One more time. Okay. Say take three.
turn it on again. It will throw you off now that it's on but it didn't throw you off before because
it was off. Yeah that's a funny sound.
Take one here from behind me. Back way up. Okay. Go ahead and take that first one there. And then take
one from way behind. Can you do that?
Can you take it closer? It's probably easier for me to get into. Okay, hold it, would you?
in front of me
Can we see those pictures now? Sure, Jeff. We never see you, Jeff.
Oh, is this right? Uh-huh. The thing is, the photo paper
That's a good one, huh? That's a picture of myself there? Kevin is... There we go. Oh, get this one.
This one's good too.
Oh yeah, I like that one. Well, of course it's good. It's really to the point, I think. I think that's
what we're after. My union requires $50 an hour. Does it? It's too bad, you never get it here.
Mm-hmm.
in. Just kick it. And you wind it to the right. Hit it on the floor. Yeah, yeah. Hit it on the floor?
Yeah. Let me drop it. The back door follows off. You need your film now. Kevin, how's your next shot
coming along? It's not quite there. Let me see it.
It's coming along. Oh, lift up on the wheel. All right, now we have it on the wheel. We are rolling.
Shouldn't take any time at all now.
It's real easy. Okay. All right. Okay, now Carrie, would you like to do the developing? Sure, I do.
Nice nasty bikewalks, huh?
How long is this going to take?
It's yours, yours is 36, right? Okay. Want to take a look, see? Oh, wow. Really, they're good, they're
contrasting. Good, good. I got a couple of them. Very green, gives rich tone to the bass. Oops,
that's bad. Oops. One bad, is it? Is this yours, the one you were shooting? Yeah.
Oh, they're good. They're good. Good. I only see one of them. How are you guys doing? I wonder what
that's doing. Do you guys see any difference?
How are yours? Not bad at all. Okay, well let's see if we can take a look at them.
Yeah, look. Kid? What do we got on her now? Maybe that guy you see in the side maze, which one?