WEBVTT

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- One day right there in Alabama, little black boys and black girls will be able to join hands with little

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- white boys and white girls as sisters and brothers. I have a dream today. Thank you, Mrs. Wagador. I'll

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- come back and get Cory. That's your mother? Yeah. Your what? What? Your mother's colored. Of course,

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- I'm colored.

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- But one day, this nation will rise up and live out the true meaning of its creed. We hold these truths

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- to be self-evident that all men are created equal. It's just when I saw you at the funeral, to see how

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- much we look alike.

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- to see how much we look alike. It just didn't seem right not to at least say hello and to meet you.

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- At least once. I just felt I had to do it. You know, common blood. Yes, yes, common blood. I think I

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- understand, Clay. Our physical similarity is disarming, isn't it? Our physical similarity is disarming, isn't it?

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- We're brothers. You have been the veterans of creative suffering. Continue to work with the faith that

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- honor and suffering is redemptive. Your restraint is admirable. Your restraint is admirable. Yeah.

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- With this faith, we will be able to transform the jangling discords of our nation into a beautiful symphony

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- of brotherhood. Now, come on, boys. Where's your spirit? I don't hear no singing. When you were slaves,

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- you sang like birds. Come on, how about a good old nigger work song? What's wrong, man?

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- I get no kick from champagne. Mere alcohol doesn't thrill me at all. So tell me, why should it be true

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- that I get a belt out of you?

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- Some get a kick from cocaine. Hold it, hold it. What the hell is that shit? I'm in a song. A real song.

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- Something like... Swing low, sweet chariot. Swing low, chariot. Don't know that one, huh?

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- Well, how about the camp town ladies? The camp town ladies. The camp town ladies. Oh, you know. The

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- camp town ladies sing this song, doo-dah, doo-dah. The camp town racetrack five miles long, all a doo-dah

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- day. Run, run, run.

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- Let freedom ring when it happens. When we allow freedom to ring. When we let it ring from every village

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- and every hamlet, from every state and every city. We will be able to speed up that day when all of

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- our children, black men and white men,

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- and 10,000 Protestants and Catholics will be able to join hands and sing in the words of the old Negro

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- spiritual. Free at last! Free at last! Thank God Almighty! We are free at last! Here, let me pour that

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- for you. Thank you, Maurice. Nice party, huh? Very enjoyable. Yeah, this is a nice town. It's the kind

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- of town you could settle down and carve yourself out of home.

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- Listen, Stevens, I'm not going to mince words. After your brother gets sent up the river, there's going

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- to be a certain job opportunity open up that I want to speak to you about. You want me to replace Chris?

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- There's no point in broadcasting it. Look, you showed me something today, Stevens. You showed me a man

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- who is ready and willing to pick up the fallen standard and continue the charge.

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- You've got a way with words, son. You've got the Stevens way with words. And on top of that, you don't

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- sound black. Truth is, Bernard, if I close my eyes, you sound as white as Casper. You know something,

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- Maurice? I like you. I do. And it troubles me. Troubles you? Yeah, this may come as a shock, but you're

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- a bigot. Bigot? You're a racist. Wait a minute, because you don't sound black. I'm a bigot and a racist.

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- Look, Stevens, I know black people. I've been around black people and know how they talk. They say,

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- uh, thing instead of thing. And they say, uh, ax. I ax you this, brother. I ax you that. Now, you don't

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- say ax. Neither does Colin Powell and that, uh, that, uh, Denzel fella. You know what's interesting?

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- Is the linkage of King's English and superior breeding. And the further linkage of superior breeding

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- with being white. Now, rather than saying,

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- there's a black person speaking King's English, we say there's a black person speaking white. What's

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- wrong with that? Well, for a long time, it hung me up. I mean, I tried to talk ghetto in high school,

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- and it wasn't me. Very unsettling. Well, what's your point? My point? Well, I'm not exactly sure. Although,

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- admittedly, you're a racist, and what you said makes me uncomfortable, there's a crown with truth to it.

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- So I suspect it has more to do with intellectual and cultural standards than it does with racial

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- distinctions. Why is it that when I say something like that, I'm a racist, and when you say something

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- like that, you're just being thoughtful? Oh, no, Maurice. I'm a racist, too. For a long time, I didn't

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- like being around white people. But once I realized that imperialism, slavery, and genocide weren't

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- exclusively white institutions, it helped me loosen up a bit. I have a dream that one day,

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- Even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat

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- of oppression, will be transformed into an oasis of freedom and justice. I have a dream. Sit down, please.

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- Well, what can I do for you today?

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- I have this problem, this very delicate matter. I have a friend of mine who wants to emigrate to South

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- Africa. Yes, of course. I can certainly help him do that. Oh, sure. But I want you to talk him out of

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- it. Talk him out of it? Yeah. Whatever for? Well, you see, this is such a bad time for him to go to

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- South Africa. I mean, with all the trouble and everything, OK? Oh, look, why don't you ask your friend

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- to come back later in the week? We can sit down. No, he's here. He's here. He's here? Yeah, he's here

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- now. Where? Alphonse. Alphonse.

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- What are you doing? I think there must be some mistake. Say what? Sir, listen to your friend here. He

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- knows what he's talking about. I don't think you really want to go to South Africa. Why not? Because

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- you're black. You are. This will be the day when all of God's children

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- be able to sing with new meaning. My country tears at thee. Sweet land of liberty, of thee I sing. Land

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- where my fathers died, land of the pilgrims' pride. From every mountainside, let freedom ring. And if

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- America is to be a great nation, this must become true. So let freedom ring. From the prodigious hilltops

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- of New Hampshire, let freedom ring.

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- from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania.

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- Let freedom ring from the snow-capped Rockies of Colorado. Let freedom ring from the curvaceous slopes

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- of California. But not only that, let freedom ring from Stone Mountain of Georgia. Let freedom ring

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- from Lookout Mountain of Tennessee.

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- The sheriff is a niche! What did he say? The sheriff is near! No, God of Blaming didn't believe it!

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- The sheriff is a niche!

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- Chairman of the Welcoming Committee, it is my privilege to extend a laurel and hearty handshake to our

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- new... nigger.

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- Excuse me while I whip this out. The only thing that matters is what they feel and how much they feel

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- for each other. And if it's half of what we felt,

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- For you two and the problems you're going to have, they seem almost unimaginable. But you'll have no

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- problem with me. And I think that when Christina and I and your mother have some time to work on him,

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- you'll have no problem with your father, John. But you do know, I'm sure you know, what you're up against.

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- There'll be a hundred million people right here in this country who will be shocked and offended and

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- appalled at the two of you. And the two of you will just have to ride that out, maybe every day for

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- the rest of your lives. You can try to ignore those people, or you can feel sorry for them and for their

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- prejudices and their bigotry and their blind hatreds and stupid fears.

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- But for necessary, you'll just have to cling tight to each other and say, screw all those people. Anybody

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- could make a case, and a hell of a good case, against your getting married. The arguments are so obvious

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- that nobody has to make them. But you're two wonderful people who happen to fall in love and happen

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- to have a pigmentation problem.

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- And I think that now, no matter what kind of a case some bastard could make against your getting married,

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- there would be only one thing worse. And that would be if, knowing what you two are, knowing what you

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- two have, and knowing what you two feel, you didn't get married.

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- Tillie, when the hell are we gonna get some dinner? I have a dream that one day every valley shall be

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- exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the

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- crooked places will be made straight, and the glory of the Lord shall be revealed, and all flesh shall

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- see it together. What do you want to know? Is Mr. Biasi at R.N.? No, a technician. She used to be a

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- dancer. She told you that? We're friends. She told me about it.

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- She was performing with a modern dance company. I don't know if she made a living out of it. But you

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- do know what happened? She was attacked down in the subway by three youthful offenders. After she recovered,

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- she came to work here. And what was her reaction to the attack? Same as anybody's. She was fearful,

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- resentful of all the little... Little what? Little black bastards?

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- You see some black teenagers on the train? Are you automatically afraid of them, Miss Maltese? Aren't you?

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- the former slaves and the sons of former slave owners. Will they be able to sit down together at the

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- table of brotherhood? How about your glasses? Can I get you a drink either, Mr. and Mrs. Prentice? No,

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- thank you. John, would you? Mike? No, you've had enough as it is already. Dad? What's going on? There's

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- something I want to say, and I'd like you to sit down and see if you can keep quiet for once in your

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- life. Please, sit down, John. Sit down, Chris, please.

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- I have a few things to say and you might just think they're important. This has been a very strange

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- day. I don't think that's putting it too strongly. I might even say it's been an extraordinary day.

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- I've been out there thinking about the day and the way it has gone. And it seems to me that now I need

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- to make a few personal statements for a variety of reasons.

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- The day began for me when I walked into this house, and Tilly said to me... Excuse me. Tilly!

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- Just a moment, take a sec. Everything has been ready, it's been ready. All right, all right, Tilly,

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- sit down. Mr. and Mrs. Panters, this is Miss Matilda Biss, who's been a member of this family for 22

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- years, and who today has been making a great deal of trouble. Sit down, Tilly. How is it that we know

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- who we are?

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- We might wake up in the night, disoriented, and wonder where we are. We may have forgotten where the

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- window, or the door, or the bathroom is, or who is sleeping beside us. We may think, perhaps, that we

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- have lived through what we just dreamed of. Or we may wonder if we are now still dreaming. But we never

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- wonder who we are.

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- However confused we might be about every other particular of our existence, we always know that it is

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- us, that we are now who we have always been. We never wake up and wonder, who am I? Because our knowledge

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- of who we are is mediated by what we doctors of the mind call ourselves schemata, the richest

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- most stable and most complex memory structures we have. They are the structures which connect us to

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- our pasts and allow us to imagine our futures. To lose those connections would be a sign of pathology,

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- a pathology called amnesia. But it makes no sense to begin this story here without its history, its past. So,

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- Let me take you back to a proper beginning, to a time before identity has been confused.
