WEBVTT

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- It's been such a wonderful weekend. Even the weather was wonderful, so kind of how can you get any better

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- than that? We are so grateful to have you all here today, and we're also really excited about our bands

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- today. I want to start with a land acknowledgement. To start, we want to gratefully acknowledge the

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- native peoples on whose ancestral homelands we gather, as well as the diverse and vibrant native communities

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- who make their homes here today. So in the spirit of this weekend, this weekend has just had so much

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- to offer. It was a whole new setup downtown. It was so interesting having the Arts Village on Kirkwood.

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- Who loved the Arts Village on Kirkwood? I thought it was just such a wonderful

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- Lotus never stays quite the same, right? We always change a little bit. And so having it there was really

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- something we appreciated so much, just having the space, having the city allow us to use that side of

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- the block, being able to have dance workshops there, having a parade that ended up there, all the activity

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- that happened there. So we're excited about what that brings to the future. I know you heard a lot of

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- amazing music and really several bands mentioned this too, that the joy of the music that we heard

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- is really an antidote to some of the political currents of our time just to have this joyful noise and

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- not just noise, music in our midst for a whole weekend. It's been wonderful. We want to thank, of course,

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- all of you for being here. We want to thank our amazing volunteers because you know this festival runs

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- on volunteers.

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- Our Lotus staff, of course, has worked so many hours that some of them have gotten maybe just three

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- hours sleep each night. But it has really been a testimony to how this vision comes to bear when everyone

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- is putting everything they have into making it happen. I also want to thank some of the people who made

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- our whole weekend possible. We're incredibly grateful to a group of people, the Lotus Scene Savers, who

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- raised nearly $25,000 to invest in the festival. Isn't that amazing? Yeah. To keep the 6th Street tent

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- up and alive. You already gave them a round of applause, so thank you. Again, we're just glad that you

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- are here for this final piece of the festival. Most of you know that Lotus is a charitable organization.

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- So for 33 years, we've been able to celebrate this diversity of the world's cultures

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- through Music and the Arts because of the support of our local community. So thank you. The ticker you

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- buy covers about 30% of our festival costs. So you know that we have to make up the rest through donations,

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- through business support. So we thank everybody who's a part of that. And so, of course, that leads

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- me to wanting to name our presenting sponsors. We just named the Lotus Scene Savers. If you know some

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- of these people, thank them. The IU Arts and

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- Humanities Council, who helped make the festival happen tonight or this whole weekend, and also Blockhouse

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- Studios. Did anyone see the projection mapping on the courthouse? That was pretty, pretty amazing. So

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- we're so grateful for them. We also want to thank the people who housed our artists, which is the Grant

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- Street Inn and Holiday Inn Bloomington.

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- and our benefactor sponsors, Bloom Magazine and Downtown Bloomington, Inc. Can we have a round of applause

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- for them as well? So, just as a last thing, I feel like we say this over and over again, but we really

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- are so grateful for all the individual donors, contributors, just not the festival, but Lotus Blossoms

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- and all the other things we do throughout the year, because

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- You give wherever Lotus needs it most and all our programming. It's not just about the festival, though

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- we are here for the festival. It's for all the things we do all year. We're so thankful for you. But

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- I am so excited about this band. I just want to tell you where I saw the band. I saw the band at Folk

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- Alliance in New Orleans this January, and I loved what they did. And I know you're going to love them

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- too. I just want to give you their background. They're rooted in the tradition of sacred steel and fueled

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- by the fierce

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- faith-filled spirit of modern gospel blues, Nicky D and the Sisters of Thunder are one of the

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- most electrifying and soul-stirring ensembles in contemporary sacred music. Led by powerhouse guitarist,

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- vocalist, and band leader Nicky D, the group delivers a sound that is traditional and yet innovative,

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- melding Holy Ghost Fire with blues grit. She loves that. Lou Ann Holliday, she loves that.

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- heartfelt worship, and a thunderous presence that lifts you up, up, up. Their performance overflows

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- with energy, emotion, musical synergy, all created by family. Joyful storms of blues riffs, gospel,

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- I'm just trying to read all the words here, hand claps, sanctified grooves, and testimonials, both personal

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- Universal. Will you please join me in welcoming Nikki D and the Sisters of Thunder?

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- Let's look for the purple banana for the clothes in the truck.

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- On guitar, we got the manager, my sister Gloria, and today's her birthday. Give it up! And then on bass,

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- we got my cousin, the music director, Tameka. Y'all give her a round of applause. Now on drums, we got

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- my nephew, but he gonna introduce himself. Can he do it, y'all?

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- Ladies and gentlemen, and his nickname is Chumblay. And I'm Nicky D. And the D stands for Dino Mike.

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- Now today, we're going to do some gospel. We're going to sing some soul. We're going to do some funk.

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- But right now, we're going to do some down home blues. Are y'all ready?

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- The blues is all right. Let me hear you say. Hey, hey, the blues is all right. Let's church them. Hey,

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- hey, the Lord is all right. Hey, hey, the Lord is all right. I said, don't, don't, don't. Go ahead,

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- y'all. Let the devil ride. Oh, don't. Let the devil ride.

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- I'm gonna play while they dance, is that alright?

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- Somebody got a neighbor that's the devil. Somebody got a coworker that's the devil. Sometimes your dog

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- act like the devil. But we here for a moment to shake the devil off. But we gonna do Tina first. Are

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- y'all ready?

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- I think I got four people over here and seven people right here and three people right here. So,

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- this side, if you don't mind, I want y'all to shake like this to the to that side, right? This side, I want

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- This side, just shake it in the middle, okay? But now we gotta do like how we go. We're gonna say, shake,

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- shake, shake. Shakeity, shakeity, shakeity. Shake, shake, shake, shake. So y'all gotta do it with your

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- feet. Are y'all ready? Say yeah! Yeah! Yeah! Yeah! Here we go. Y'all ready? Come on and shake, shake,

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- shake, shake. Shake, shake, shake. Yeah! Shake, shake, shake, shake. In the middle. Shake, shake, shake,

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- shake, shake, shake.

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- Shake, shake, shake, shake. Shake, shake, everybody. Shake, shake. Shake it, shake it, shake it,

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- shake it. Shake it, shake it, shake it, shake it.

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- Come on. The devil been fooling with me all day. Can we hit the devil two times? There we go. Put up

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- our dukes on tonight. Can we hit the devil three times? Now, how many years have this festival been

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- going on? Ooh, I don't think I can hit the devil 30. You said 30 something years? 33? Wow. We'll be

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- here till Christmas if I hit him 33 times.

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- Let's put a three in there. He said, go, Kristen. So we're going to put a three in there. Somebody put

00:21:40.067 --> 00:21:46.754
- your number one through 20, but put a three in there. Yeah. But y'all got to put up your dupes to get

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- them 13 times. Are y'all ready? I know I had y'all working. I had y'all shaking. Now I got y'all fighting.

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- Y'all ready? Let's hit the double 13 times. Let's go.

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- a round of applause. Don't go too far. We got some more dancing to do. But I brought my god sister,

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- and she's an amazing woman. She's an amazing artist. And she's going to sing some Sam Cooke for y'all

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- tonight. Can she do that? Go ahead, Todd.

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- I've been running ever since It's been a long time

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- Are y'all going to do that? Come on. You know what? You know what? Come on down to the front. Come on

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- down to the front. And we're going to wait right here. We're going to wait right here. Come on down

00:31:52.241 --> 00:31:58.398
- to the front. Come on down to the front. We're going to wait right here.

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- Now listen if you didn't

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- Hey, honey, can I sing something for you? Any birthdays today? Any anniversaries on today? Well, can

00:38:55.784 --> 00:39:06.691
- y'all help me sing Happy Birthday to my sister Gloria? Any October birthdays this month? And I'm gonna

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- do a little something like this, y'all. Say happy, happy birthday to you.

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- Happy, happy birthday to you. You look good. Oh, you're looking fine. I'm so glad you are a sister.

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- Give her a round of applause. Come on, I found the love. One round. I found the love.

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- Give it up for Lataja, y'all. We gonna build it up, y'all.

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- Every little thing is gonna be all right. I don't know what you're going through, but don't worry about

00:42:14.326 --> 00:42:24.286
- a thing. Because every little thing is gonna be all right.

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- Yeah.

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- Buzz Kirk Chumlee, right? Okay, got that. So, my nephew was born on Valentine's Day, but when he was

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- born, my sister, she was there, and she nicknamed him Chumlee. So we call him, I know he's 25, but he's

00:43:48.655 --> 00:43:58.070
- still our Chum Chum, our Chumlee. And so, he gotta do a little something for Chumlee. Is that all right?

00:43:58.070 --> 00:43:59.774
- Is that all right?

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- So Chumlee, I want you to take your time, do a little something, then we gonna go back and forth, is

00:44:07.426 --> 00:44:10.174
- that okay? Do a little something for the people.

00:45:30.050 --> 00:45:38.637
- family discussion. We thank y'all again. Y'all give it up for The Sound. Y'all give it up for Tony,

00:45:38.637 --> 00:45:47.310
- Gabe, Wayne. I kind of think of my one guy name. We gonna do this song and we want to make room for,

00:45:47.310 --> 00:45:56.670
- is it pronounced Gaden? That's the group we got coming up, yes. Y'all give them a round of applause as well.

00:45:59.426 --> 00:46:06.812
- Oh man, thank you so much. So this instrument I'm playing, and I love what Lotus is doing, they do education,

00:46:06.812 --> 00:46:13.796
- they enlighten people on the arts, on music, on just everything, history with this town. So I just want

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- to give y'all a little history of this guitar. This guitar is called the Hawaiian guitar, came out of

00:46:20.645 --> 00:46:25.278
- Hawaii, originated. Now it's played different ways in country music,

00:46:25.634 --> 00:46:32.113
- of music and gospel music as you can see but we all got it from Hawaii. I'm sorry, Tony. I'm I'm I'm

00:46:32.113 --> 00:46:38.848
- ringing a little bit, Tony. I'm sorry. And so, this song, I just want to give you a little enlightenment

00:46:38.848 --> 00:46:45.327
- on because I was asked last night, how did you start playing this guitar? I was eight years old when

00:46:45.327 --> 00:46:51.678
- I saw it at at the church, Church of the Living God and so, I told my dad I want to play it and he

00:46:51.810 --> 00:47:00.720
- My other sisters were playing music and so I'm like, let me try this thing out. Now my y'all wasn't

00:47:00.720 --> 00:47:10.164
- good, I'm still not that good, but just a little story about my music, my family, and how I got my start.

00:47:10.164 --> 00:47:19.162
- And how I keep going because what my parents instilled in me, I'm gonna play it right here. It was a

00:47:19.162 --> 00:47:20.766
- Wednesday morning

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- when I heard my mother scream. So I went downstairs to see what that scream means. My daddy had a heart

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- attack, y'all. He passed away on the kitchen floor. I said, oh, God.

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- last time I see him alive anymore. Oh, no, no, no more. No, no, no, no, no, no. No, no, no, no, no,

00:48:12.133 --> 00:48:22.654
- no. Well, this is the last time I see him alive, y'all.

00:48:52.066 --> 00:49:01.726
- I'm only 18 years old. But in the meantime, I gotta show y'all something. In the meantime, what my daddy told me.

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- Can you see me? I am in Bloomington, Indiana. It's in Bloomington, Illinois. I think it's in Minnesota,

00:49:41.606 --> 00:49:50.219
- but I'm in Indiana, Daddy. And Daddy, I remember when I was a little fellow, as you called me. You told

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- me that one day I would sing to the nation, Daddy. And here I am in a whole nother state, a place I'd

00:49:58.666 --> 00:50:01.150
- never been before. Oh, Daddy.

00:50:01.442 --> 00:50:09.454
- You taught me right. You showed me right from wrong. Let me let y'all into this conversation. So when

00:50:09.454 --> 00:50:17.388
- my daddy would show me different things on this guitar, he would tell me to make it talk. Can I make

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- it talk, y'all? And I would do something, a little something like this. It may not get over, but I'm

00:50:25.321 --> 00:50:29.406
- going to do a little something for you. Here we go.

00:50:39.746 --> 00:50:46.930
- I kind of sound like Charlie Brown teacher, but that's not right. Thank you. Thank you very much. And

00:50:46.930 --> 00:50:53.692
- my Elvis Presley voice. And then, my daddy would say, if that don't get him, little fella, say,

00:50:53.692 --> 00:50:58.622
- make it sing, and I would do something like this. Can I make it sing?

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- But that don't make them clap their hands. He said, now shoot the rocket. Now, my daddy called me Wild

00:51:26.872 --> 00:51:33.448
- Thing because he wanted boys and he had four girls. He called me Little Fella, I mean. He called me

00:51:33.448 --> 00:51:40.354
- Little Fella. My mother called me Wild Thing. And my sister called me Nicky D. Couldn't nobody say Nicky

00:51:40.354 --> 00:51:46.996
- D like Lynette could. So this is what I need y'all to do while we got about two more minutes. I need

00:51:46.996 --> 00:51:49.758
- somebody to say, play, Little Fella. Woo!

00:51:50.114 --> 00:51:58.473
- I need somebody to play, say Play Wild Thing. And I need somebody to say Play Nicky D. As I shoot these

00:51:58.473 --> 00:52:06.269
- rockers, are y'all ready? I gotta hear you play, little fella. Play Wild Thing, let me hear you.

00:52:06.269 --> 00:52:10.046
- Play Nicky D. I can't hear nobody. Here we go.

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- We wanna.

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- Are y'all so hard already? Are y'all ready for Gaben? Am I saying the name right? Since y'all up. Yeah.

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- You like that? You like that? This one a little more participation. We're going to do it real quick.

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- Y'all with us? Now, that's what we sing back at home at church, okay?

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- If I couldn't say a word If I couldn't say a word I'll just wave I'll just wave my hand I'll just wave

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- my hand If I couldn't sing a song If I couldn't sing a song

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- Everybody just wave your hands. Everybody just wave your hands. Everybody just wave your hands.

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- Come on. Everybody just leap for joy. Everybody just leap for joy. Everybody just leap for joy. Everybody

01:04:40.621 --> 01:04:48.883
- just leap for joy. Everybody let your light shine. Let everybody let the light shine. One more time.

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- Everybody just shine your light.

01:05:00.258 --> 01:05:01.502
- Just shine your light.
