WEBVTT

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- This is Frank Coppina on drums. Mocha Fukushima playing bass. At Max ET, we're House of Auders. Really,

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- really grateful to be here. It's our first time playing at Lotus. I've played here with a couple other

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- bands, but first time in this band. This is our baby that we've been working on for 18 years. So that's

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- pretty crazy. We have a bunch of records and vinyl.

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- and all of that stuff over at the artist's merch tent. We'll be over there afterwards in that room.

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- So come say hi. We can sign some stuff. And it's very important that you get it. I mentioned it at the

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- earlier show because after our show, we're going to Madison tomorrow. After our show in Madison, these

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- guys fly out from Madison, but me in a Prius with this thing and too many boxes of merch. It's going

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- to be really tough, actually. We were looking at it like, okay, how are we going to do this?

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- And the only answer is we got to sell all the merch. So yeah, that guy's getting like nine CDs. It's

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- really a pleasure to be here and to offer our music to all of you. What we do, we'll talk more a little

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- bit about some of the things that are behind the music, but the last piece of the song called Hang in

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- the Air is dedicated to the absolutely amazing 55 Bar in New York City.

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- village that got this club, it has birthed a sound and it was around for 108 years until about like

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- two years ago. And now it's fancy sushi and or a Jamba Juice. I mean, so it's like, you know, it's very

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- crazy. But the point of bringing that up is that even something as institutionalized as 108 year old,

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- like very important place for jazz and jazz history is very fragile. And so

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- Lotus, as established as it is, and as many patrons have been coming over the years, people behind the

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- scenes can tell you it is also very, very fragile. So everybody that, what you all are doing right now

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- is exactly what you should be doing. But tell your friends, keep getting people out here, local live

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- music. Don't take this for granted. It's just, this theater could be a really fancy sushi spot, so.

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- Balcony sushi.

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- That would be the name of it. That would be the name of the place. It would be called Balcony Sushi.

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- It would be like 45 bucks for, anyway. We're going to play a song from our most recent album. Got nominated

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- for a Grammy, which is pretty exciting. Yeah. It's a complex feeling. We could talk about it afterwards.

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- But it's over in the merch tent. It's called Unbecoming. This song is called Avalok.

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- Thank you so much. That song is called La Semana. We haven't played that song in a long time. It's awesome

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- to revisit. That kind of is a good tie-in, actually. Almost like I planned that. Spontaneity. That's

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- a major part of what's going on on stage, a lot of improvisation.

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- trying to essentially be a practice of presentness, trying to get really to the crux of the moment.

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- You know, in that space, there's nothing that exists other than the moment. You know, there's no ego,

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- because it's, you know, ego's, I will be awesome, or I was awesome, but now it's just like alive. And

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- so that aspect is actually a major part of what fuels Indian classical music, as well as many other

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- musics from around the world. But with my background there, it's been something that's been kind of

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- a guiding force musically and otherwise.

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- So what we like to do in our set is take a moment and create something just now, just for y'all. Never

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- to be repeated again. Can't be repeated again. I wouldn't know how to do it again. And that's something

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- that's kind of beautiful, right? It's just like, it's really just for here. We don't need to be anywhere

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- else, but just here. So we can all kind of go on this little journey together and see what happens.

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- It might be awful.

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- But it's not about that, right? It's about the practice of it. It doesn't really matter. It's like if

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- we're going into it, the judgment of it is irrelevant. Judgment, again, is similarly kind of like the

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- opposite of what we're trying to get here. We're really just trying to get to a place of just existing

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- creativity for the sake of creativity for no other reason. For 10,000 years, people sat under trees

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- and made music. They weren't doing it for TikTok streams and Instagram likes. It's mostly just

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- trying stuff you know and so we're gonna we're gonna try stuff now and and thanks for making a warm

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- place for us to attempt this thing appreciate it

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- Once again, that's Frank Opina. Moe to Fukushima. We're House of Waters. We have time for one more short

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- one, we can do that? One more short one? Yeah. We're going to be hanging out at the merch tent. Please

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- make my ride home more comfortable in the Prius.
