WEBVTT

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- Thank you so much. Good evening. So nice to be here. Thank you so much, everybody. All right. So we're

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- just going to get started. Fabian, you'll see him flying in in just a moment.

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- I am indebted to my Zuni people and my ancestors for all that I am. My Zuni religion and language which

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- is the foundation of my being. The songs of the Zuni people are passed down from generation to generation

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- to celebrate culture, tradition and the teachings

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- The songs and dances are a means of ushering in blessings and hope for the people to be lifted in spirit

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- and to prosper in their daily lives. May these songs touch everyone, young and old, all races, all people

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- throughout the world. May grandfather keep you safe and warm always.

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- to answer my own.

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- I wrote this song as an honor song and remembrance and honor song to the creation story of the Zuni

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- people where my husband Fabian was born and raised. They have a beautiful story of emergence. It takes

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- four days and four nights to tell the story of their emergence. From the bottom of the Grand Canyon

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- they came, from the underworld out into the world of Sunfather. It's a beautiful story. So I wrote this song.

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- their story of emergence.

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- they came out of darkness and shadow into the light of new day. Creator breathe life into them. The

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- sting of breath and new eyes. We opened their mouths for the first time.

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- First spoken words realize and they call themselves the people of the flesh. Out of the ashes and into

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- light. Out of darkness and into the light. Out of the ashes and into light.

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- Out of the ashes and into life Out of darkness and into the light Out of the ashes and into life

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- I don't know if any of you have been to New Mexico, but there's 19 reservations, or we like to say villages,

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- in New Mexico, and Zuni is the largest and oldest village in New Mexico, and that's where Fabian was

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- born and raised. He's also Omaha, and so the way he's dressed tonight in this outfit, his regalia, is

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- more representing his Omaha people, although he does have some things that he wears to represent his Zuni

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- family as well. Thank you so much. Thank you for coming out everybody. Thank you so much. How many people

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- have been to Taos Pueblo? Have people not been there? Taos people always say they're the oldest continuously

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- inhabited village on the North American continent. Don't believe them. Because Zunis are.

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- Oh gosh, reminds me of football or something. Well anyways, I wrote this next song for all of you here

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- today, for our family and for yours. And I think it's so important to be proud of who we are, all of

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- us here tonight. Be proud of who you are and where you come from. It's so important. That's so beautiful.

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- You know, especially we have the holidays upon us coming and we all have so many different

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- ways of celebrating those things.

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- So teach your children and your grandchildren those things, your traditions and so forth. Carry those

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- things down and teach them and show them and be proud of who you are. I wrote this song for all of us

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- here tonight. It's called Heritage.

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- Our fathers fought for this heritage Where the spirit wind reminds me of who I am

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- by my calling to uphold the ancient secret of my past. I recall the elder's stories and the wisdom in

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- their eyes. I must teach them to my children. I will never sacrifice my heritage.

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- Spirit wind reminds me of who I am. Heritage, our fathers fought for this. I can hear their distant

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- voices as they tell me to

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- We've fallen.

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- from all over the world on our travels is so beautiful. It's amazing how much we all have in common.

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- Even though we come from different places, it's a beautiful thing.

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- to write songs, music and songs that bring people together. Especially now these days we need that.

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- We need to be kind to each other and compassionate and all of that. So it means a lot to me to be able

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- to sing these songs to you. And to be able to do what we do, Fabian and I, I'm so thankful that we can

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- do these shows together. Our daughter used to travel with us and dance, but she's all grown now with

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- children and so she's

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- carrying on and teaching our grandchildren the dances and so forth. And it's just, we're so proud. We're

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- so proud of them. At this time, baby's, what was that? Heritage. Heritage, exactly. Thank you.

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- I wrote a song, I love to write contemporary native music, so I take real traditional old rhythms sometimes,

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- dance rhythms, and I write contemporary songs to them.

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- This next one is one of those. It's a double beat crow hop. It's one of my favorite old, old style dances,

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- the double beat crow hop. And I wrote this song so that Fabian could come out and dance. I wrote it

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- also for our families to encourage them to keep dancing, keep singing. It's so important that we do

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- that. And so Fabian, maybe you could explain to them the meaning behind the double beat crow hop. As

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- Shelley said, this is her most favorite song.

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- and dance, the style of dance. And I believe that, I truly believe that the Double B Crowhop truly belongs

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- to the Shorajay people of Montana. The Shorajay people actually to this day still have the Double B

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- Crowhop Society songs. And the drum group that's really well known, that's very old family drum group,

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- who knows, maybe a couple hundred or several hundred year old family traditional sacred drum group known

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- as the Mad Dog Sinners.

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- and they carry very, very old traditional double B krohop songs. And Shelly took the rhythm and the

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- groove and she put orchestration and lyrics to it and it came out very, very beautifully and she titled

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- it Faithful Feet.

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- spirit of the drum it calls to me it calls to me dance dance dance faithful feet shake the ground like

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- a thunder from the heavens from the north the south the east and the west

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- shape the ground. My heart beating. The rhythm of life. I am a child. I am a woman. Cover me in the

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- sacred smoke. My paint is red and yellow ochre. I move with grace.

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- Destiny

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- the drum it calls to me, it calls to me. Spirit dance, holy dance, ghost dance, war dance, scalp dance,

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- buffalo dance, eagle dance,

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- close to 25 years. I taught myself how to play this beautiful instrument and I love music. I love to

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- play. I have different instruments. I play guitar and mandolin piano and I love music and I love to

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- play different kinds of instruments. But I think the Native flute is by far my most favorite. This is

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- a medicine instrument. It's an instrument of the heart and you don't have to know how to read music or be

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- have special training. Anyone can play this instrument. And it's brought a lot of healing into my life.

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- I'm so thankful for this Native American flutes that I have. And they're in different keys nowadays.

00:23:08.007 --> 00:23:16.205
- There's contemporary flutes now, different keys, different types of wood. Sometimes they get real exotic

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- and real fancy. But this is an A bass flute. And I thought I brought this

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- to share with you tonight because it has such a beautiful sound, a beautiful tone, much different than

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- the other flutes that I have. And so I'm just going to play a little song from my heart on the A bass

00:23:34.824 --> 00:23:41.024
- flute and Fabian will accompany me so you can hear the sound of the Native American flute, just the

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- flute by itself.

00:25:27.490 --> 00:25:35.696
- I always say when I do my flute demonstrations, I try not to go on and on and play long because I don't

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- want you to go to sleep. It's very relaxing. This is a drone flute. This is called a drone flute. And

00:25:43.743 --> 00:25:51.712
- this is actually two flutes side by side built together. So you can play one side or both sides. And

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- I'd love to share this one. It has the most wonderful sound

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- Definitely, this one is much different than the rest. And so I'll play a little something on this one

00:26:06.658 --> 00:26:14.046
- so you can hear the sound of the drone, Native American drone flute. Okay.

00:27:55.170 --> 00:28:01.830
- going to share some hand drum songs and stories with you. I'm so proud of Fabian, but he carries the

00:28:01.830 --> 00:28:08.621
- things that he teaches me and our family. I'm so thankful. He carries so many songs from his, not only

00:28:08.621 --> 00:28:15.742
- his days with the, and travels with the American Indian Dance Theater, but he grew up in a real traditional

00:28:15.742 --> 00:28:17.918
- family in Zuni. His grandparents

00:28:18.946 --> 00:28:26.381
- created the Zuni rainbow dancers in the early 1900s. And they've traveled to many places all around

00:28:26.381 --> 00:28:34.114
- the world in order to bring native education and dances and songs around the world. And so carries many

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- stories and songs. So proud of Fabian. Go ahead. Thank you so much. Thank you, Shelley. Let's give Shelley

00:28:42.070 --> 00:28:47.870
- another big round of applause. I'm so proud of my sweetheart. I love Shelley.

00:28:49.282 --> 00:28:55.779
- Just to give you a little bit more about Shelly, she's northern Cheyenne, the Sista Osuna people, the

00:28:55.779 --> 00:29:02.404
- Sista Osuna people, northern Cheyenne people. They believe they come from the Morning Star, the Morning

00:29:02.404 --> 00:29:08.901
- Star people. And through Shelly, we've received numerous awards, accolades throughout the years, just

00:29:08.901 --> 00:29:15.654
- to name a few. New Mexico Music Awards, Best Female Vocal Artist, Best Album of the Year, Native American

00:29:15.654 --> 00:29:17.246
- Music Academy Awards for

00:29:17.570 --> 00:29:26.073
- album of the year, again, best female vocal artist, the Red Bronze Feather Aborigine Award. It's kind

00:29:26.073 --> 00:29:34.825
- of a tongue twister for me. Oh, as of late, August 24th of last month, the Intercontinental Music Awards

00:29:34.825 --> 00:29:42.494
- of Los Angeles, California for the American Roots Division best song, Shirley Morning song.

00:29:49.570 --> 00:29:57.570
- I want to share our grandfather's ego dance song with you all. It's a very special song to my family,

00:29:57.570 --> 00:30:05.413
- our family, our people as well, and to a handful of northern relatives from Taos Pueblo, Pickarees,

00:30:05.413 --> 00:30:13.256
- Hoka, Hwingi people. There's several northern Pueblo people that still use this song to this day in

00:30:13.256 --> 00:30:16.158
- their dance and in their ceremonies.

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- And it was composed for a grandfather around the early 20s, 1920s. And my interpretation of what the

00:30:24.327 --> 00:30:31.778
- eagle means to our people, to our families, could be totally different to the person to the left of

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- me and the person to the right of me. There's 567 recognized tribes in the United States, Canada,

00:30:39.080 --> 00:30:43.998
- and Alaska. And we all, pretty much everyone of us, believe that.

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- The ego carries our hopes and our prayers and our dreams up to grandfather creator, that he's been given

00:30:52.239 --> 00:30:59.588
- the power to look into the eyes of grandfather, takes our prayers, our hopes and our dreams. And he's

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- ever present in all our societies, in our homes, men's societies, warrior societies, and even women's

00:31:06.937 --> 00:31:14.430
- societies as well. And the song sings about how we believe that he has the power to also fly into huge,

00:31:14.690 --> 00:31:22.178
- cumulus clouds to produce thunder, lightning, and rain. And that's what this song sings about. And our

00:31:22.178 --> 00:31:28.794
- grandfather's Indian name was Young Man, cha cha na, in our language. Old man, cha cha na.

00:31:28.794 --> 00:31:36.137
- And it's funny, because when you translate it, it's like, how you doing, old man, young man? How you

00:31:36.137 --> 00:31:40.862
- doing today? But our grandpa, Merle, this is his ego dance song.

00:34:13.442 --> 00:34:20.729
- of them recorded and stored away in the Folklife Library in Washington, D.C. So I'd like to sing one

00:34:20.729 --> 00:34:28.306
- of those songs to you. Thank you. Maybe you can explain a little if you want. Grandmother went to school

00:34:28.306 --> 00:34:35.809
- in Riverside, California, Indian school in Riverside, California. And little did she know she was going

00:34:35.809 --> 00:34:41.726
- to become a singer, a soloist, a performer, and so on to make a long story short.

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- This was in 1917 when she graduated, and in 1919, with the help of her great-great-grandfather, our

00:34:48.945 --> 00:34:55.716
- great-grandfather, they composed a song, and they actually took it from a Longhair Society song, and

00:34:55.716 --> 00:35:02.553
- they asked permission from the elders, from the medicine people, if she could use this in her travels

00:35:02.553 --> 00:35:09.726
- and her shows, and she was given approval to do so. So they tweaked it a little bit, took out some of the,

00:35:10.018 --> 00:35:17.042
- ancient sacred actual words out, but kept a little bit of them in. And again, it sings about coming

00:35:17.042 --> 00:35:24.135
- from a very dry, arid North Plateau country in northern New Mexico. Water is very essential. This is

00:35:24.135 --> 00:35:31.229
- very sacred to many people in the Southwest. And so it sings about the thunder and the lightning and

00:35:31.229 --> 00:35:39.166
- the rain, and it's singing to the babies. It's singing to the little ones. Don't be afraid, grandfather thunder.

00:35:39.426 --> 00:35:42.622
- Grandfather Lightning and Grandfather Rain is coming.

00:37:36.802 --> 00:37:47.036
- a show years back, years ago. Somebody in the audience said, he yelled out from the audience, you remind

00:37:47.036 --> 00:37:56.881
- us of Sudden Share, they said. I said, hey, wait a minute. I think it's more like Abba and Costello.

00:37:56.881 --> 00:38:06.238
- Yeah. We always crack up on that. But he'll explain to you. This is a very beautiful old dance.

00:38:06.530 --> 00:38:14.287
- It's an open hand. It's called an open hand dance. Very old. He'll explain. I am going to attempt to

00:38:14.287 --> 00:38:21.968
- dance for you the old style of fancy war dance, also known as open hand style of war dance. I had a

00:38:21.968 --> 00:38:29.649
- big dinner. Shirley fed me some buffalo ribs, so I'm going to try my best. But it's known among the

00:38:29.649 --> 00:38:35.486
- Southern Plains people from the Southern Plains all the way up into Canada.

00:38:35.650 --> 00:38:42.084
- and points north, and it's an old style fancy war dance. And the drum group that's going to sing for

00:38:42.084 --> 00:38:48.455
- me, I have to commend these young men, especially the songkeeper and the drumkeeper for North Bear.

00:38:48.455 --> 00:38:54.889
- His name is Jermaine Bell, and I've known him since he was about yay high, sitting with his dad, his

00:38:54.889 --> 00:39:01.832
- grandfather, uncles, and relatives at the drum. And now he's an awesome young man, drumkeeper and songkeeper

00:39:01.832 --> 00:39:04.062
- for North Bear and a young father.

00:39:04.642 --> 00:39:14.212
- And his name is Jermaine Bell. He's half Arapaho and Lakota. But the song and dance is known as open

00:39:14.212 --> 00:39:19.518
- hand style of dancing to a straight song by North Bear.

00:42:14.914 --> 00:42:23.235
- I want to share with you, no matter who you are, no matter where you come, we love you all so much.

00:42:23.235 --> 00:42:31.639
- Thank you. Thank you. Thank you so much. I want to sing a song to you so we can give him a breather.

00:42:31.639 --> 00:42:40.459
- A song that I wrote is called Everything is One Thing. That means we're all connected. We're all related.

00:42:40.459 --> 00:42:43.870
- That's a beautiful thing to think about.

00:42:43.970 --> 00:42:51.019
- Like I said earlier, we come from so many different places, but yet I know we have so much in common.

00:42:51.019 --> 00:42:57.930
- And I love it when we travel, we meet people overseas and just all over, so many different kinds of

00:42:57.930 --> 00:43:04.979
- people. And I can talk to a perfect stranger for less than five minutes, five to even 10 minutes, and

00:43:04.979 --> 00:43:08.158
- we're already relating stories. We're already

00:43:08.866 --> 00:43:15.878
- Seeing the commonalities that we have talking about our children grandchildren or just or whatever,

00:43:15.878 --> 00:43:22.961
- you know It's so sweet and that's what everything is one thing means is we're all related. We're all

00:43:22.961 --> 00:43:29.973
- connected Yes, right You see so much beauty in each other Even though we come from different places

00:43:29.973 --> 00:43:34.110
- and that's what this song is about and how we're connected

00:43:34.242 --> 00:43:40.939
- Not just to each other, but to the Mother Earth, our planet that we stand on, and the stars and the

00:43:40.939 --> 00:43:45.694
- skies, our animal nation, the trees, the flowers, we're all connected.

00:44:08.386 --> 00:44:24.988
- So softly on my face I feel but cannot see A power greater than myself Reveals itself to me And I stand

00:44:24.988 --> 00:44:37.758
- where bloody feet once walked Where earth and teardrops met In this quiet place

00:44:40.034 --> 00:44:58.369
- We are one with every living thing. From the greatest to the small. To desecrate one's sacred life.

00:44:58.369 --> 00:45:03.870
- Brings destruction to us all.

00:45:16.674 --> 00:45:33.717
- Everything is one thing. Look up to the heavens to see a mystery unfold. A million stars like diamonds

00:45:33.717 --> 00:45:37.854
- with stories to be told.

00:45:59.362 --> 00:46:15.381
- Everything is one thing. Everything is one thing. Everything is one thing. Everything is one thing.

00:46:15.381 --> 00:46:23.550
- I heard when you heard and you heard when I heard.

00:46:43.874 --> 00:46:54.752
- Everything is one thing. Everything is one thing. Everything is one thing. We're all connected. We're

00:46:54.752 --> 00:47:05.951
- all related to the beautiful Mother Earth, our planet that we stand on, to the galaxies. Even our bodies

00:47:05.951 --> 00:47:12.030
- are made from the stars, the same elements as the stars.

00:47:13.826 --> 00:47:30.760
- I feel what you feel and you feel what I feel. Everything is one thing. We're all connected. We're all

00:47:30.760 --> 00:47:36.350
- related. Everything is one thing.

00:48:04.994 --> 00:48:12.889
- I just want to thank you all for coming out tonight. It's our first time here at Lotus, and we're so

00:48:12.889 --> 00:48:21.019
- impressed and amazed with all of you and everyone involved in putting the Lotus Festival together. Wow.

00:48:21.019 --> 00:48:28.915
- So many beautiful people we've met. Oh, I'm just so amazed. And everyone's been so kind and helpful.

00:48:28.915 --> 00:48:33.214
- Just everyone who's in charge of putting this together

00:48:33.538 --> 00:48:40.229
- What beautiful people. We're so grateful, grateful to be here tonight. Thank you so much for coming

00:48:40.229 --> 00:48:47.054
- out. We're gonna finish with a song I wrote many years ago, and Fabian and I, each morning, and every

00:48:47.054 --> 00:48:54.281
- morning, every morning we say our prayers in our traditional way. We go outside and we talk to the Creator,

00:48:54.281 --> 00:49:01.039
- and we talk to our ancestors, those that have passed on before us, our relatives and our loved ones,

00:49:01.039 --> 00:49:02.110
- those that have

00:49:02.242 --> 00:49:09.353
- passed on that have left us. And we talk to them in our prayers, and we ask them to continue to walk

00:49:09.353 --> 00:49:16.394
- with us, continue to guide us, show us the way, show us how to be good human beings, how to be good

00:49:16.394 --> 00:49:23.786
- parents, grandparents, how we should walk in a good way while we're here. And so we always include those

00:49:23.786 --> 00:49:29.630
- loved ones in our prayers, and that's what this song is about. It's called Return.

00:49:30.178 --> 00:49:36.770
- come back to us, talk to us, walk with us. We believe they're in that unseen realm all around us, our

00:49:36.770 --> 00:49:39.614
- loved ones. But this song is called Return.

00:51:51.650 --> 00:51:51.966
- Thank you.

00:52:58.594 --> 00:53:06.294
- walking with us in that unseen realm all around us. We're so grateful. All of our loved ones, all those

00:53:06.294 --> 00:53:09.182
- that watch over us, that walk with us.

00:54:10.722 --> 00:54:21.396
- Thank you so much. Thank you very much. I want to thank Lotus for bringing us out. Sound tech,

00:54:21.396 --> 00:54:32.856
- stage people, thank you for giving us a wonderful, helping us do a wonderful show. And again, we want

00:54:32.856 --> 00:54:39.710
- to thank all of you for coming out. And just one more thing.

00:54:40.578 --> 00:54:55.450
- Kelly and I would love to leave you with this for all of you, your loved ones, your families, extended

00:54:55.450 --> 00:55:09.022
- loved ones, your children, your grandchildren. May you all have a wonderful, blessed evening.

00:55:09.890 --> 00:55:18.712
- Good night's rest, whether your travels are near and far, when you reach your homes, may you find them

00:55:18.712 --> 00:55:27.448
- just the way you left them. And we love you all so much. Many blessings to you all. Thank you. Shelly

00:55:27.448 --> 00:55:31.902
- Mournes on another Cheyenne. Thank you all so much.
