WEBVTT

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- What do you think about law? Not much. I think it's very decorative and attracts a lot of attention.

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- It brings good spirit. Irrelevant. I think it looks kind of junky. I like them. I have no problem with

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- them. I think it would be nice to get some around here.

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- It's ugly. Most of it's pretty ugly.

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- They're nice looking. I think lawn sculptures should be banned. I think they're evil and I think they

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- promote a really kind of thoughtless ethic in the American public. I feel they're wonderful. I hope

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- to make some when I grow up and I'm a working artist and think probably concrete would be the best medium.

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- Oh yes, I like a certain amount of things, the cement type things and that.

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- I don't like to get carried away with it. I think it depends. Sometimes they're tacky and other times

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- I think they're really interesting. Indispensable.

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- the cement and this thing and it's sand and gravel and fiber fiberglass fiber and then vibrate them

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- and shake them and and reinforce them if they need to be with wires or whatever no it's rubber latex

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- rubber uh-huh

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- We can pour one like today and tomorrow it can be taken out if it's warm enough and then it takes a

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- few days for it to cure out and to be strong enough to go out into the yard so that's why we have two

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- yards one for this and one for the other over there. We've been doing this let's see we're starting

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- into our 15th year. Kind of a whim somebody came in and

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- talk me into it more or less to say that we've needed to get into the business and we did and then we've

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- gotten to be one of the larger ones in it probably so yeah yeah it's a lot of work but it is profitable

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- bird baths are probably the most popular thing bird baths and fountains has gotten beef strong other

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- than that it's just small animals like deers and rabbits and that sort

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- Strangest, probably a little monkey. We made a big monkey. Um, have you had any formal training to do

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- this? No, no, we learned it all on our own. There isn't anybody that really will teach you anything

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- because they're always worried about competition, you know, which is wrong. I mean, competition is great,

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- but they're always worrying that you're going to take a little business away from them. So nobody will

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- teach you anything. You have to learn it on your own. Now I have taken a lot of people under hand and tried it.

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- We had some people in the summer that was from Indonesia. I don't know if you've seen the paper, the

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- ad in the paper or anything, or not the ad, but the newspaper came out and took an article on it. And

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- we had some people from Indonesia that we taught how to make molds and how to paint the stuff and so

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- forth. And they were very interesting to work with. They were with us for about six weeks.

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- just keep adding to it, it gets bigger every year. So how did you start or how did you become interested?

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- In the yard deal. People would bring me a little yard ornament and I'd set it out and I just got to

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- where I really enjoyed it and the more the better. What's your favorite piece? I don't know.

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- I like them all. One of my deers I like, the deer laying down. I got a tiger that my daughter brought

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- me from Texas. Have you had any

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- problems like vandalism? Absolutely none. We lost one little dog sitting over there and I feel probably

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- with some child that disliked it and took it. As far as stealing or vandalism, no. I think people really

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- respect, you know, what we've tried to do. We have people come here like once a week and bring their

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- kids in the summertime and we let them walk up, we don't let them get over in here, but we let them

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- walk up down the sidewalk, you know, act like they're petting the animals or feeding them and

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- You know, it's kind of rewarding for little kids that want to come back here. That happened as a funny

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- little thing. You see the church here. There's a lot of little old ladies walking down through here

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- to and from church. And we fixed our deck so we could sit up there. If we wanted to sit in our underwear,

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- we could not be seen. I was sitting up there one night about 8 o'clock. It was just getting dark. And

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- two little old ladies came up the street, and they stopped here.

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- like little old ladies with, they were pretending like they were feeding the animals. But they didn't

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- know I was up there. And they would say, well, here, doggy, you don't have a dog. And just a little

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- thing, and I'm up here just dying laughing, you know. Finally, I thought, now, I'll have a little fun.

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- So I just raised up. I was fully dressed and everything. I said, ladies, please don't feed the animals.

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- Well, they just went nuts. I mean, they was laughing and carrying. I thought, boy, that's an idea right

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- there. So I went and got me a board, and I have a router.

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- And I just made me a sign put up there and said, please do not feed the animals. Well, that's the way

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- that come about. What do you think about your husband in his yard? Well, he enjoys it.

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- I've got a cat, and some chickens, and a bluebird, and a water, you know, bird battle, like my bird

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- says here. What? A lawn ball. Lawn ball? What's a lawn ball? You know, those shiny things, those real

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- tacky shiny balls that people have in their hearts. I kind of like the little bees that sit on the porch.

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- Better than smaller animals.

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- some reason I find more tolerable than the big stuff. When Mary's out there and with her sheep and everything

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- and all the bright lights. Like whatever kind it might be. Well, my general attitude toward culture

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- is the more multi the better. You know, the more the better because

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- It's the diversity of different quirky things that are terribly important to keep up so that people

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- don't feel they have to conform to, you know, one idea of how, you know, what art should be on somebody's

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- lawn. So this whole range between what's utterly tasteless and what's genuinely beautiful or moving

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- I think is part of what our culture is about anyway. So I wouldn't want to make

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- interdictions, unless you put some blatantly racist thing up on your remote lawn. I guess, yeah, there's

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- some bad connotations about the little black jockey player.

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- Definitely the cow and the horse. Cow and the horse is the most popular item. How much do you sell them

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- for? The cow is with the calf, but there's two pieces, $175. There's the little calf. And the horse

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- is $150. What are they made of? Concrete. And the cow weighs about 400 pounds, and the horse about 250

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- pounds. So if you could make

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- a particular piece of lawn art or something that you would really like to see that's not made, what

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- would it be? That would be a kind of German type, the Dutch boy and the Dutch girl, since I'm from Germany,

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- naturally. That's what I would like. And the windmill and the bridge, that type of thing. That's what

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- I would like. Do people in Germany have lawn art? Oh yeah, a lot of it. Like what?

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- like mills, wind mills, and those little ceramic pickers like I was talking about. And that's just all

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- over in Germany. Would you say it's more in Germany? Definitely more in Germany than in America. I think

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- we are about 15 years or 20 years ahead of the concrete in Germany. Oh, do you have

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- stories or any stories that you know about people with Monard, anything interesting that you can think

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- of? Any really strange customers that have come in with bizarre requests? Or strange? Where we have

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- people coming in who ask for like a collar boy who goes fishing or a collar boy with watermelon, eating

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- watermelon. We're really not going to get into it because I think it's not fair.

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- to do that kind of thing. So we just frankly tell them we don't do it.

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- that experience it, I think it's not frequently encountered enough. I'd say that probably in Bloomington

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- there's as much as you'd find anywhere, but I think about what it really constitutes. It constitutes

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- individuals either as individuals or as families sort of expressing themselves in maybe you could say

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- a prefabricated way, but what's wrong with that? So I think it's neat stuff. I like it. What do you

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- think that the cultural

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- Let me pace a little while I think about that, the cultural implications of one art. Well, there are

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- several, and I think maybe they spill right out of what I said a second ago, because one of them is

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- if they are prefab, if they're the kind of things that people just go and buy, and I'm going to slap

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- this down in my yard. On the one hand, that's a statement, right? That's like drinking trashy beer,

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- because you like all the advertisements on TV, and you know everything about the taste of the beer.

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- But on the other hand, seeing as how there isn't that much

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- When you think about it, there really isn't that much, at least not on every block, except for perhaps

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- around Christmas time. But seeing as how there isn't that much long art, maybe it's a substantial, not

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- just a cultural statement, not just a social statement, but a statement about the way you see yourself

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- fitting into your culture, your society, your city, even your neighborhood. It's that kind of a statement,

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- too. So really, I guess it would depend a lot on exactly what the stuff was.

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- and what kind of a neighborhood it was. Somehow that would seem important to me. And also,

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- it would be, you need to talk to people and say, well, so what is this one in particular medium? And

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- if they tell you, first of all, that they got it at Kmart, then you want to know, well, OK, so how does

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- Kmart enter into this? How is this an expression of you? Does it need to be an expression of you? See,

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- in the end, I don't have a good answer for that question. I better pace again.

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- you can see. Of course, I've got them, part of them put up in the wintertime, but we really like them.

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- Well, some of them are set up up there in the flowerbed. Did you see those? Well, I don't have too many

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- more than that. How long have you been collecting? About four years. About four years.

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- We're not that, not that wealthy. Why do they do it? I have no idea. I mean, like here, you know, you

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- can have a live little

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- animal coming into your yard, but here's fake little things that are just there. Why? I'm just wondering

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- why. Everything mixed and you stand around and

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- You hear water dripping and everything, because the water drips out of these things after you pour them,

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- you know, because it's so wet. And you hear water dripping here, there, and everywhere. And it gets

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- so dreary in here. If it wasn't for the radio and the lights, I guess, you'd have trouble. But we enjoy

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- it. It's something that, when you make something on your own and you take it out of a mold, you feel,

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- you know, you've accomplished something when you see something coming. That's right.

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- particularly when you make the mold yourself and everything, you've done it from scratch, or particularly

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- some things that we have even sculpted ourselves, and you see it come out, it just gives you a different

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- feeling, you know. It's worth it all then. But then you have to part with it. Well, yeah, but you don't

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- feel bad about that, or I don't. You get people out there, that's what they want and they're happy with,

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- and that just makes you happier, you know. It's just something to work with.
