see any value in that for some reason. So. It's a Bloomington issue,
- you know? Yeah, yeah. The landlords, I don't know. It's just they, you know. Yeah. Maybe landlord. Maybe
- seeking the rent. I have one good positive thing. It was the tending night in the house
- gallery, an event that happened, and I don't know if anybody went to it. Did you go? No. It was the
- one put on by Faye last year. Oh, yes. I was there very late. Really? Okay. Yeah. I was there, and it
- was a great event. It was in a house, and it was, luckily, the person who owned the house allowed it
- to happen, so we didn't have any problems with landlords or anything, but it was a really positive thing.
- It was also a fundraiser for SNAP. So it solved a couple of things, not just art, but it was lovely.
- And it was just the kind of thing we need more of in Bloomington. I love what you're talking about.
- So how can we do that? I don't know. I don't know how to do it. I have one. My wife and I like to see theater.
- And it was good theater this year, but when it stood out particularly was the Jewish theater production
- of Arthur Miller's The Price, which was just so well done. Mine is more so just like a concept in general
- from this year.
- my partner, he's never really been exposed to this whole public art world. So it's just like, what?
- What? So just seeing his reaction, because we went to OT 987 and him seeing that, and then we went back
- later when it was dark, and he was like. Or when we went to AAAI when they had their puppery. And just
- seeing his reaction to things, because he's just never really
- You know, he's from construction, so it's just like two different worlds. But just like to just see
- that reaction of like, he's like, wow, I didn't know all this kind of existed. And it's just really
- cool that you're introducing me to a lot of things, so. Yeah, that's a good feeling. That's so cute.
- I've got a selfish one. There was a game I developed for South Bend in 2000.
- 1415, where there's maybe 160 yards across the river and there's towers on either side. When you wave
- your hands this way and it sends a ball of light across the water and if somebody on the other side
- catches it, like
- they're just sensors that are watching your hands, then the whole place bursts into like rainbows. And
- we had a lot of interference with it because of giant bugs that are near the water. And we can't tune
- it out. So we developed a new game that opened this last year, actually in September, where there are
- a series of towers where it's a color mixing game. So there's three stations.
- public can get out there and mix the secondary colors of light. But it's really explosive at times.
- So that's been a great success. And we got yet another contract to do it yet another bridge this coming
- year. So yeah, there's a lot of light in South Bend. I guess my good thing.
- getting involved with the commission honestly it's been I've been able to meet a lot of people and learn
- about a lot of the art spaces here so I feel like I it wouldn't have taken me longer to do that without
- this commission so happy to think that's my one good 2025 I'm sure there's many more but I just can't remember
- That's a lot of art this year. I actually just found out a few weeks ago that I got an Andy Warhol artist
- writers grant to write about the censorship of art concerning Palestine in the United States. So it's
- a grant to commission an article to write about that. It's exciting.
- Yeah, it's cool. That's huge. Yeah, so I'm really excited about that. So project for next year. Yeah,
- yeah, there's a lot I could recap from this year. I think that if I'm thinking of 2025 when I two sort
- of like selfish thing and then one kind of like, I don't know, like
- I mean, the one thing I'll mention is Natalie and sort of like the disruption midpoint in the air that
- was like, I think, yeah, that was just a really big blow to the commission and something that's still,
- I don't, I mean, I know we've moved on, but I don't think it's like solely been fully sort of like fixed
- in a sense. And,
- So, but I, you know, it was really heartening to kind of see the way that we all responded as a commission
- and also see the way that the public responded as well and then kind of like how we support each other
- and stand up for each other. So there was, you know, there was some, a silver lining there. My own personal
- sort of like,
- artistic experiences this year. I'll think of performing in Buffy Prom. I got to play as part of a Killers
- cover band, which is a ton of fun. And then going to Soul Talk. Oh my god, Soul Talk. Just like totally,
- like just blew my mind. So yeah, those are I think some of my highlights from there.
- Yeah, definitely agree about Natalie. And I think also just the community showing up for her at that
- meeting was really impactful. It just shows it goes beyond this room. Yeah, yeah, yeah, yeah. I took
- up line dancing this year, which is something. As someone who grew up hating country music and everything
- affiliated with that culture, the 13-year-old version of myself is very angry at me.
- So much fun. And it's just such a cool community. And it's right upstairs from Honky Tonk at the block
- house every Tuesday night. So that's been super fun and completely unexpected. And the other thing is
- my dad and I got tattoos together this year. So he's always been like super anti-tattoo. But he's also
- he's a bug scientist. So this is what reminded me of it, Rob. It's like that. And his favorite.
- Bug is the mayfly for reasons that are too subtle for me to understand. And so he decided he wanted
- to get a tattoo of a mayfly. So I went and visited him last winter. And I was like, dad, we're going
- to do it. And I found an artist that specialized in black and white line designs of nature. And so my
- dad and I found this really cool rendering of a mayfly in an old insect book and sent it to him. And
- he made this awesome rendering of it.
- And we both went and got them when I was there. And it was just like super cool. My dad finally like
- opened up to the artist about why he loved Mayflies. And so I finally got to find out like why. And
- it was just this whole new experience of my family that I didn't expect. So it was very cool. But your
- first thing.
- Maybe you'll go to the demolition derby at this state. The whole extension of that. Yeah, yeah, yeah,
- yeah, yeah, yeah, yeah. I think we'd also be remiss if we didn't mention OT six. Finally getting in
- the ground. I would say the minute, you know, until that first double arc
- went into the ground. I was just like, boy, I'm going to get run out of town. And the moment it went
- into the ground, I was like, oh. What? Six years. Six years. Did it go away? Oh. Wait. Helen, can you hear us?
- Oh, there she is. Hold on. It might just be how I have to do this. There she is. Oh, wait, you're muted.
- I'm so sorry I'm late.
- It took me a while to figure out where I had put the meeting link. I'm so sorry. We're just wrapping
- up. And actually, your timing is perfect. We're just sharing a highlight or two in the arts from the
- past year. Is there a particular event you attended or artistic thing that you did or just a special
- artistic moment this past year?
- Well, I don't know. Well, two things. I was fortunate enough to be able to attend the Adventures of
- Cavalier and Clay at the Met in New York, which was really amazing. And so I'm very, very lucky to be
- able to do that.
- Aver Bush of the School of Music invited me and my husband, and we were able to go. And I also just
- was lucky enough to go with a friend at the movie theater to see Sondheim's Merrily We Roll Along.
- which was great fun and I still have it in my ear. And I'm looking forward to IU Theater presenting
- that, I think, this spring. That'll be great, yeah. Great. Cool, well that, yeah. Cool, well, yeah,
- that's, yeah, that's, I think that's the end of the meeting.
- No public comment. I'll check in about getting in touch sometime soon. Okay, great. I'm going to put
- this link somewhere where I can find it better.
- Yeah, we can also make sure it's included in that email. Yeah, sorry about that. But thank you for letting
- me join you right here at the tail end. Yeah, of course. It's good to hear from you. Good to see you.
- And yeah, I'll just... Yeah, I wish everyone a happy holiday season. Thanks for being here. Thanks for sharing.
- your moments from the past year and yeah let's go party.