WEBVTT

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- Good evening, and welcome to the 2025 Potpourri of the Arts concert. Welcome. I'm Dr. Raymond Wise,

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- Executive Director of the African American Arts Institute, and it's my honor to greet you for this vibrant

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- celebration of African American music, dance, and culture. Now, from the very beginning, I want to give

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- you permission to celebrate with us. African American art is a collective experience.

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- It lives through the energy between performers and audience. So clap your hands, move to the rhythm,

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- shout if you want, but let the spirit in you join our spirit as well. Now tonight, we stand on the shoulders

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- of more than 50 years of artistic excellence. For over five decades, the IU Soul Review, the African

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- American Dance Company, and the African American Arts Institute have lifted voices, preserved traditions,

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- and created spaces of belonging and expression for IU students.

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- And this year, we're especially proud and honored to have the 50th anniversary celebration of the African

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- American Choral Ensemble. A milestone, yes, a milestone.

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- It's a milestone that reminds us of the power of legacy learning and love through the arts. We're deeply

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- grateful for so many sponsors, donors, and friends who've made this evening possible, including Old

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- National Bank, the Jacobs School of Music, Connie and Jim Cooke, Annie Willis, and all others who sponsored

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- groups and donated tickets for students. We want to give a special thanks tonight to our AAI staff,

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- including Jerrica Stocker, our project management specialist, Johnny Campbell, our technical director,

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- to our director,

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- Stafford C. Barry, Jr., and James Strong, and our Emeritus Faculty, Professor Iris Rosa and Dr.

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- Charles Sykes, former director who now serves as our historian. We're grateful for them and we thank

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- them for their work and service. But I also want to say thanks to our more than 20 student employees

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- who are second to none.

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- I'd like to also thank the Neil Marshall staff, Dr. Gloria Howe, Tim Womack, Nancy Cross-Paris, and

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- the Neil Marshall ambassadors who have been working with us, and we thank you for your continual support.

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- I want to also say thanks to the IU auditorium staff and the excellent technicians who've partnered

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- with us to bring this performance to life tonight. From the lighting, to the sound, to the tech crew,

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- we appreciate all of you. We also want to thank our academic home, the Department of African American

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- and African Diaspora Studies, through which our students earn academic credit.

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- I'd also like to acknowledge the College of Arts and Sciences, but most importantly, I want to acknowledge

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- our students who represent many majors, backgrounds, and ethnicities. They come together to do their

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- best work and embody the diversity and the unity of our IU community. And though they are students,

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- not professionals, they strive to perform at a professional level, and they work with passion and excellence

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- to inspire all of us.

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- Then to our parents and our family members who've traveled from afar, thank you. Your support means

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- the world to our students and especially a personal thanks to my wife and my son and my best friends

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- who've come from Ohio to be with us tonight. We're glad that you are here.

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- And also, we want to thank all of you, our IU community, the Bloomington community, our Indianapolis

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- community, for your continual support, because you didn't have to come today, but you did. And we truly

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- appreciate it, and we thank you for just showing up. Then we want to welcome our visiting students.

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- We've got some high school students visiting, some from Gary, Indiana. I believe you're in the house.

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- Welcome. We're glad you're here. We've got some students from Indianapolis. We've got some students

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- from Bloomington.

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- We're glad you are here and thank you for coming. And we want you to take part in our outreach programs.

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- If you're singers and musicians, we've got Camp Soul. If you're dancers, we've got Cucasonia.

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- the dance workshop, and we invite you to be a part of these programs. These programs literally will

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- spark young talent that grow into lifelong artistry, leadership, and community impact. And today to

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- see that impact, one of our guests tonight, our guest performers, Barbara Stafford C. Berry and company,

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- they are alumni of our programs and they're living proofs of the legacy we continue to build here at

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- the AAAI. So if you want more information, see the back of your program and you can register for those

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- programs as well. Now looking ahead,

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- Mark your calendars for ACE's 50th anniversary alumni concert celebration on February the 21st, 2026.

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- We plan to bring more than 100 current and former ACE members to the MAX stage, and we're gonna have

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- a great time. And if you're a singer in ACE or used to be a part of ACE, come and join us. Then also

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- look for our spring concert series. The African American Dance Company will be on April 18th. The IU

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- Soul Rebut will be on April 25th, and ACE will be on May the 2nd. Now, I want to share that all that

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- you see tonight

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- as a result of the vision of Herman C. Hudson, who served as the former Vice Chancellor of Black Affairs.

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- And we cannot let his vision die. So as we transition into our new homes in the College of Arts and

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- Sciences, we face some challenges.

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- but also some new opportunities. And your support is going to be vital in helping us to continue this

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- important work. So we ask you to please consider joining our Just One campaign. If you look on page

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- 10 of your program, you'll see there is a QR code there. But it's basically an invitation for everyone

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- to give just $1 or any amount that you can to help sustain these transformative programs. And if you're

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- unable to give financially, perhaps you can consider just writing a note or writing a letter talking

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- about the impact of the AAI

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- in your life and together even small acts and things that we do can really make a big difference.

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- Now, our theme tonight is Together Again. It celebrates our commitment to reconnect, to rejoice,

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- to recommit. And what you'll see on the stage is basically a testament to what happens when we all come

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- together across generations, disciplines, and communities to celebrate the beauty and resilience of

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- African-American art. So I want to say thank you again for being a part of this celebration and for

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- standing with us as we move toward the next 50 years. Together.

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- We will continue to lift voices, we'll nurture talent, we'll keep this cultural treasure alive

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- for generations to come. And if time permits, we look forward to greeting many of you after the concert

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- tonight. But for now, without further ado, get ready to experience the spirit and the rhythm and the

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- joy of Potpourri 2025. Welcome and enjoy the show. Thank you.

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- Good evening, good evening, good evening. Are you there? Let me hear you. Are you there? We want to

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- start off talking with you just very briefly about a wonderful year. The year is 1974. I know some of

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- you remember 1974, right? Exactly. Mama Kim, what was happening with you in 1974?

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- studies in biology and minor in dance. I was the first black female president of the student government.

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- Whoo-hoo! So black people was running it. I'm telling you, we had that strength, that courage, and that

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- desire to do whatever we wanted to do. And the second greatest thing happened in 75 when my daughter

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- was born, my first born. Whoo, and I got six of them, y'all. Whoo-hoo! And I've been with the dance

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- company here since 2004.

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- We also know that in 1974, we were in the middle or in the midst of the civil rights movement and era.

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- We know that in 1974, we were experiencing still some struggle with police brutality, even across the

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- pond, as far as places like London. But also in 1974, Dr. Herman C. Hudson had the wise idea

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- to create a dance company that is still in existence today over 50 years later. The legendary

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- African-American dance company under two directors, Professor Emeriti, Professor Iris Rosa. And currently

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- under my direction, I'm Baba Stafford C. Berry Jr.

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- And we will continue to rise and continue to be a jewel in the crown that is IU. We will continue to

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- focus, continue to dance unyielding. Because you know, once you get started,

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- I'm Dr. Raymond Wise again, and this is the African American Choral Ensemble, affectionately known as

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- ACE, and welcome back to the Potpourri of the Arts Concert. Tonight, we invite you to celebrate the

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- rich tradition of African American choral music, and one theme of this evening's concert is based around

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- the letter L. Lift, live, love, and lead. And through these four words, we're gonna share a message

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- of hope and encouragement, reminding us all that no matter what we face, we can lift our voices, we

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- can live with purpose, we can love

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- deeply and we can lead with compassion. So settle in and celebrate with us as we begin our musical journey

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- together. This year actually marks the 125th anniversary of Lift Every Voice and Sing, also known as

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- the Black National Anthem. Yes.

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- This hymn was originally written by James Weldon Johnson and composed by his brother J. Rosamond Johnson

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- in 1900 for a celebration of Abraham Lincoln's birthday. And it was first performed by 500 school children

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- in Florida. But since then, it's become a song of hope and endurance for African-Americans and people

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- all over the world. And it was adopted by the NAACP as its official anthem. And the lyrics speak to

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- this. Yes, that's good too.

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- It speaks to the struggles and the triumph of people yearning to be free, and to the faith and perseverance

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- that continue to guide us. Now traditionally, when this song is done, we stand and we sing the song

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- together in reverence and in unity. So tonight, we're going to invite you to stand and join us in singing

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- the first verse, and then you may be seated for the second and third verses,

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- which are more of a choral arrangement. But the words are gonna be on the screen, and we invite you

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- to stand with us. So joining us on piano is Josh Cantanzaro, and we welcome him as we lift every voice

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- and sing. Stand and sing with us.

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- spiritual and the gospel tradition. Now in the spiritual, enslaved African Americans spoke of freedom

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- in life after death, or the life to come. But in gospel music, African Americans declared freedom right

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- here and now. They celebrate the abundant life that their God gives them in this very moment. And too

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- often in our lives, we put off living. We make a bucket list and dream of some day. But life is short.

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- to say here today gone tomorrow, but now we say here today gone today. And this song encourages us to

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- live our best life now. So I ask yourself, what are your dreams? What are your gifts? What are you waiting

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- for? You don't need anyone's permission to walk in your purpose. So live boldly, live joyfully, start

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- living now because tomorrow's not promised. Now this song is a gospel song.

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- So we invite you to sing along, rock along, clap along, pat your feet, and celebrate. Now remember,

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- friends don't let friends clap on one and three. So you rock on one and three, and you clap on two and

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- four. You got it? All right. So please welcome Will Muir as we celebrate. Live your best life. Enjoy.

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- I wanna thank y'all for coming out with us tonight. We about to have a good time, we not done yet. Let's go!

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- We might ask, whatever happened to love, faith, hope, truth? Where is compassion, empathy, and understanding?

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- And it often feels like hearts have just grown a cold. But what if we return to the golden rule,

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- which says, do unto others as you would have them do unto you?

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- What if we led with grace and kindness and forgiveness, even when it's hard? And every day when I come

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- into class, I ask the students, are you gonna make it? And some days they say yes, but there's some

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- days when they say, I'm not sure. But it's in those moments that we need a little bit more love and

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- we need to encourage faith and hope and we know that we encourage truth that it's gonna carry us through.

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- And one way or another, we always end up making it through the challenge

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- Because as the saying goes, trouble don't last always. So as you listen to this song, reflect on these

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- words and remember that if we live with love, keep the faith, hold on to hope, and stand and speak the

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- truth, we can make it through anything. So reflect on this song, love, faith, hope, and truth.

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- dates and more peaceful ways and we will make it through. Can you take that with us? Can we sing a little

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- bit of that?

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- It's been a joy sharing with you tonight. Before we sing our last song, I'd like to acknowledge these

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- wonderful musicians over here. To my right and your left, Bobby Davis on keys. Darren Collins on the

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- drums. And Josh Contanzaro here on piano. Then I want to thank the Choral Ensemble for their hard work

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- and dedication. It takes so much to make this ensemble operate smoothly. So I want to thank our gifted

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- associate instructors, Ambriel Ivy, who's our road manager.

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- And Langilishe Ngati, who is our vocal coach. And I'd once again like to acknowledge that if there are

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- any former ACE members out there in the audience, we want to invite you to come join us for our 50th

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- anniversary concert. And we want to get you on stage singing with us one more time. So get a flyer out

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- in the lobby, sign up, and participate as a part of that. And finally, I'd like to invite all of you

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- who used to sing in high school choir or church choir, who are not singing right now in college, come

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- and join us.

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- This coming Monday at seven o'clock, we have auditions in the Neil Marshall Black Culture Center. We'd

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- love for you to come and join us and be a part of using your gifts and talents to make a difference

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- in our community. I hope you've enjoyed being with us tonight, and we hope you have been inspired. Now,

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- our final song was composed by one of our own, Bobby Davis Jr. And it carries a timeless message, lead

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- with love. Now, every day we face choices.

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- how we speak, how we act, how we respond. And this song reminds us that our words and our actions matter.

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- And when we lead with love, we invite peace instead of conflict. For you see, love can calm storms.

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- Love can heal wounds. Love brings light into darkness. And as Dr. Martin Luther King Jr. said, darkness

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- cannot drive out darkness. Only light can do that. Hate cannot drive out hate. Only love can do that.

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- So as you return to your own lives and your communities, remember this message.

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- Whatever you do and wherever you go, lead with love. Enjoy. Thank you. Good night.

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- soul.

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- named Phyllis Hyman. How many of y'all know Phyllis Hyman? All right, regardless of if you do or don't,

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- we're going to teach you something about her tonight. Ready?

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- Cast by the name of Bill Bibb to vote. Who said that? Who said that? I heard you. We're going to put

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- some poison in your system. Hey, y'all ready?

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- Tell it a little bit of ooh child, is that cool?
