WEBVTT

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- Good evening. Can you all hear me okay? Uh-huh, all right. All right, we want to welcome you all for

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- coming this evening. We know it's a cold, chilly Sunday afternoon and you could be almost anywhere else

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- but here today, so we really appreciate you being here. We also, before we go further, I'd like to introduce

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- the Men of Color, Men of Style Committee, Planning Committee. And you can kind of wave your arm if you're here.

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- Liz Mitchell, there you go Liz, all right. Kevin Jones, he's in the back. I might also add that this

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- evening we'll have two co-hosts for you today. I'll do the first part and Kevin Jones will do the second

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- part and bring it up. But Kevin's also on the committee. William Knox, our Mr. DJ, man extraordinary

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- in the rear. Dana Burton,

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- She's probably running around. Dana is an employee here at the library. We couldn't pull this function

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- off without her for sure. And of course myself. Couple things that we'd like to try to do this evening

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- besides show you or this afternoon besides letting you see some of our men of color in the community

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- as we like to say strut their stuff. And I think you're going to see that these people really look sharp

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- as we always have known some of them to be.

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- However, what we'd also like to do is share a few black history month facts along or throughout this

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- show. We're gonna start off with, and I'm sure everyone's quite aware of Tony Dungy and Lovey Smith

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- and the significant contribution that they made in the historical impact. Way back in 1924, there was

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- another African American coach that coached in the NFL. His name was Frederick Douglas Pollard, but

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- his nickname was Fritz.

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- So Fritz Pollard was his name. 1924 was the first African American NFL coach. And he also, it was about

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- 68 years later before Archelle, the next first coach was hired in the NFL. Okay. Also from

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- a local standpoint, I know most of us know Mr. George Talaferro. Well, I hope many of you know that

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- George was the first African American that was drafted into the NFL.

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- Now of course he didn't go there, there was another league that offered him some more money and a little

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- bit better treatment I think, and he ended up in the NFL two seasons after that. But that's something

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- that we should know and should be very proud of. First African American to be drafted into the NFL.

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- And we'll give you a couple more of those throughout the evening. And I'm sure afterwards there will

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- be a reception as we're mingling and networking and you may have a few that you can share with me. I

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- would really truly appreciate that as well.

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- To move on with the show, I think we all understand that over the history of African Americans since

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- our arrival into America, we've always just had a sense of pride and style about the way we dressed.

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- Other than that very critical and oppressed time during slavery, we've always found a way to be more

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- colorful, to kind of add some style and put our own spin to certain things. Of course, when we wanted

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- to dress, we of course

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- We wanted to look like the mainstream. We wanted to look like the white man who wore the suits. That's

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- what we wanted to look, so we could be accepted into the mainstream. But even though if it was a white

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- shirt, black jacket, we always found a way to put a little something in the pocket, or maybe just flip

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- that collar just a little bit, which is the style that we're talking about this evening. One of the

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- most important things I think we have to do this afternoon

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- and I'm really proud of the gentlemen here. Before we get into looking at some of the clothing, we'd

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- like to recognize some of our men of color public safety officers this afternoon. We have several of

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- them in the back, and before we bring them out, there's a couple of comments that I'd like, or a couple

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- of quotes. I think in the Black History Month profiles that's been in the Hero Telephone, have we been

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- following those? Aren't those great? I think those are fantastic.

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- One of those persons highlighted was Officer Troy Thomas, who is a sergeant in the Monroe County Sheriff's

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- Department. Troy is a lifelong Bloomingtonian, and if not, I believe he's lifelong, and if not, the

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- great majority of his life, but I think I remember when Troy was born. We're getting old, aren't we?

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- But Troy is the only black officer in that department, and in the article, if you remember,

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- He says they never had a black officer and he felt it was a long shot for him to become employed there.

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- He also goes on to say that the reason that he finds the history of African Americans and Black History

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- Month important is because people like that who have paved the way to make things like his position

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- and where he is at now, that's what made it important. So he recognizes that. He also goes on to say

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- don't believe the stereotypes. It's a good department and a good place to work.

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- One more officer and I hope I don't embarrass these gentlemen because they kind of talk to me and I'll

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- just use paraphrase some of their things. Officer George Robinson III. He's with Indiana University

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- Police Department. He is a 20-year veteran from the Louisville Police Department and he now works here

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- on campus at IUPD. In talking with him, I said, what do you think is kind of important that we would

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- like to let folks know about you and what it is you all do? He says, first of all, he wants everyone

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- to understand that he works in a service

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- oriented organization. So in his heart, and I think most of these officers feel like they're providing

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- a service to the community, and that's the way they look at it. He's also very interested in talking

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- to anyone. If you have an interest in law enforcement or want a career in that field, he'd love to talk

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- to you and give you a little inside advice or a little help or whatever you may need. And also,

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- and I said, well, you know, if you get involved in a situation, what is your approach?

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- Like, if you pull someone over, there's a situation you have to kind of control. And very astutely,

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- the man says, you know, you should think, and what I think is, when I'm walking in this, I think, what

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- can I do to help this situation? And he would prefer that the people that he's dealing with, if they

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- thought the same way, what can I do to help the situation, it would be a much better, much better situation.

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- So without further ado, we'd like to bring these gentlemen out and share them with you.

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- at the end of the day, and we'll talk a little bit more, and we'd really like to give them some love

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- and show them our appreciation. First and foremost, I believe that is Mr. Lafayette Chamberlain. Now,

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- Lafayette is an employee with the United States Department of Agriculture. That's USDA.

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- You can just kind of stand there. Thank you. His position is law enforcement and investigation. Again,

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- that's with the USDA and that's federal, y'all. That's bigger than the county. That's bigger than the

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- state. That's federal, y'all. So I want you to understand. And we really appreciate it. It is entitled

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- Our Men in Blue or Our Men in Uniform on your program, but as you can see, our man looks really nice

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- in green as well. Thank you, sir. Thank you.

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- I will add that even though he's a Chicago Bear fan, we still love him. Who we have coming out next?

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- Mr. Donnie Bean. Donnie Bean is in the Bloomington Fire Department, exhibiting nicely our men in blue

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- style. I've known Donnie for several years. Donnie used to work at GE years ago, had a heck of a jump

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- shot back when he could jump.

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- And now he's a good man. We share duties and do good work at Second Baptist, and he's just a good person.

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- I'm proud to know Donnie, and thank you very, very much for coming out this afternoon. I also forgot

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- to mention, we were talking about law enforcement. We also invited a few military folks this afternoon

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- as well. We think it's very important, the things that they do. All right, brother. The things that they do.

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- to fight for our country and for our freedoms. This is, I'm not doing, Staff Sergeant? Sergeant First

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- Class, thank you. William Brown, with the United States Army. And I, are you active now, sir? No, he's

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- retired now. Thank you, sir. Therefore, I mentioned earlier, I mentioned Sergeant Troy Thomas.

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- And of course, our man in brown looks just as well as our man in blue. Was I correct in your lifelong

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- blooming, Tonya? You're correct. I am correct. I think I did. I think I did. Troy has turned out to

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- one of the common things with all of our folks is that they are great people beyond in the uniform,

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- these sorts of things. So thank you very, very much, Troy.

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- We have representatives again from IUPD. This is Officer George Robinson III. And to make sure I get

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- my notes correct, we have Officer Kevin Sadler. IUPD officers look good in their uniforms. And I work

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- on campus, and I got to tell you, these gentlemen treat people as nicely as I've ever seen law enforcement

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- folks. OK, right here with us now, Bloomington

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- Police Department's finest, Officer Jim Mitchell. Now Officer Mitchell is my understanding. I do know

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- he came here from Indiana State Police. Don't know if he retired or if he just came to Bloomington,

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- but I know he had substantial years of service there and he has substantial years of service here. So

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- Jim's my neighbor. We talk a lot, him and Liz and I.

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- We know someday that they may very well leave this town, and I know we're going to lose or miss them

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- when and if they go. We're going to try and talk them to stay in, though. Officer Anthony Gohmett.

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- You know, these retired folks, isn't it amazing that they still fit these nice uniforms? I mean, they just

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- Looked good. All right. Here's another of our men in blue. Officer Anthony Gomez currently works down

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- at Crane Naval Base. Also another hardworking individual at Second Baptist Church. We appreciate him

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- being here this evening as well. Does that finish up what we have? Okay. If I could, let me read a couple

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- quotes. And these are from, well, I'll just let you say. One is, I wish you could feel the hurt

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- as people verbally and sometimes physically abuse us or belittle what I do or as they express their

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- attitudes of it will never happen to me. Another quote, I wish you could know the brotherhood

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- and self-satisfaction of helping save a life or preserving someone's property or being able to be there

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- in time of crisis or creating order from total chaos. Now the point that I'm trying to make there is

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- that when you ask these

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- officers, what they think, and how they feel about their position. These are the type of things that

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- they would say. They're not the people that I know you hate when you see those lights in your wherever

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- you're in, or rear view window. It's like, oh, what did I do? Why are they? And we say a couple things,

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- I'm sure. These are good people, and they just want to wonder, how can we help the situation? So they're

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- all in the back of their reserve seats. We had to leave a few step out. If you wouldn't mind joining

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- me in showing them our true appreciation, I would truly, truly appreciate it. Thank you.

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- Thank you, gentlemen. Moving on into the program, one other quick black history fact. And as you can

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- tell, a lot of these are sports-oriented. I really like sports and enjoy. But there are a few things

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- that I didn't know. When it comes to African-American sports, I pretty much know some stuff. But there

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- are some things I didn't know. I'll mention the name Ceto Gaston. Does that ring a bell with anyone?

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- All right.

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- There you go. Manager for the Toronto Blue Jays was the first African American manager that won a World

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- Series pennant with the Toronto Blue Jays. Also, they repeat it. That was in 1992. They repeat it and

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- they won again in 1993. So probably something a lot of us maybe didn't hear about, but maybe we'll get

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- to some point someday where we won't have first anymore for African Americans. It'll just be something

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- that we do.

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- Something else that you could think about in this time of Black History Month, since that time,

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- I think Mr. Gaston managed two or three more years after, and believe it or not, has not been interviewed

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- or offered another manager's job since. So as I saw in a comic one day, as far as managers go, when

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- we're able to lose, get another job, lose, get another job, then I think we'll be on even kill with

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- a lot of the other managers. Okay, moving on to our next category,

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- the motherland roots. We thought that would be important after we talked with the servicemen to kind

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- of give you a little historical journey up into our current clothing. African wear was very colorful

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- and it flowed. Different colors denoted your religious affiliation or your tribal affiliations or your

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- social status. Now of course when we

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- were picked up and brought over in slavery, a lot of that was lost. So during that time of slavery,

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- our traditional African dress was sort of, well, it's flat out oppressed and suppressed. But back in

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- the motherland, that's what that signified. So you'll see men with long flowing garments. They'll be

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- very colorful. I think you will learn something today if, and I know most people are more astute than

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- this than I am in most cases, but African wears a lot more than Kenteclaw, trust me on it.

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- a lot more than just Kente cloth. If we're not further ado, if we'll, this gentleman coming out, Mr.

00:15:14.677 --> 00:15:22.872
- Cornelius Wright. Demonstrating a pullover tunica, and as you can see, it is flowing. Generally, that

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- would be worn with pants or sandals over in the motherland, and he might even have on a Kofi hat if

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- he were over there at this time. Thank you, Cornelius.

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- Coming next on the stage, Mr. Thomas Doyle. As you can see, he has the flowing, the bright color. Yeah.

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- And of course, he has the matching pants. Something like this may in fact, it may in fact symbolize

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- that he was of a higher social status over in Motherland. Of course, we cannot be sure.

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- It may signify that he's just above homelessness. However, he looks good in this. Thank you, Popcorn,

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- thank you. Okay, coming to the stage. And I might add, Mr. Larry Brown, and when we're in our reception,

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- talk with him. He is a businessman, a proprietor, and he can order and sells African wear via catalog,

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- but Larry would gladly help you.

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- Look at his outfit today. He, of course, has the matching coffee hat, the flowing garb. And again, it's

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- more than Kenny cloth. Look at some of these designs, folks. And these are things I think many of us

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- have forgotten that were original. Now, of course, later on, we started wearing bits and pieces. And

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- I even had a Dai Shiki myself back in the late 70s. And I think most of us did. But these are the real

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- deal, folks. Thank you, Larry. Coming next?

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- Next, it is my pleasure to introduce to you Dr. James Mafer. Yes. Now this brother has an extensive

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- collection of African wear. He is well traveled and it is an honor with us to have him here with us

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- this evening. I wish I had the exact of what everything is, but he has his Kofi hat.

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- And this outfit may symbolize his affiliation with a certain religion over in the mother country. Doesn't

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- he look good? All right. All right. The next person, our very own Eric Love, or what we call E Love.

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- E, of course, works on campus. He's director of the diversity programs. And in addition to the dreaded

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- hair, he also has a very nice outfit.

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- printed on the front with a nice braided look, and he has his Kofi hat to match. And note the work at

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- the hem of the pants. Note the work there, folks. Is this man tight or what? All right. All right, another

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- privilege. This man has an outfit straight from Guyana.

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- This is Brother Patrick Smith. He's director of the Phase Mentoring Program. Again, pay attention to

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- the detail, the vivid colors. It's just not the black, the browns, the gray. We have a lot of earth

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- tones, but we also have a lot of colors, straight from Guyana. Thank you, Brother Patrick. And one of

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- our military folks, he's a quick change artist. However, look at this.

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- He has a flowing top with a matching hat. It is simple color. Over in the motherland, that may symbolize,

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- again, religious affiliation. As you know, most of us were Islam over in those days, but there were

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- different versions, and it could signify your allegiances to tribal or religious or your social status.

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- If these were symbolizing social status, I would say that every one of these gentlemen up here would

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- be highly regarded in the motherland.

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- Can you give him another round of applause? Thank you, gentlemen. Now, if I can. Brother Kevin Jones

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- in the house. He is the other co-host, and this is when he's supposed to take over. So I'm trying to

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- buy a little time. All right.

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- If you know Brother Kevin Jones, he of course was the MC at the women and their crowns program last

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- year. He was the MC for our kickoff ceremonies this year. If you haven't heard this man speak, you're

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- in for a treat. He can speak, he can do things that no other man can do. I will let you allow him to

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- entertain you for the next couple of minutes. Thank you, Kevin.

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- gentleman right here, the gentleman that we just experienced, Brother Sims, he didn't need any notes.

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- He could just look at the outfits and describe them in great detail. Some of us are not quite that astute.

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- So I brought my reference materials. Well, I believe it's time for me to enter into a little bit of

00:20:58.719 --> 00:21:03.038
- a discussion on the urban style, urban style and hip

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- hop flavor. Now back in the good old days when there was leisure suits, high-waisted pants, platforms.

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- All right, now come on now. Don't act like you don't know what I'm talking about. There's somebody out

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- there that knows what I'm talking about. And, you know, you would take your blue platforms with your

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- baby blue pant bell bottom, bigger the better,

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- and your silk shirt with your chains, and you would make sure your afro was just right. Now that was

00:21:43.101 --> 00:21:52.068
- urban style. So sometimes people want to say, well, this new stuff is so different and so unusual.

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- Come on, dig back in your memory. When you dig back in your memory, when you were 18, 20, 25, even 30

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- sometimes,

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- You wore the contemporary wear. So what we're going to see is a little bit of the contemporary.

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- Young men, come forward. Show us what you got. Now, as you see, there's a flair. It starts with the

00:22:28.146 --> 00:22:31.934
- hair. Two styles. Two styles.

00:22:32.322 --> 00:22:41.880
- and the headband which sets it off. Now look at those shoes. You've got to see the shoes. Multi-colored,

00:22:41.880 --> 00:22:51.346
- black, green, and yellow. And you see it picks up with the wristbands. The wristbands set out the whole

00:22:51.346 --> 00:23:01.086
- outfit. You know, comfort is supreme when we talk about young folks. You know, a tie is okay, but you see,

00:23:01.282 --> 00:23:09.518
- a nice shirt is even better. And when you look at these young men, you know, some of the things that

00:23:09.518 --> 00:23:17.999
- are said about young black men, it's just wrong. Look at these fellows. These are hard working fellows.

00:23:17.999 --> 00:23:26.399
- These are studying fellows. These are fellows that watch your young ladies. I mean that in a good way.

00:23:26.399 --> 00:23:30.558
- Hey, we're just glad to have them here and glad to

00:23:30.754 --> 00:23:40.738
- have them a part of this presentation for us today. Let's give them a hand. Now I think they have something

00:23:40.738 --> 00:23:48.318
- else for us too. They're going to let you hear a little bit of that urban flavor.

00:24:02.466 --> 00:24:25.104
- I guess that's up to me. I will now rap for you. Here we go. Here we go. Let it go. Make the move. Hey,

00:24:25.104 --> 00:24:29.022
- hey. There it is.

00:27:02.690 --> 00:27:14.558
- The cousins in motion. Come on back out, brothers, come on back out. Let them see you one more time.

00:27:14.558 --> 00:27:26.778
- Come on back, brothers. The cousins in motion. Thank you very much. Thank you very much. Yes, yes, yes.

00:27:26.778 --> 00:27:29.598
- Did you enjoy yourself?

00:27:30.146 --> 00:27:39.463
- Did it make you want to get up with them and do it too? Yes, yes. Well, now we all pumped up. And,

00:27:39.463 --> 00:27:48.874
- you know, some of us used to be, and some of us never were. So since I'm talking about myself, it's

00:27:48.874 --> 00:27:59.038
- time to transition. Well, now what we're going to go from is the urban style influence, the hip hop flavor,

00:27:59.330 --> 00:28:09.874
- to now the men making the clothes. And let me take you back a little bit. I just happened to walk upstairs

00:28:09.874 --> 00:28:20.122
- in our library and there was a book, A History of Black Photographers, 1840 to the Present, Reflections

00:28:20.122 --> 00:28:28.990
- in Black by Deborah Wills. Now, what I found in looking in this book were styles, styles.

00:28:29.794 --> 00:28:39.917
- Booker T. Washington, W.E.B. Dubois. You see, when people took pictures back in the day, they dressed

00:28:39.917 --> 00:28:50.535
- to impress. Some of you may even remember back in our black history, when we would go to downtown. Anybody

00:28:50.535 --> 00:28:59.070
- remember that? When we would go to the downtown, we would do what? We would dress up.

00:29:00.290 --> 00:29:10.752
- we would put our best clothes on. When we went to church, what did we wear? Our best dress. Now, did

00:29:10.752 --> 00:29:21.733
- it matter whether you were a domestic? Did it matter whether you were a bus driver? Did it matter whether

00:29:21.733 --> 00:29:29.502
- you were a factory worker? The answer was no, because when it came time to

00:29:29.634 --> 00:29:41.224
- dress the black man dressed to the top. My grandfather was a crane operator. Crane operator. But you

00:29:41.224 --> 00:29:53.274
- know what? Whenever he stepped out on Sunday morning, he had a suit and a tie. You see, he was exemplary

00:29:53.274 --> 00:29:58.782
- of many men of his era who said, you know what?

00:29:59.042 --> 00:30:10.258
- I'm working for the future. You see, I may not be where I want to be right now, but I'm looking forward

00:30:10.258 --> 00:30:21.366
- to what's coming. And so I'm going to set the stage for what's to be. And you know what? He was right.

00:30:21.366 --> 00:30:26.974
- While he went to work in overalls, came home dirty,

00:30:29.538 --> 00:30:42.693
- I go to work like this. My hands don't get dirty. My fingers don't get dirty. I go to work like this.

00:30:42.693 --> 00:30:55.590
- He can only go to work when he was prepared to go to work, but not in dress clothes. His legacy and

00:30:55.590 --> 00:30:58.814
- the legacy of many other

00:30:59.170 --> 00:31:10.053
- black men enable us today to go to work, not just in the uniform, not just in overalls. Nothing wrong

00:31:10.053 --> 00:31:20.935
- with that either, by the way, but something that did not exist in the 1950s outside of church. We can

00:31:20.935 --> 00:31:27.870
- go in the boardroom today and dress in a suit and tie. We can go

00:31:28.002 --> 00:31:38.757
- anyplace five days a week and dress any way we like. You see folks, that's what we call progress. We're

00:31:38.757 --> 00:31:49.202
- not there yet, but we on our way. So now I just wanted to say that to you because that's the preface

00:31:49.202 --> 00:31:56.958
- for the men make the clothes. You're now going to see gentlemen dressed up

00:31:57.538 --> 00:32:08.165
- in that apparel that they can wear to church, to work, and sometimes to the places that they want to

00:32:08.165 --> 00:32:18.686
- go. So let me get my notes out here. As you see, my notes are in a variety of disarray here. Let me

00:32:18.686 --> 00:32:24.894
- first start with a man and his son continuing that legacy.

00:32:26.146 --> 00:32:46.538
- Here are the Vances. What you see is what you get. Look at first, Brother Bill, the man setting the

00:32:46.538 --> 00:32:55.102
- example. You see, that's a great example.

00:32:56.002 --> 00:33:08.136
- He has this blue shirt with a nice, beautiful suit. You see, now look how the red and white specs pick

00:33:08.136 --> 00:33:19.916
- up and coordinate with that outfit. He's got the pleated pants that you gotta take a look at. Black

00:33:19.916 --> 00:33:24.510
- leather shoes. But now check this out.

00:33:25.602 --> 00:33:37.923
- No tie, because the man does what he wants to do. He can go without a tie and still know he's the man.

00:33:37.923 --> 00:33:50.124
- That's brother Bill Vance. Now when you set a good example in your home, you get positive fruit. Look

00:33:50.124 --> 00:33:54.430
- at this young man with this purple,

00:33:54.626 --> 00:34:06.291
- long coat suit. I want you to take a look at those buttons. Look at those wonderful buttons on the side

00:34:06.291 --> 00:34:18.293
- of his coat. You see, that has a certain flair to it. Now, you see, he also, like his dad, has the pleated

00:34:18.293 --> 00:34:24.574
- pants and the black leather shoes following the legacy.

00:34:25.698 --> 00:34:35.049
- So if you take a look at these two people, a father and a son, you know that we're gonna be all right

00:34:35.049 --> 00:34:44.676
- today and in the future because they look good everywhere they go. One note before I close. Grandparents

00:34:44.676 --> 00:34:54.302
- purchased this suit because they wanted to make sure that their grandson follows the legacy, the Vances.

00:35:04.130 --> 00:35:16.527
- some other folks, very good folks. Michael Edwards, step to the stage. Watch as Brother Edwards comes

00:35:16.527 --> 00:35:26.494
- down the aisle way. And right away, you're going to see something that grabs you.

00:35:38.338 --> 00:35:51.224
- Now you see, this is a businessman suit with a flare. Now look at that tie right there. That sets off

00:35:51.224 --> 00:36:04.110
- the light blue shirt. Yes. Now, this is something that I was talking about earlier. We can do what we

00:36:04.110 --> 00:36:07.774
- want to do now. And you see,

00:36:08.098 --> 00:36:16.854
- He has a hat and a kente cloth, and you know what? He's still ready for business. Look at this man.

00:36:16.854 --> 00:36:25.785
- He's ready to do any kind of business, any kind of education, anything that you can imagine. This man

00:36:25.785 --> 00:36:34.366
- is ready for it. Thank you, Brother Edwards, for showing us some style. Brother Lorenzo Dilworth.

00:36:44.066 --> 00:37:00.816
- he comes down, put a picture in your mind of a very serious thinking brother. Now, you see, we're going

00:37:00.816 --> 00:37:12.574
- to start from the bottom up with this gentleman. Those shoes, the shoes.

00:37:12.962 --> 00:37:23.787
- It must be the shoes. Stacy Adams. Stacy Adams. Now, he's got a nice shirt and tie combination that

00:37:23.787 --> 00:37:34.613
- works with that Zandello tailored suit. You see, Brother Dilworth has the look right now to do some

00:37:34.613 --> 00:37:40.350
- damage. Now, I don't know Brother Dilworth's status,

00:37:42.146 --> 00:37:55.092
- But I'll just say, Brother Dilworth, if you got somebody, don't step too far. And it looks like he has

00:37:55.092 --> 00:38:05.022
- somebody. You got the right man. That's Brother Dilworth. Brother Larry Brown.

00:38:14.786 --> 00:38:26.715
- Yes, Brother Brown. Now, you see, that is full of statement right there. Look at that shirt, all right?

00:38:26.715 --> 00:38:38.186
- That formal shirt with the dark suit. Now, here's something that we know, all right? There are many

00:38:38.186 --> 00:38:43.806
- shades among African American people, all right?

00:38:44.770 --> 00:38:54.780
- One of the nice things about being a black man is you can wear black and look very good. Now,

00:38:54.780 --> 00:39:05.856
- these shoes, again, make a statement. Look at this. Those shoes say something to you. But you see, it's

00:39:05.856 --> 00:39:13.310
- set off with, of course, the hat, the sash, but okay, you all saw it.

00:39:13.442 --> 00:39:24.604
- When he first walked in, what did you see? That's right. And you see, you have to be a self-assured,

00:39:24.604 --> 00:39:35.877
- confident man of the hour to step out in a bow tie. And Brother Larry Brown does that for us. Brother

00:39:35.877 --> 00:39:41.182
- Larry Brown. Brother Thomas Doyle, step on out.

00:39:51.202 --> 00:40:05.908
- Now you see, someone said his nickname is popcorn. And you see, he's popping it for you. Yes, sir. Now

00:40:05.908 --> 00:40:19.614
- you see, when you're smooth, you're smooth in every way. You see, the single color says smooth.

00:40:21.090 --> 00:40:34.189
- It says, you know, I'm not just any old man. I'm one of the best. You see, he breaks out the African

00:40:34.189 --> 00:40:47.289
- colors, the kente cloth colors, with the bow tie, with the hat, and then it says, explosion, popping

00:40:47.289 --> 00:40:50.142
- out for you. It says,

00:40:50.530 --> 00:41:05.122
- You want to know me, don't you? But if you don't know me, I'll let you see if it's time. This is Brother

00:41:05.122 --> 00:41:17.630
- Popcorn Doyle, a man of many talents, styling for us. Brother I, James Tory, step on out.

00:41:24.546 --> 00:41:34.544
- You see, this man is an intellectual. He's ready for the classroom. He's also a businessman, ready for

00:41:34.544 --> 00:41:44.737
- the boardroom or an evening out in this casual but stylish collection. Now you check James pleated front

00:41:44.737 --> 00:41:50.270
- black slacks paired with a black cotton mock turtleneck.

00:41:56.162 --> 00:42:08.724
- Now, you see, James tops it off, tops this off with chocolate brown microsuede. You see, you gotta check

00:42:08.724 --> 00:42:21.046
- this, folks. It's fully lined. The single-breasted sports coat. You see, the slacks and the turtleneck

00:42:21.046 --> 00:42:23.678
- are by Liz Claiborne.

00:42:25.666 --> 00:42:36.545
- and his sport coat is by Ciani Cellini. Now you see, we saved this gentleman for the fashion show side

00:42:36.545 --> 00:42:46.156
- of our program. You see, he can step out in New York, he can step out in D.C., he can step

00:42:46.156 --> 00:42:55.134
- out in Bloomington, and his presence will be noted. This is brother I. James Torrey.

00:43:03.682 --> 00:43:17.498
- We have some other gentlemen. Come on out. Step out and we're gonna check you out. Oh, it looks like

00:43:17.498 --> 00:43:31.450
- it's the Sims. The Sims. How about it? You know, this speaks for itself. Look at that style. You see,

00:43:31.450 --> 00:43:33.502
- hey, hey, hey.

00:43:33.634 --> 00:43:44.390
- Who's that out there? Calling him out because he does look good. Now, see, brother, are you attached

00:43:44.390 --> 00:43:56.105
- or are you with someone? Oh, no, I'm with my family. Okay, ladies and gentlemen, take notes. He's unattached.

00:43:56.105 --> 00:44:03.134
- But remember, tell your young girls, your ladies, please, please,

00:44:03.362 --> 00:44:14.515
- Don't touch. Just look and appreciate what is there. Wonderful businessman, wonderful style,

00:44:14.515 --> 00:44:26.866
- educated man. Looks good, does he not? But you see, it has to come. It has to come from somewhere. OK?

00:44:26.866 --> 00:44:33.342
- You know, you don't just fall off the tree. You come.

00:44:33.506 --> 00:44:42.420
- from a root and you grow up into something special. So look at this man right here, our emcee,

00:44:42.420 --> 00:44:51.991
- Brother Jim. Now, okay, what can you say about this? Well, look at it. First, it matches his sense of

00:44:51.991 --> 00:45:01.374
- style. You see, when you first meet him, you don't know that he's a man with a good sense of humor.

00:45:04.546 --> 00:45:13.032
- When you first meet him, all right, comments from the Pima Gallery now. When you first meet him,

00:45:13.032 --> 00:45:22.568
- you say, wow, this is just one super serious brother. But you know what? This style says he can go anywhere,

00:45:22.568 --> 00:45:31.492
- anytime, and be comfortable, and make you comfortable. You see, he has made his son comfortable. He's

00:45:31.492 --> 00:45:33.854
- very comfortable with you.

00:45:34.594 --> 00:45:44.659
- And look at that man right there. He is comfortable with all of us here. He was behind this program.

00:45:44.659 --> 00:45:55.022
- You see, style is not just what you wear. Style is how you carry yourself. Style is what you say. Style

00:45:55.022 --> 00:46:04.190
- is what you do. Style is what you accomplish. This man right here and his son have done it.

00:46:04.418 --> 00:46:12.318
- for us. So I would like each of these gentlemen to come on out one more time and show everybody what you have.

00:47:35.522 --> 00:47:45.496
- That concludes our program for today, but we have a reception. We'd like to see everybody in the reception.

00:47:45.496 --> 00:47:50.206
- Down the hall, 1B. Thank you for coming out today.
