WEBVTT 00:00:10.338 --> 00:00:15.421 - Welcome, I'm Dr. Raymond Wise, Executive Director of the African American Arts Institute. We're excited 00:00:15.421 --> 00:00:20.356 - to continue another installment of our spring concert series. And tonight, we are going to celebrate 00:00:20.356 --> 00:00:25.244 - black popular music with the IU Soul Review. This year, we're also celebrating the 50th anniversary 00:00:25.244 --> 00:00:30.179 - of the African American Choral Ensemble. And at this time, it means that all three of our performing 00:00:30.179 --> 00:00:35.262 - ensembles are 50 years old. They all have a 50-year legacy, and that is remarkable. Let's applaud that. 00:00:40.898 --> 00:00:45.573 - Before we get started, I want to acknowledge our home, the Neil Marshall Black Culture Center, and their 00:00:45.573 --> 00:00:50.292 - staff, who are always so supportive of all that we do. We also want to thank and acknowledge our academic 00:00:50.292 --> 00:00:54.833 - partner, the Department of African American and African Diaspora Studies, under which these ensembles 00:00:54.833 --> 00:00:59.419 - are listed as courses. And they, too, are celebrating a wonderful anniversary this year. We're excited 00:00:59.419 --> 00:01:04.049 - about their going forth as well. Know that the African American Arts Institute, the Neil Marshall Black 00:01:04.049 --> 00:01:07.166 - Culture Center, and the African American and African Diaspora Studies 00:01:07.234 --> 00:01:12.545 - department are all products of the vision of Dr. Herman C. Hudson who believed many years ago that black 00:01:12.545 --> 00:01:17.602 - music and dance should have a place in the academy. And over 50 years ago, he recognized the talent 00:01:17.602 --> 00:01:20.030 - and the gift of a young musician by the name of 00:01:20.098 --> 00:01:25.655 - and he selected her to launch what we now know has become the IU Soul Review. And 50 years later, 00:01:25.655 --> 00:01:31.099 - we are here. The IU Soul Review, now currently directed by Professor James Strong, has provided 00:01:31.099 --> 00:01:37.110 - transformative artistic and academic experiences and experience for hundreds of IU students, for faculty, 00:01:37.110 --> 00:01:42.837 - for staff, and community members. Recent performances, literally at the Madam Walker Theater and the 00:01:42.837 --> 00:01:46.750 - Jazz Kitchen, attest to the excellence in their performance as well. 00:01:47.202 --> 00:01:52.773 - They prepared an exciting concert for you. So let's just take a moment to thank them for their commitment 00:01:52.773 --> 00:01:58.186 - to maintain this legacy of black popular music here at Indiana University and beyond since 1971. Let's 00:01:58.186 --> 00:01:59.710 - give the Soul Review a hand. 00:02:07.074 --> 00:02:12.103 - I also want to give thanks to our new administrative unit, the College of Arts and Sciences, and the 00:02:12.103 --> 00:02:17.182 - staff who supported us through this transition this year. And of course, our concert series would not 00:02:17.182 --> 00:02:22.610 - be successful or possible without support of members of our community who believe in the arts and diversity, 00:02:22.610 --> 00:02:26.942 - and that includes you. So we just thank you for showing up and for coming out tonight. 00:02:27.010 --> 00:02:32.150 - We also want to thank the Buskirk Chumley staff who've welcomed us and assisted us in making tonight's 00:02:32.150 --> 00:02:37.290 - concert a success. And last but not least, we want to thank the African American Arts Institute staff. 00:02:37.290 --> 00:02:42.430 - A special thanks goes out to Jerrica Stocker and Johnny Campbell, Anya Jenkins, and their staff who've 00:02:42.430 --> 00:02:47.820 - worked so diligently to make tonight's concert a reality and success. Then special thanks to our production 00:02:47.820 --> 00:02:52.910 - team, to Laurie Garrity, to Mike Schwann, to Jeremy Hogan, and all of those who are helping with that 00:02:52.910 --> 00:02:55.006 - as well. Now as we come together tonight, 00:02:55.202 --> 00:03:01.339 - It's important to know that we do so at a time when there are some who believe that black music, dance, 00:03:01.339 --> 00:03:07.359 - and culture are not worthy of inclusion in the academy. And in fact, we face attempts for erasure and 00:03:07.359 --> 00:03:13.673 - elimination and to marginalize the stories of African Americans. But in this regard, we need your support. 00:03:13.673 --> 00:03:19.929 - We really need your help to help us maintain the legacy of the African American Arts Institute and create 00:03:19.929 --> 00:03:21.758 - sustainability for the future. 00:03:21.954 --> 00:03:26.776 - If we want to keep this going forth, and I hope that you will say that by the end of tonight's performance, 00:03:26.776 --> 00:03:28.830 - we must help to support it with our presence, 00:03:28.930 --> 00:03:34.151 - with our advocacy, with our resources. That said, we have several initiatives that are in the works 00:03:34.151 --> 00:03:39.684 - that will allow you to continue to help us preserve our mission of preserving and promoting black culture 00:03:39.684 --> 00:03:44.905 - through performance, education, creative activities, scholarship, and outreach. And we also have an 00:03:44.905 --> 00:03:50.282 - ongoing campaign that we call the Just One Campaign that allows you to support the Institute in a very 00:03:50.282 --> 00:03:55.868 - tangible way. So for those who cannot give large amounts, we certainly invite you to give a small donation 00:03:55.868 --> 00:03:58.896 - whenever possible. And we know that when we put our small 00:03:58.896 --> 00:04:04.240 - mounts together it will make a big difference. So go to our website look that up and feel free to give 00:04:04.240 --> 00:04:08.702 - a donation as well. Also want to announce that we have one additional event this year 00:04:09.218 --> 00:04:14.946 - Next Saturday, May the 2nd, the African American Choral Ensemble will present its spring concert on 00:04:14.946 --> 00:04:20.960 - the campus at the Ruth Anna Halls Theater, and we certainly invite you to come on back and join us there 00:04:20.960 --> 00:04:26.802 - for that celebration as well. Now, this is the moment that I tell everyone in the hall that I ask you 00:04:26.802 --> 00:04:32.874 - to turn off all of your gadgets and your devices that emit light and sound, and we thank you for adhering 00:04:32.874 --> 00:04:33.790 - to that policy. 00:04:34.338 --> 00:04:39.767 - We know that music has always played a vital part through which African Americans have told their stories. 00:04:39.767 --> 00:04:44.992 - Music has allowed black folks to express their joys and their sorrows and connect with their community 00:04:44.992 --> 00:04:50.218 - and celebrate. And that's what we've come here tonight to do. We have literally come to celebrate. And 00:04:50.218 --> 00:04:55.596 - if you're looking for a celebration, you're in the right place. There's one going on outside, but there's 00:04:55.596 --> 00:04:57.118 - another one going on in here. 00:05:01.090 --> 00:05:06.348 - We welcome you to the celebration of black popular music. And again, we invite you to join in with us, 00:05:06.348 --> 00:05:11.503 - sing along, rock along, clap along, dance along. But it's time to have a party and a celebration. So 00:05:11.503 --> 00:05:16.608 - we thank you again for being here tonight. Tonight's concert is entitled The Test Where Preparation 00:05:16.608 --> 00:05:21.763 - Meets Performance. So let's get this celebration and party started. And without further ado, we give 00:05:21.763 --> 00:05:25.694 - you the IU Soul Review under the direction of Professor James Strong. Enjoy. 00:05:44.674 --> 00:05:48.766 - Ladies and gentlemen, the IU Soul Review. 00:15:49.442 --> 00:15:51.646 - I'm okay with y'all. 00:18:46.946 --> 00:18:52.034 - And we want to say thank you guys for coming out, partying with us, you know what I'm saying? 00:18:52.034 --> 00:18:57.501 - Buying tickets, that means so much to us. Now for this next one, I think my girl Anaya got something 00:18:57.501 --> 00:19:03.185 - to say to y'all. Talk to them. All right, do we know anybody named Janet Jackson? Do you have some Janet 00:19:03.185 --> 00:19:08.923 - Jackson fans? All right, all right. Band, go ahead and hit me. All right, y'all have that special someone 00:19:08.923 --> 00:19:12.766 - that when you think of them, your mind just, it's calm, it's at peace. 00:22:17.634 --> 00:22:24.933 - Now she ate, she ate, you know what I'm sayin'? Now on this next one, my good friend Nyla wanna talk 00:22:24.933 --> 00:22:32.232 - to y'all too, is that cool? Nyla, what's up? All right, this next song is by a wonderful woman named 00:22:32.232 --> 00:22:40.037 - Alicia Keys. It was released in 2009, and it's about just loving someone so much that you would do anything 00:22:40.037 --> 00:22:46.686 - for them, you would be open and vulnerable for them, you would do the unthinkable for them. 00:22:47.778 --> 00:22:51.006 - Y'all ready? All right. Band, you got me? 00:25:57.986 --> 00:26:07.934 - They stand afraid against my window, bringing back sweet memories. 00:28:34.242 --> 00:28:39.862 - for this next one, we just wanna get a little serious with y'all for a little bit. Now we gonna give 00:28:39.862 --> 00:28:45.594 - y'all a little bit of the stylistics. Do y'all know about the stylistics? Well, I'll give you a little 00:28:45.594 --> 00:28:51.214 - backstory. They are a soul group based out of Philly. Back in the 1960s, they was doing their thing. 00:28:51.214 --> 00:28:57.002 - But this one that we're about to do is about self-reflection. What can you contribute to make the world 00:28:57.002 --> 00:29:02.733 - a better place? When you look down inside, look at yourself and say, wow, I really have a purpose here 00:29:02.733 --> 00:29:03.902 - and I really matter. 00:29:04.514 --> 00:29:08.862 - So with this next one, we want to give you People Make the World Go Round. 00:32:44.034 --> 00:32:49.166 - Thank you, thank you, ladies and gentlemen. As the vocalists leave the stage, I just want to take a 00:32:49.166 --> 00:32:54.298 - quick second to give my band a little time to shine, you know what I'm saying? They some killers on 00:32:54.298 --> 00:32:59.173 - these instruments, y'all. Give a round of applause to the band, everyone. Now, my brother, Mr. 00:32:59.173 --> 00:33:04.304 - Conner Lee, could you please come up here and tell them what you're about to give them, man? How we 00:33:04.304 --> 00:33:10.206 - all doing tonight? Thank you all so much for coming out. We're about to do a David Sanborn number called Hideaway. 00:37:22.690 --> 00:37:28.237 - Did y'all enjoy that? I can't hear you. Did y'all enjoy that? Because we got plenty more where that 00:37:28.237 --> 00:37:33.617 - came from. Now, this next tune, we're going to do a jazz classic by Herb Alpert called Rise. Mr. 00:37:33.617 --> 00:37:38.110 - Joe Friedman, can you please come to the stage, my boy? Hey, don't hurt him now. 00:41:56.162 --> 00:42:02.000 - Put your hands together for Mr. Joe Freeman, everybody. Now, don't be shy. Put your hands together for 00:42:02.000 --> 00:42:08.122 - Mr. Jeff Parker, too, y'all. Whoo. Hey, y'all boys cold, man. Y'all boys cold. Now, for this next election, 00:42:08.122 --> 00:42:13.961 - we just want to pay homage to the late, great, legendary saxophonist, Mr. David Sanborn. To y'all that 00:42:13.961 --> 00:42:19.742 - don't know a little bit about David Sanborn, you know, he's an amazing jazz musician. He dominated in 00:42:19.742 --> 00:42:25.694 - all other genres, but jazz was his thing. You know what I'm saying? And he passed away a little bit ago. 00:42:26.114 --> 00:42:30.955 - So for this next one, we just wanna let you guys know that his legacy is still living on today in this 00:42:30.955 --> 00:42:36.030 - band, in this ensemble. So right now, we just wanna give you straight from the heart. Take it away, Connor. 00:45:46.306 --> 00:45:53.112 - since we all getting, you know, becoming family and everything, how y'all feeling so far? Because these 00:45:53.112 --> 00:46:00.245 - boys, these boys right here, they work the hardest out of everybody. So give them another round of applause, 00:46:00.245 --> 00:46:07.051 - please. Yes. Now for this next tune, we're going to give y'all a little bit of BT Express. Who all know 00:46:07.051 --> 00:46:13.661 - BT Express here? Okay. Okay. So for those of y'all that don't know, BT Express is a funk disco group 00:46:13.661 --> 00:46:15.166 - based out of Brooklyn. 00:46:15.714 --> 00:46:22.639 - You know what I'm saying? Them boys were from the streets for real. But they also birthed one of the 00:46:22.639 --> 00:46:29.632 - modern godfathers of R&B nowadays, Mr. Kashif. Now, if you don't know who Kashif is, Kashif is behind 00:46:29.632 --> 00:46:36.763 - the, let me see if you guys know this song. Oh, you make my love come down. Oh, you make my love. Y'all 00:46:36.763 --> 00:46:43.893 - know that song? Love Come Down, Mrs. Evelyn Champagne King. He's a mastermind behind You Give Good Love 00:46:43.893 --> 00:46:45.470 - by Whitney Houston and 00:46:45.698 --> 00:46:51.393 - He was the one who brought the bass synth to modern R&B nowadays. So for y'all, I just want to take 00:46:51.393 --> 00:46:54.526 - y'all on this ride on the BT Express. Go ahead, y'all. 00:50:31.330 --> 00:50:38.446 - Yeah, that's right, that's right. All right, so this next tune, who knows by a great singer-songwriter 00:50:38.446 --> 00:50:45.355 - by the name of Luther Vandross? All right, all right, all right, all right. All right, so this next 00:50:45.355 --> 00:50:52.333 - one, you know, a lot of people really don't know it like that, but the yearners know what it is. You 00:50:52.333 --> 00:50:59.311 - know what a yearner is? Okay, okay, okay, we're in the right place. Bruzen, you got me? This is Take 00:50:59.311 --> 00:51:01.246 - You Out by Luther Vandross. 00:51:14.434 --> 00:51:21.851 - It's my surprise, I must say, cause I never had seen such a pretty face with such a warm and beautiful 00:51:21.851 --> 00:51:29.052 - smile. It wasn't hard for me to notice her style. I was surprised I didn't show her me. She took my 00:51:29.052 --> 00:51:36.469 - heart and healed me for me. I wouldn't let her get away, not until she heard me say. It's good for the 00:51:36.469 --> 00:51:43.454 - miss, but what's your name? Where are you from? Here I come, I've got some weed. Can I take you? 00:52:02.978 --> 00:52:11.972 - the chance for romance. And I walk away knowing I tried my best and I'm going, I'm going on with my 00:52:11.972 --> 00:52:15.390 - day, cause at least she heard me say. 00:52:42.114 --> 00:53:03.422 - That's why I had to come over and introduce myself to you. 00:54:00.674 --> 00:54:09.119 - Mr. Caleb Bailey, everybody. Give him a round of applause, Mr. Caleb. Woo! Hey, boy. Hey, now. Now, 00:54:09.119 --> 00:54:17.564 - for this next one, we're going to actually give y'all the hottest R&B song on the charts right now. 00:54:17.564 --> 00:54:26.263 - Know what I'm saying? See, a fun fact about this song is when she performed this on I Heart Radio, the 00:54:26.263 --> 00:54:30.654 - music awards, our alumnus, he actually arranged it. 00:54:30.818 --> 00:54:41.132 - And he is her MD right now. So right now, we want to give you Folded by Kehlani, arranged by Mr. Alex 00:54:41.132 --> 00:54:45.278 - Goldblatt, everybody. So with you along. 00:58:25.954 --> 00:58:31.707 - All right, I know we already sang a Janet song, but I'm gonna hit y'all with another one. Bam, go ahead 00:58:31.707 --> 00:58:37.349 - and hit me again. So we do wanna thank you guys for coming out and supporting us. It means so much to 00:58:37.349 --> 00:58:42.494 - us. Thank you for coming together again. So yeah, that's the song we're gonna sing by Janet. 01:03:13.602 --> 01:03:19.948 - Thank you everybody. We gonna stay in the 90s for a little minute. How many of y'all know about a group 01:03:19.948 --> 01:03:26.171 - called Ideal? Okay, okay. Well, regardless if you do or don't, I just want you guys to just vibe with 01:03:26.171 --> 01:03:32.639 - us, okay? Is that cool? Just vibe with us, just vibe with us. Come on, hit me up, y'all. One, two, three, 01:03:32.639 --> 01:03:37.886 - four, one, two. Y'all, don't be afraid to get up and dance, you know what I'm saying? 01:04:16.354 --> 01:04:35.661 - I like it when you move up close to me. Same scene, crying, holding me. Real close because it's supposed 01:04:35.661 --> 01:04:45.406 - to be, baby. I like it when you put that band on me. 01:04:45.666 --> 01:04:55.168 - Making it harder in between, baby. Whatever you want to do. Whether it's at home, whether it's at home. 01:04:55.168 --> 01:05:04.487 - It's up to you. Whatever you want to do. So you want to move. Show me how you move. What you're going 01:05:04.487 --> 01:05:10.334 - to do. Because I'm what I'm bound to. Tonight, I just got paid. 01:05:41.410 --> 01:06:11.006 - You can choose the place we go. Or stay home on this merry snow. You choose the scenario tonight. 01:06:12.738 --> 01:06:39.486 - Come on now. Come on, y'all take over, come on. 01:06:42.370 --> 01:06:43.230 - I feel that, come on. 01:07:28.994 --> 01:07:56.190 - Thank you, thank you, thank you. 01:07:56.994 --> 01:08:03.742 - All right, give it up for Jason one more time, y'all. All right, this next song we got is by a woman 01:08:03.742 --> 01:08:10.691 - named Phyllis Hyman. How many of y'all know Phyllis Hyman? All right, this was a song. This is actually 01:08:10.691 --> 01:08:15.902 - one of her most popular songs. She made this song in 1977. Band, y'all ready? 01:13:18.658 --> 01:13:27.168 - We got my brother, Mr. Jay Humphrey, y'all. We got two guitarists, Eric Olson and my boy, Anthony Lewis. 01:13:27.168 --> 01:13:35.354 - Give it up for them, y'all. Now on these keys, we got my brother, Mr. Jayden Sanders. Y'all, give it 01:13:35.354 --> 01:13:43.702 - up for Jayden. Now on this beautiful vocalist, we got my boy, Mr. Caleb Bailey, y'all. Chloe Williams. 01:13:43.702 --> 01:13:47.998 - Ms. Naila Rae, everyone. Faith Henderson, everybody. 01:13:53.410 --> 01:14:03.684 - And yours too, and your boy Jason Lott. You know what I'm saying. Come on, y'all. Woo. All right, y'all. 01:14:03.684 --> 01:14:12.882 - It's time for the takeover. Y'all been sitting down for way too long. I need y'all to get up. 01:14:12.882 --> 01:14:20.318 - It's a party. You know what I'm saying? Come on. You got to do it yourself. 01:14:25.570 --> 01:14:37.410 - I see you. Come on, make some noise, y'all. Let's go. If it was you, you or me, you're gonna be winning. 01:14:37.410 --> 01:14:49.024 - If you want something better, you gotta want to give your all. Because I believe so much in we, I know 01:14:49.024 --> 01:14:51.166 - we're not kidding. 01:14:51.490 --> 01:15:00.782 - If you're the same as me, yeah, you've got to want to take the ball. Now I'm bound down, but nothing 01:15:00.782 --> 01:15:09.982 - is given. Don't know where the cards may fall. All I know is that we've got to get it. We've got to 01:15:09.982 --> 01:15:15.134 - put this on the road. I guess we'll get it on the road. 01:15:19.618 --> 01:15:33.837 - Come on, come on. Take me somewhere true. Come on, come on. Gotta, gotta take me home. Gotta, gotta, 01:15:33.837 --> 01:15:44.958 - gotta take me home. Come on, y'all. Let's go. Bring it, Daphne, back. Come on. 01:15:47.874 --> 01:16:16.062 - We're in control. I see y'all. Everybody make some noise, y'all. I said we're in control. 01:16:21.826 --> 01:16:33.323 - So I guess we're gonna have to take control. Say it's been so too long. Come on, come on. Too hard to 01:16:33.323 --> 01:16:44.594 - handle, too comfortable. Everything's got to stay in control. Y'all sound good. Y'all gotta take it 01:16:44.594 --> 01:16:51.582 - home. Y'all gotta take it home, yeah. Come on, come on, yeah. 01:16:53.186 --> 01:16:59.900 - Got to, got to take it home. Got to, got to, got to take it home. Now this next song, if you sitting 01:16:59.900 --> 01:17:07.013 - down, I don't know how you sitting down. I need you to get up off your seats and get on your feet. There's 01:17:07.013 --> 01:17:14.060 - plenty of room right up here. Y'all don't be afraid to come by to move with us. You know what I'm saying? 01:17:14.060 --> 01:17:17.118 - I don't bite. I don't bite. Come on, come on. 01:17:29.282 --> 01:17:41.297 - Turn it down, really? Yeah, I see you, brother. Whoo! So excited. Thank you. Let me see y'all. Girl, 01:17:41.297 --> 01:17:53.431 - you're looking sweeter now. Whoo! You got it every day, girl. Wish that I could love you right, yeah. 01:17:53.431 --> 01:17:56.286 - In a special way, girl. 01:17:59.170 --> 01:18:23.918 - Let me hear y'all sing. You blow my mind. I'm satisfied. Oh, yeah. Oh, yeah. Come on. You're not me, 01:18:23.918 --> 01:18:28.574 - y'all. So excited. 01:18:28.770 --> 01:18:51.134 - Take it away now, come on. Shabaraba, sweet, sweet, sweet. 01:19:35.106 --> 01:19:56.326 - Hey, don't y'all go nowhere. We got one for y'all. Wow. Wow. Yeah. Come on, y'all. Woo. Let me say something. 01:19:56.326 --> 01:20:01.534 - You are a bad, bad missus. 01:20:03.522 --> 01:20:13.477 - You know, skin tight, precious. You know what I'm saying? You're running, folks, in dick chest. Maybe 01:20:13.477 --> 01:20:22.846 - you're about to bust a stick chest. Yeah. Come on. Skin tight. Yeah. One more time. Skin tight. 01:21:31.938 --> 01:21:38.974 - Don't know where to sing along. Come on. Skit tight. Skit tight. Woo. Come on. Look back. 01:27:15.362 --> 01:27:21.469 - Come on now. Okay, for this next one, I need my brother, Mr. Kayla Bailey, to come help me with this 01:27:21.469 --> 01:27:28.000 - one now. Y'all don't go nowhere, because we gonna take y'all back to 1990. Now, do y'all know some brothers 01:27:28.000 --> 01:27:34.047 - by the name of Bell Biv Devo? I don't think y'all heard me. Do y'all know some brothers by the name 01:27:34.047 --> 01:27:40.094 - of Bell Biv Devo? Okay, okay. We gonna put some poison in y'all system. Hey, Prop, hit me off, man. 01:27:50.274 --> 01:27:55.098 - of an appraisal for the fact. You know what I'm saying? You ready, Steve? I'm ready. Say so, you ready? 01:27:55.098 --> 01:27:56.350 - I'm ready. Is y'all ready? 01:29:12.706 --> 01:29:23.764 - I think she's the best thing in the world. Come on. She's so right. She'll drive you right out of your 01:29:23.764 --> 01:29:34.607 - mind. Steal your heart and your mind. She'll make you think you're dreaming. You'll fall in love and 01:29:34.607 --> 01:29:36.862 - you'll be screaming. 01:29:40.386 --> 01:30:09.726 - Come on, y'all, welcome. Put your hands up, come on. 01:30:11.490 --> 01:30:22.046 - Poison, poison, poison, poison, poison, poison, poison. 01:30:22.466 --> 01:30:25.444 - Poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:25.444 --> 01:30:28.422 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:28.422 --> 01:30:31.400 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:31.400 --> 01:30:34.378 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:34.378 --> 01:30:37.356 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:37.356 --> 01:30:40.334 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:40.334 --> 01:30:43.312 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:43.312 --> 01:30:46.290 - poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, poison, 01:30:46.290 --> 01:30:48.094 - poison, poison, poison, poison, poison, poison, poison, poison 01:31:10.210 --> 01:31:28.661 - What they say? Hey, y'all ready for this one now? Say where them fans at? Where them fans at? Come on. 01:31:28.661 --> 01:31:40.126 - Where them fans at? Hit me one time. Hit me two times. Come on. 01:31:42.370 --> 01:31:50.434 - Oh, I got marbles on the ground. It's on the ground. Yeah. Where the bands at. Oh, oh, oh, oh, oh. I 01:31:50.434 --> 01:31:58.418 - got marbles on the ground. It's on the ground. Y'all know what I'm saying. Get it by your seat. Let 01:31:58.418 --> 01:32:07.041 - your body move. Cameras and cowgirls, you're feeling the groove. Sippin' on moonshine. Fire barrel rolling. 01:32:07.041 --> 01:32:08.638 - I'ma get behind it. 01:32:23.010 --> 01:32:38.470 - Oh, I got my boots on the ground. One more time, y'all. Oh, I got my boots on the ground. Oh, I got 01:32:38.470 --> 01:32:46.046 - my boots on the ground, baby. Please, everybody. 01:32:54.050 --> 01:33:00.788 - Thank you, thank you, ladies and gentlemen. Thank you, ladies and gentlemen. We are the IU Soul Revue. 01:33:00.788 --> 01:33:07.658 - And I hate to inform y'all, but this is the last song of our show. I know, I know, I know. I understand. 01:33:07.658 --> 01:33:14.200 - But can we give a shout out to the Soul Revue alum in the house, everybody? Come on, put your hands 01:33:14.200 --> 01:33:20.807 - together. Thank y'all for representing. Thank y'all for showing up. You know what I'm saying? So for 01:33:20.807 --> 01:33:21.854 - this last song, 01:33:22.050 --> 01:33:27.614 - If you want to put your lights up in the air right, make the whole room look like a disco ball. You 01:33:27.614 --> 01:33:33.401 - know what I'm saying? Band, is y'all ready? Vocals, is y'all ready? Hey, is y'all ready? Is y'all good? 01:33:33.401 --> 01:33:39.077 - I think my ears might be a little bit broke. I couldn't hear y'all that well. Is y'all good? One more 01:33:39.077 --> 01:33:45.086 - time to raise the roof. Is y'all good? We're going to give y'all a little bit of ooh child. Come on, y'all. 01:38:55.522 --> 01:39:01.025 - amazing audience, you know what I'm saying? Y'all was vibing the whole time. We want to say thank you 01:39:01.025 --> 01:39:06.637 - to the tech crew. Thank you to the amazing people here at Buskerk Chungley. Thank you to Jada, our road 01:39:06.637 --> 01:39:12.194 - manager. Thank you to Arielle, our vocal coach. Thank you to Everett Taylor out there doing his single 01:39:12.194 --> 01:39:17.428 - tour right now. Thank you to all of you guys for making this happen. We are the IU stove review. 01:39:17.428 --> 01:39:19.262 - Come on, y'all, let's take a bow.