WEBVTT

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- a little early. Ah, we didn't see you. Well, I did what I usually do. I just thought I'd go and observe

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- a little bit. Ah. Yeah. I noticed that you were calling that dance that you were doing what,

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- the Buck Rogers? Yeah, the Buck Rogers. Well, I'll tell you something. That looks suspiciously like

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- the mashed potato to me. The mashed potato? Yeah, the mashed potato. That's what James Brown done. Right.

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- So you see, things are not as new sometimes as they appear to be. As a matter of fact, if you just think

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- about it a little bit, and I think it'll be demonstrated too, the mashed potato has some moves that

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- look just a little bit like some of the things that were done in the Charleston. You gotta be kidding.

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- You know, if we just go back a little bit,

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- Because dance is the kind of thing that fuses, and it connects years and centuries. We start with something

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- like a cakewalk. And then we have a thing that's called tap now. But it was a buck dance then. And you

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- know what buck dance was. You know? No, what was it? Well, you know, a whole bunch of people got out

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- in the yard, and they didn't have too much grass, see. And they were out there in the dirt.

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- Barefooted, couldn't get too many shoes back then, you see. And they just sort of did what they thought

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- the Irish were doing in their little jigs, see. And it was bucks dancing, big black bucks.

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- Like the slaves. Yeah, just a little bit like that. And then they had a thing that they called the buck

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- and wing, okay. And later on, you see out of all of that,

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- the bucking wing, buck dancing. Then we got a thing called the black bottom. Now, the black bottom was

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- the kind of a dance that it was really kind of sexy. And you just sort of touched your butt just a little

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- bit. See? No wonder it's called the black bottom. Yeah. And then there was a dance called the mess around.

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- Y'all know what that is.

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- Kind of like what the guys do now. Yeah, the mess around. And then the Foxtrot. Now the Foxtrot was

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- kind of smooth, you know. And out of that, they got, did a thing called the Charleston. The Charleston

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- replaced all of them. And it was given credit for everything, for people becoming drug addicts

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- and alcoholics, you know, leaving home. See? And, um,

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- There's another thing that I saw you kind of doing. It kind of reminded me of a dance they call snake

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- hips. The teal? Yeah. See, snake hips, right? And then snake hips, and then you had the slow grind.

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- What I'd like for you to do is just sort of go back in time with me. Go back to a time when these dances

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- Oh, yeah.

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- to Carmel Speakeasy and I am RC the MC. I'd like for everyone to sit back and relax and let me bring

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- you the first act of the evening. I have 10 high stepping toe tapping performers. Ladies and gentlemen,

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- let's give a warm and welcome applause for the 10 Hudson dancers.

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- Thank you. Thank you. The other day I was thinking of a dance that they used to do way back called the

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- Baltimore. No, I think you mean the buzz. No, I mean the Baltimore. I think you mean the buzz. Maybe

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- they might call it the Baltimore buzz. You think so? Yeah, that's it. The Baltimore buzz. Can you do

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- it? I can't do it. Can you do it? I'm not going to try. But maybe the next

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- A group of performers can. Yeah. Let's give it to them. Yeah, let's give it to the Baltimore Buzz. All right.

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- like the Charleston, and what my mother used to call the jitterbug. Yeah. As a matter of fact, it was

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- the Charleston, some of it. And that dance that somewhat resembled the jitterbug was the Lindy Hop,

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- the forerunner of the jitterbug. And actually, the jitterbug came out of the Irish jig too. You know,

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- the Irish brought quite a bit here, didn't they?

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- They had something to do with the Charleston. They had something to do with tap and the jitterbug,

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- the Lindy. So that what you were watching was a mixture of several dances, the Lindy hop, the Charleston,

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- and what came later to be called jitterbug. It was during that time too, the 20s, when speakeasies

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- were at their height, right? I mean, you know, people drinking that bad gin and whatever else they could

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- get. And dance was really the big thing. Well, the Cotton Club was the club that really put dance where

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- it is today and where it was back then, along with the music of Duke Ellington,

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- and some of the baddest tappers in the history of the world. You know, tap dancing was really a big

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- dance at one time. You had dances such as Honey Cole, and some of you know these names, Bunny Briggs

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- and Baby Lawrence, you know, not to mention Bo Jangles, but all of you know that name, right? But see,

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- Fred Astaire sort of took over, and we didn't know too much about some of these other people. Now,

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- in the 30s, we still get the Charleston, and we get this dance. You saw a little bit of it, the shimmy.

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- There was a whole lot of shaking going on in the shimmy. You get the Camel Walk truck. How many of you

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- remember the truck?

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- Yeah, that's it, yeah. See, I want to be out there on 18 now. Yeah. You got, that was a dance called

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- the Big Apple, which was like the forerunner of some of the lion dances that we have now, except that

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- was done in a circle, right? It was a forerunner of like the Trunk-A-Doo. Remember the Trunk-A-Doo of

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- the Madison? I'll tell you what, why don't we take a look at some of this and see what it was like back then.

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- Yeah.

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- Thank you. Yeah, let's give it to them. Yeah, that was nice. Good evening, everybody. Welcome to the

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- Cotton Club. And this evening, we have some performers, eight beautiful women. And they have a show

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- for you this evening. Ladies and gentlemen, let's welcome the Simpson Steppers.

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- You.

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- Ladies and gentlemen, we hope that you're enjoying yourself very much, because we have a very nice show

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- and store for you. And now, let's give a great big round of applause to the Hudson Dancers!

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- What good is melody? What good is music? If it ain't possessing something sweet? It ain't the melody.

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- It ain't the music. There's something else that makes that tune complete.

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- Oh, yeah, that was nice. That was real nice. And for the next group of performers, we have the Sarah

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- Lee Glitters. Let's give it to them, everybody.
