WEBVTT 00:00:56.642 --> 00:01:03.550 - is now in progress. My name is Leonard Beasley. As usual, 00:12:47.298 --> 00:12:57.091 - right here on Second Street on College and Second Street in this mall in Bloomington, Indiana. So across 00:12:57.091 --> 00:13:07.164 - the street from Wendy's Restaurant. So ladies and gentlemen, I am here right now. I would like to introduce 00:13:07.164 --> 00:13:15.838 - my new guest on my show in this office as I would like to introduce an industrial design and 00:13:16.130 --> 00:13:24.824 - Product development and the owner of this place phonocraft Manufacturing records and I like to introduce 00:13:24.824 --> 00:13:33.269 - my new guest on my show. It's Mr. Jack Kilby. It's good to see you again. Good to see you Lana Thanks 00:13:33.269 --> 00:13:41.631 - for having me on your show. Yes is we're finally get to have you be it on my show. Yeah Yes, indeed. 00:13:41.631 --> 00:13:44.446 - Mr. Jack So I'm really excited so 00:13:44.738 --> 00:13:55.844 - Yeah, I believe it's last five episodes or so if I'm right. So I'm absolutely delighted that I had your 00:13:55.844 --> 00:14:07.163 - wife gonna be on my show. Oh yeah, she really enjoyed it. She likes to dance and show off for the camera. 00:14:07.163 --> 00:14:10.046 - So she's been enjoying it. 00:14:10.562 --> 00:14:17.947 - She looks forward to doing your next show. I guess you got another one coming up. Um, I believe we have 00:14:17.947 --> 00:14:25.403 - one. So, so I believe have one anyway. So, so I really excited about it. So, um, before, uh, we're going 00:14:25.403 --> 00:14:32.078 - to have this project, I'm glad I first met you right here. Is that right? That's right. Yeah. 00:14:32.078 --> 00:14:38.398 - You came in, you, I guess you met my partner, Eric first. Yes. I met your partner, Eric. 00:14:38.498 --> 00:14:45.591 - and you gave him, submitted some of your music, told us about your project, and then that's when we 00:14:45.591 --> 00:14:53.039 - learned about you. Although I remember seeing you years ago play your drums on Public Access television. 00:14:53.039 --> 00:15:00.274 - It was just you playing drums. I remember your face, and then you gave us those songs, and we figured 00:15:00.274 --> 00:15:05.310 - out what was gonna be on what side, and we planned out the track list. 00:15:05.666 --> 00:15:12.594 - Make sure we got it all just the way you want it and We're waiting on the blanks to come in for that 00:15:12.594 --> 00:15:19.729 - to do your 12 inch But today I thought we would do a 7 inch just of one of your songs What song we have 00:15:19.729 --> 00:15:26.588 - there? We're gonna play a song called Soak up the Sun summer nights from summer night summer night. 00:15:26.588 --> 00:15:30.910 - Oh, yeah Yeah, so look up the Sun from summer nights. Yes. Yep 00:15:31.202 --> 00:15:38.634 - we got that in the queue and we're going to show the people out there a little bit of the process how 00:15:38.634 --> 00:15:45.993 - how we make records here one at a time where we don't press records here we cut records individually 00:15:45.993 --> 00:15:53.352 - and this is sort of a one-stop shop for all your record needs we sell records that other people made 00:15:53.352 --> 00:16:00.638 - and and we'll make a record for you we can do five inch seven inch ten inch and twelve inch records 00:16:00.898 --> 00:16:07.807 - We can do picture disc records. Like CDs. Like CDs. What do you mean? Oh, CDs. Yeah, yeah. That's right. 00:16:07.807 --> 00:16:14.518 - Here's an example. It's not a CD, but it's the size of a CD. The size of a CD. You can only put about 00:16:14.518 --> 00:16:21.098 - a minute on there. You don't have any songs that are a minute. No, I don't. If you did, we could do 00:16:21.098 --> 00:16:27.743 - one of these, which they're nice and cute. Right. But today we'll be doing a seven inch record, your 00:16:27.743 --> 00:16:30.046 - standard seven inch record. Right. 00:16:30.434 --> 00:16:37.507 - And we'll be showing people what a record lathe is and how we prepare the disc. Absolutely. And then 00:16:37.507 --> 00:16:44.789 - we'll quality control it after we're done and listen to it and see how it sounds. And yeah, that's what 00:16:44.789 --> 00:16:51.792 - we're going to do. So thanks for having me on. I appreciate it. Big fan. After we found out who you 00:16:51.792 --> 00:16:58.654 - were, we researched and saw all of your shows. Not all of them, because you have so many of them. 00:16:58.786 --> 00:17:05.344 - We watched a bunch, and then my wife thought, Angelia thought that she would like to dance on your show. 00:17:05.344 --> 00:17:11.652 - Yes, and that was great, perfect timing, Jeff. She's a big fan of yours, too. And she is, and that's 00:17:11.652 --> 00:17:18.147 - why she had been on my guest on my show our last five episodes. That's right, yeah, yeah. And actually, 00:17:18.147 --> 00:17:24.518 - she's looking for more people to be on your show, more people that like to dance. Yes. So she's going 00:17:24.518 --> 00:17:28.702 - to help you out there. So she'll probably get to help me out, too. 00:17:28.898 --> 00:17:36.914 - And you know, Mr. Jack Kilby. So tell us about the more about record owner as an owner. Okay. So, um, 00:17:36.914 --> 00:17:44.773 - well we started this, this business here in this location at two, two, two West second street last, 00:17:44.773 --> 00:17:52.633 - it's been about a year. So, so at the beginning of, of December of last year, my partner, Eric Hunt 00:17:52.633 --> 00:17:56.798 - and I combined all of our equipment together and um, 00:17:57.410 --> 00:18:05.576 - Decided we want to offer high quality records to people we thought Bloomington would be a good city 00:18:05.576 --> 00:18:13.905 - to be in Since there's a lot of creative people here And and also if you just want to buy a record we 00:18:13.905 --> 00:18:22.234 - just have records for sale And we we work a lot with people in the hip-hop community and we work with 00:18:22.234 --> 00:18:26.398 - people songwriters such as yourselves We work with 00:18:27.170 --> 00:18:35.177 - DJs and and then and then we find artists that we like and we have our own record label where we put 00:18:35.177 --> 00:18:43.184 - out some artists that we like and We're just vinyl enthusiasts. So we're just trying to keep records 00:18:43.184 --> 00:18:51.191 - alive and People seem to enjoy them. So we want to make sure they can enjoy it to the fullest right? 00:18:51.191 --> 00:18:52.222 - That's right 00:18:52.514 --> 00:19:02.020 - So Mr. Jack Kilby, I really enjoy your business and your service here making records. You said December 00:19:02.020 --> 00:19:11.342 - 2016 or 17? 17, yep. 2017, almost a year. Yep. Now before that, I've been cutting records since I got 00:19:11.342 --> 00:19:19.294 - my first record cutter in 2000. That's the year 2000, I don't know which month it was. 00:19:19.682 --> 00:19:27.954 - 2018 years. Yeah, 18 years. And then through trial and error, it's sort of a difficult process. And 00:19:27.954 --> 00:19:36.392 - now there's more information, but at the time there wasn't much information. A lot of trial and error 00:19:36.392 --> 00:19:44.913 - and a lot of money spent on parts and equipment and upgrades. So we think we have a pretty good system 00:19:44.913 --> 00:19:48.222 - here now where we can plug and play and 00:19:48.546 --> 00:19:56.357 - don't have to waste too much time setting up, so we can, we're pretty efficient now, so, yeah. 00:19:56.357 --> 00:20:04.825 - Now it is. Yeah, now it is. Took a long time. So, yeah, I know. So, records, these records, been those 00:20:04.825 --> 00:20:10.334 - record players since, it's been 87 years. What, 87 years for what? 00:20:10.530 --> 00:20:18.228 - record player cutters. Oh, yeah, you're right, because the ones, the three that you're sitting there, 00:20:18.228 --> 00:20:25.851 - those came out in the 40s. So would that be? 40s in the 70s. 70 years. 70 years, yes. These came out 00:20:25.851 --> 00:20:33.474 - in the 40s. And these came out in the 40s as well. A lot of these amplifiers are from the 1940s. And 00:20:33.474 --> 00:20:39.134 - the one we're going to use today is from the 80s. 80s. 30-some years. Yep. 00:20:40.290 --> 00:20:48.473 - And luckily there's still people that cut records today. Yeah, there's a lot. I'm not the only person 00:20:48.473 --> 00:20:56.656 - who does this. No. There's a person who started it. It's from New Zealand. His name's Peter King, and 00:20:56.656 --> 00:21:05.159 - he's the granddaddy of lathe cut records. Right. And so he did it first, that I know of. And other people 00:21:05.159 --> 00:21:07.486 - have come along and done it. 00:21:07.714 --> 00:21:14.922 - And they document all their work on a website called lathtrolls.com. So if you're interested, you can 00:21:14.922 --> 00:21:22.059 - see the experiments and successes from other people at lathtrolls.com. I don't know, some people are 00:21:22.059 --> 00:21:29.126 - into that kind of thing, they want to know more about records. And yeah, I don't want to act like I 00:21:29.126 --> 00:21:33.790 - invented it or anything because it's, I'm just an enthusiast, so. 00:21:34.594 --> 00:21:41.503 - That's what we do, yeah. Yes, absolutely. So anyhow. So anyhow, we got one of your songs. We got your 00:21:41.503 --> 00:21:48.616 - song pulled up here. And are we going to show the folks the process? Is that the plan? Yes. OK. However, 00:21:48.616 --> 00:21:55.525 - after the commercial break, however. OK. So however, at this time. So we will have a commercial break 00:21:55.525 --> 00:22:02.773 - in just a minute. Well, let's tell the people about the project you and I are working on. So we're putting 00:22:02.773 --> 00:22:03.518 - together a 00:22:03.778 --> 00:22:11.528 - a three album record set. Yes. That's correct, right? Right. It's the Summer Nights material. 00:22:11.528 --> 00:22:19.772 - That's right. It's going to be the first Slenderman Beasley LP. LP. It's going to be brought out to 00:22:19.772 --> 00:22:28.182 - be coming in stores in 2019. Yep, that's right. And we got your labels. I'll show you those labels in 00:22:28.182 --> 00:22:30.078 - a little bit. Oh yeah. 00:22:30.370 --> 00:22:36.686 - That would be great on the show. Yeah. And, um, so I'm really excited to, we're going to cut one for 00:22:36.686 --> 00:22:43.190 - you and we're going to cut another one just to have here. So if you sell yours real fast, then there'll 00:22:43.190 --> 00:22:49.444 - be another one waiting to go. Okay. And then, um, we'll have, we printed a bunch of extra stickers. 00:22:49.444 --> 00:22:55.760 - So if, if they ended up, if you ended up getting some interest, we can make them really quick and we 00:22:55.760 --> 00:22:59.262 - don't have to wait on stickers. Absolutely. Absolutely. 00:22:59.522 --> 00:23:08.566 - I know you have a lot of fans out there who would probably like an original Lennon Beasley, extremely 00:23:08.566 --> 00:23:17.522 - limited edition record set. And not only that, we did a 7-inch where you came down and visited me at 00:23:17.522 --> 00:23:24.350 - the 97.7 Festival. Yes. And we cut one right there in the rain. Yes, it was. 00:23:24.674 --> 00:23:31.663 - And, uh, that was fun. We listened to it. It sounded really good. That was a seven inch, but today we're 00:23:31.663 --> 00:23:38.652 - going to do just one seven inch off of the, uh, off the summer nights be super limited edition. Probably 00:23:38.652 --> 00:23:45.708 - just be yours to play for people. And, um, yeah, yeah. Right. That'd be great. So we're going to continue 00:23:45.708 --> 00:23:52.830 - in just a few minutes, but right now we're going to take a break. So stay with us and we'll be right back. 00:28:44.418 --> 00:28:52.313 - episode right now. We're here in this episode, Fono Craft Record Manufacturing. I'm still here with 00:28:52.313 --> 00:29:00.603 - Jack Kilby, the owner of Fono Craft Record Manufacturing here in Bloomington, Indiana. So are you really 00:29:00.603 --> 00:29:08.972 - excited about cutting radishes? Oh yes, I sure am. So today we're going to do a 7 inch. Here's the blank. 00:29:08.972 --> 00:29:11.262 - Right. If you notice there's 00:29:11.746 --> 00:29:19.071 - There's two holes in a lathe cut record. That's so we can put a pin in that second hole so the record 00:29:19.071 --> 00:29:26.252 - doesn't slip. And so we're going to place this on the platter here. Here's my pin. I'm going to put 00:29:26.252 --> 00:29:33.577 - the pin in there. Now it's locked in place. Now I'm running it at a fast RPM because I'm going to put 00:29:33.577 --> 00:29:40.830 - on some turtle wax. This is the first step. The turtle wax helps polish the surface a little bit and 00:29:40.962 --> 00:29:55.220 - remove the static and helps the cutting come right off of the record. So we put that on there. This 00:29:55.220 --> 00:30:10.334 - is what we do on every one, every time. It doesn't kind of wipe it off. Alright. Okay, now we're going to 00:30:10.786 --> 00:30:27.662 - Taking place the cut screw on top of the record. Like so. And then we're gonna line it up. See where 00:30:27.662 --> 00:30:37.854 - we're at. I gotta adjust the depth a little bit on this one. 00:30:43.746 --> 00:30:55.081 - Okay, so we're in range, so it's locked down and ready to cut. What I'll do is now I'm going to adjust 00:30:55.081 --> 00:31:06.415 - the depth of the groove. And this little piece of plastic comes out about the size of a hair. And this 00:31:06.415 --> 00:31:12.798 - brush just helps collect it so it doesn't get in our way. 00:31:13.538 --> 00:31:24.331 - song. Okay. We also have it played through the stereo so we can hear it. But what you're hearing right 00:31:24.331 --> 00:31:35.439 - now is being put right onto the record. The vibrations are being etched into the surface of this plastic. 00:31:35.439 --> 00:31:41.726 - Alright, why don't you tell me a little bit about the song. 00:31:43.394 --> 00:31:53.368 - Well, Soak Up the Sun, it's not a Sheryl Crow song, it's my originals. So, the yellow sun is bright. 00:31:53.368 --> 00:32:03.244 - So, in Gonna Soak Up the Sun, I'll be sweating all day long, sleeping all day long in the beach, or 00:32:03.244 --> 00:32:11.934 - getting in the water. Yeah, okay, okay. So, it's a good summer classic then, huh? Yeah. 00:32:12.226 --> 00:32:19.740 - the fun parts about summer, which is why I like the whole record is summer-themed. All of your songs 00:32:19.740 --> 00:32:27.551 - have something to do with the summertime, don't they, on this record? Right. Did you have a good summer? 00:32:27.551 --> 00:32:35.139 - Yes. Yeah, me too. Now it's over. Yeah, it is. It's cold. Well, not freezing cold, but the leaves are 00:32:35.139 --> 00:32:42.206 - coming off the trees now. I know. So you can see on there, I don't know if the camera can see, 00:32:42.530 --> 00:32:53.400 - So we got the swarf, that's what the cutting is called. The swarf's coming off nicely. Yeah, so we like 00:32:53.400 --> 00:33:04.061 - to have you cut again or have the camera get into closer. Closer, okay, we can do that. So we'll have 00:33:04.061 --> 00:33:12.318 - to do it in just after this cut here. Yeah, yeah. Well, if you want, you could 00:33:13.570 --> 00:33:21.329 - stop it now and bring it in because we still got a couple minutes to go and you can see the ending of 00:33:21.329 --> 00:33:28.936 - it. I like to do the whole thing really. So I really rather do the whole thing anyhow. So I'll have 00:33:28.936 --> 00:33:36.696 - you do the settings. You're gonna put another seven inches, is that right? Yeah, we'll see. Hopefully 00:33:36.696 --> 00:33:43.390 - we have another one. I think I do. We'll run a little on supplies but I'll get you one. 00:33:43.842 --> 00:33:54.376 - Right. Now before we cut the song, we have to do some pre-production work to the actual music. We have 00:33:54.376 --> 00:34:04.910 - to change the EQ so that it will be compatible with the playback EQ on your turntables preamp. So what 00:34:04.910 --> 00:34:12.478 - we're hearing is not the way it will sound when we actually play it back. 00:34:13.058 --> 00:34:22.254 - We boosted the highs and we cut the bass really low. So it kind of sounds like an AM radio or something. 00:34:22.254 --> 00:34:31.625 - Is that the end? It is the end. Okay, we'll put the finish groove on here. One, two, three, four. Alright. 00:34:31.625 --> 00:34:40.559 - We'll take this off and we'll go listen to it right now. Right. Product. Put it on the record player. 00:34:40.559 --> 00:34:42.398 - Start it right here. 00:38:08.642 --> 00:38:15.541 - What do you think? How does it sound to you? It really sounds great for a record. It's a good quality 00:38:15.541 --> 00:38:22.710 - sound quality. It's great. Now we do, we tested, this right here is your standard high quality turntable. 00:38:22.710 --> 00:38:29.541 - Right. But not everybody has a good quality turntable. No. And so if I was to make this and somebody 00:38:29.541 --> 00:38:36.373 - played it on a cheaper turntable, it might not sound as good or it might not track. So that's why we 00:38:36.373 --> 00:38:38.334 - have this turntable up here. 00:38:38.434 --> 00:38:46.566 - This allows us to, this is not a high quality turntable, but it allows us to listen to it and to make 00:38:46.566 --> 00:38:54.538 - sure that it will track on any turntable, on any record player. What we're hearing is just, there's 00:38:54.538 --> 00:39:02.590 - a speaker inside here and that's the only, that's where the sound comes from, so it's not as good as 00:39:20.322 --> 00:39:31.533 - It tracks pretty well. Well, I hear it slipping a little bit, but that's because I don't have the center 00:39:31.533 --> 00:39:42.530 - thing on there. That keeps it from slipping. That's not a good sound quality. No, it's not. And that's 00:39:42.530 --> 00:39:49.150 - why we tested on both. Because this one, there's the speaker. 00:39:50.082 --> 00:39:57.526 - It's like a tiny speaker about this big. But we make sure that it works well on this turntable and on 00:39:57.526 --> 00:40:05.043 - the high-quality turntable. Of course, it's going to sound better on the high-quality turntable. Yeah. 00:40:05.043 --> 00:40:12.342 - All right. So I hope you have another one if you have one. Yeah, we'll look here. I'll find another 00:40:12.342 --> 00:40:18.910 - one, and we'll do a close-up of the cutting process. Yes, we do. OK. I believe we got it. 00:40:19.074 --> 00:40:27.987 - I'm going to do all the steps. Okay, thank you. So now is there, that's a whole lot better. 00:40:27.987 --> 00:40:37.868 - What do you think? Oh yeah, you can really see that now. Good. Now we got to see it. I just zoom out. 00:40:37.868 --> 00:40:46.878 - Okay. All right. Tell me, is it recording now? It is now. Okay. Five, four, three, two, one. 00:40:47.938 --> 00:40:57.574 - All right, so the first step here is to take off the protective coat that is on the record blank. And 00:40:57.574 --> 00:41:07.587 - it's very staticky as you can see. And that's why we use the turtle wax to help reduce the static. Static 00:41:07.587 --> 00:41:13.822 - is not our friend in this case. So now I'm going to apply the wax 00:41:47.362 --> 00:42:01.083 - going to place the lead screw assembly over the record and attach the flange to the turntable with that 00:42:01.083 --> 00:42:14.276 - set pin. I'm going to get lined up. So how about the high quality, so high volume? Well yeah, so we 00:42:14.276 --> 00:42:17.310 - have the volume preset 00:42:17.826 --> 00:42:27.364 - we get too loud it will distort and if it's not loud enough it'll be too quiet but that's why we listen 00:42:27.364 --> 00:42:36.719 - to it as we cut it so we can compare what's being cut with what's being played back right so so right 00:42:36.719 --> 00:42:45.891 - now here let me do a little test so yeah okay so that's that's working like I always got to test it 00:42:45.891 --> 00:42:47.358 - however I go to 00:42:51.394 --> 00:43:03.967 - That's pretty much it, right? Yeah, yep, that's it. Okay. So I'm gonna start the platter at 33 and a 00:43:03.967 --> 00:43:16.789 - third revolutions per minute. I'm gonna get my brush in line. And now I'm gonna engage the lead screw. 00:43:16.789 --> 00:43:21.022 - And I'm gonna start cutting here. 00:43:25.858 --> 00:43:42.507 - down the depth a little bit. I can see it coming off there nicely. Then we'll start the record. You 00:43:42.507 --> 00:43:55.326 - can see the cutting is about the width of a fine human hair. It's very thin. 00:43:59.106 --> 00:44:09.850 - flammable too. It could catch on fire. We don't want that. Now I told you about the age of the lathe 00:44:09.850 --> 00:44:20.700 - that we use from the 40s. The cutting head is from the 60s. That cutting head would have been used in 00:44:20.700 --> 00:44:27.934 - the BBC studios. It's mono. We're not cutting in stereo. It's mono. 00:44:28.866 --> 00:44:37.246 - But for what we're doing, mono works really well. It's very stable. But when you play it back on a stereo 00:44:37.246 --> 00:44:45.389 - cartridge, you'll hear it out of both speakers. It's not that it just comes out of one speaker because 00:44:45.389 --> 00:44:52.030 - it's mono. You hear it out of both speakers. There's just no stereo field of sound. 00:44:57.922 --> 00:45:00.254 - You play piano too, is that you play piano as well? 00:45:34.050 --> 00:45:40.691 - I know I asked you this before, what do you classify your music as, Lenin? Classify music. Yeah, like 00:45:40.691 --> 00:45:47.201 - what do you call this style, this genre of music? You told me, I can't remember what you called it. 00:45:47.201 --> 00:45:53.712 - Rock and, rock and roll. Rock and roll. I thought when I asked you before you said you call it town 00:45:53.712 --> 00:46:00.222 - rock, or something like that. I believe it's Bloomington rock. Bloomington rock, okay. It still is. 00:46:00.222 --> 00:46:03.998 - It's definitely rock and roll. It's got the driving beat. 00:46:22.498 --> 00:46:30.746 - I'm gonna go turn off the amp over here and we'll be able to barely hear the song coming out of there. 00:46:30.746 --> 00:46:38.993 - Just to show. You can just barely hear it coming out of here. That's what it sounds like when it comes 00:46:38.993 --> 00:46:47.081 - out of the head. Now that was the end of the song. I used the crank to produce a lead out groove and 00:46:47.081 --> 00:46:52.446 - then we put a lock groove at the end. And now we can listen to it. 00:47:00.034 --> 00:47:09.546 - We already cut records here. Yeah, we cut them listen to them. They sound pretty good. We got two of 00:47:09.546 --> 00:47:19.812 - them and I wanted to say how how I believe that You doing all your music in your shows is very inspirational 00:47:19.812 --> 00:47:25.086 - to musicians and producers because of the the amount of 00:47:25.826 --> 00:47:33.865 - output you have. I know people that have been playing music for years that have nowhere near the amount 00:47:33.865 --> 00:47:41.595 - of songs written and they talk about writing songs and they talk about getting gigs, but you sir do 00:47:41.595 --> 00:47:49.326 - a lot and it's very, very impressive. I'm very impressed. And not to mention that just the style of 00:47:49.326 --> 00:47:54.814 - your music, it reminds me of a cross between Screamin' Jay Hawkins and 00:47:54.946 --> 00:48:03.824 - and the late great Wesley Willis, two artists that I really like, and to me I think you sort of encapsulate 00:48:03.824 --> 00:48:12.291 - their sound, and yeah, it's very enjoyable, and lots of people that, I know a lot of people that enjoy 00:48:12.291 --> 00:48:20.594 - it too, some people I work with at work, and actually some people that Angela works with at work are 00:48:20.594 --> 00:48:22.238 - familiar with your, 00:48:22.658 --> 00:48:31.792 - your output and the things that you do. It's very good. So I'm so glad to have you come down here and 00:48:31.792 --> 00:48:40.746 - visit with us and let your audience know what we're doing. And it's sort of part of your, you know, 00:48:40.746 --> 00:48:49.790 - we're cutting your music. So it's, it all makes sense. Yes. So, um, I'm glad I'm here today. So, um, 00:48:50.594 --> 00:49:00.602 - I'm glad I'm here. So you have record stickers. Oh yeah, so these are the stickers for your triple album 00:49:00.602 --> 00:49:10.323 - that's coming out. Right. Which one? Is that Summer Nights? Yeah, Summer Nights. And we got the track 00:49:10.323 --> 00:49:17.662 - list. It's going to be a triple gatefold. It's a pretty impressive endeavor. 00:49:18.370 --> 00:49:24.632 - We'll have one for you and one for the record store that you're going to put in it where you put it 00:49:24.632 --> 00:49:31.019 - at TD's you said? Yes. That's a great store here in Bloomington. And then we'll have one on our shelf 00:49:31.019 --> 00:49:37.343 - here in case you sell out you'll have another one ready to go or if someone comes in and asks for it 00:49:37.343 --> 00:49:38.846 - we'll have it for them. 00:49:39.458 --> 00:49:45.533 - You know, I don't get paid with that one. Yeah. Yeah. Yep. That's correct. And then I was going to suggest 00:49:45.533 --> 00:49:51.324 - that you do a London Beasley picture disc. This is a, this is not a London Beasley picture disc. This 00:49:51.324 --> 00:49:57.172 - is the last picture disc we did for, for a customer. But, um, I don't know. I think it would be a good 00:49:57.172 --> 00:50:02.622 - collectible. Can you imagine having your face right here? Smiling, maybe you wearing the boots. 00:50:02.754 --> 00:50:10.482 - That's a pretty striking image. There's so many good images you can put on here, and it would look really 00:50:10.482 --> 00:50:18.064 - good on the shelf at the record store. That's a good product, I think. But you have so much stuff going 00:50:18.064 --> 00:50:26.011 - on right now. Maybe we'll wait till 2019 before we discuss further projects. We gotta catch up on everything 00:50:26.011 --> 00:50:32.062 - that you got in the can right now. Right. So we do. So you wanna give out a shout? 00:50:32.290 --> 00:50:39.428 - to White Rabbit. Oh yeah, White Rabbit is the printer that we work with. They did this image on this 00:50:39.428 --> 00:50:46.777 - picture disc and they did your labels on some very high quality glossy paper. They're very good to work 00:50:46.777 --> 00:50:54.127 - with. They're very reasonably priced and I will never go to Kinko's again. White Rabbit is the printing 00:50:54.127 --> 00:50:56.318 - company for me. So I wanted to 00:50:57.026 --> 00:51:03.732 - That's great. White Rabbit is a really good quality, right? Very good quality and local. I like to give 00:51:03.732 --> 00:51:10.503 - my business to local artists and merchants and craftsmen. The only thing that is not local is the blanks 00:51:10.503 --> 00:51:17.015 - come from Paris. Or not Paris, France. Somewhere in France. It's not Paris though. So they come from 00:51:17.015 --> 00:51:23.592 - France. If there was someone in Bloomington making them, I'd get them here in Bloomington. But that's 00:51:23.592 --> 00:51:26.494 - the only thing that is not from Bloomington. 00:51:26.690 --> 00:51:35.043 - Right, right, right. So the quality of the sounds of the record, and we got a little record player, 00:51:35.043 --> 00:51:43.647 - a tiny record player, and it's a very little speaker. Yeah, very little speaker. It doesn't sound very 00:51:43.647 --> 00:51:52.084 - good. And the needle is, I would say subpar. But if that record player plays your record, any record 00:51:52.084 --> 00:51:54.590 - player will play your record. 00:51:56.322 --> 00:52:02.311 - That's how we do our quality control here, we make sure that it's playable on any device. See, there's 00:52:02.311 --> 00:52:08.707 - a lot of people out there that cut records, I'm not the only person, and some people use different techniques 00:52:08.707 --> 00:52:14.522 - to cut their record, and sometimes the records don't work like they should or they don't sound like 00:52:14.522 --> 00:52:20.627 - they should. It kind of gives other people that cut records a bad name, you know, because they associate 00:52:20.627 --> 00:52:21.790 - all lathe cuts with 00:52:22.338 --> 00:52:31.166 - with that one style of cutting. But ours are guaranteed to track for the needle to stay in the groove 00:52:31.166 --> 00:52:40.426 - all the way through and to not have distortion and to not have any surface noise. We go for a high quality 00:52:40.426 --> 00:52:48.734 - mono playback. We're going to go to stereo in the future. It's just a little more of a process. 00:52:49.666 --> 00:52:57.727 - We hope to be able to do that maybe by next year, be able to do stereo. A lot of people ask for it. 00:52:57.727 --> 00:53:05.870 - But right now mono works pretty well and yeah, that's what we're doing. So it's mono now? Mono, yes. 00:53:05.870 --> 00:53:14.415 - It'll come out of both of your speakers on your stereo, but it will not have a stereo field where there's 00:53:14.415 --> 00:53:18.526 - a difference in between the two speakers that make 00:53:18.690 --> 00:53:26.017 - a third sound. They just come out here. It's sort of like the old Beatles records were all in mono and 00:53:26.017 --> 00:53:33.130 - actually you can get a lot louder with mono. Mono has its pluses. People want stereo though because 00:53:33.130 --> 00:53:40.314 - a lot of people produce in stereo. I noticed your material is produced in stereo. We convert it when 00:53:40.314 --> 00:53:41.310 - we do our pre 00:53:41.506 --> 00:53:48.929 - Production work we convert it to a mono signal so everything comes out in the end. Stereo won't sound 00:53:48.929 --> 00:53:56.498 - as good. Well stereo will sound as good, but it won't be as loud Won't be as loud won't be as loud some 00:53:56.498 --> 00:54:03.775 - people like a very loud signal a lot because we work with DJs DJ wants a loud signal to come out of 00:54:03.775 --> 00:54:10.398 - the record But actually if we get too loud the needle will actually jump out of the record 00:54:10.818 --> 00:54:21.173 - We don't want that we don't want to be too loud But stereo does have the stereo field so you'll have 00:54:21.173 --> 00:54:31.426 - you'll be able to hear Snares and bass drums and guitars and different reference frames when you're 00:54:31.426 --> 00:54:38.398 - listening to it, right? So Anyhow, oh Yeah, will you tell us about? 00:54:38.690 --> 00:54:47.497 - How many minutes per side of a record? Oh yeah, so on a 12 inch record, your standard LP, which I have 00:54:47.497 --> 00:54:56.133 - one right here, this one works, that's what I'm not using. So we can get 12 minutes per side on a 12 00:54:56.133 --> 00:55:05.026 - inch record. We can get about, I don't know, about nine minutes per side on a 10 inch record. Of course 00:55:05.026 --> 00:55:08.446 - we've got five minutes on a seven inch. 00:55:09.698 --> 00:55:18.764 - have a five inch record you get about a minute 33 seconds in these these are pretty good collectible 00:55:18.764 --> 00:55:27.830 - records I have a collection of just five inch records I seek them out and plus they're a little more 00:55:27.830 --> 00:55:35.998 - inexpensive because they're smaller so we have we have all prices to meet anybody's budget 00:55:36.930 --> 00:55:45.481 - With all these records, we're able to do grooves on both sides of the record except for the picture 00:55:45.481 --> 00:55:54.032 - disc. The picture disc only has one side because the other side has to have the picture attached to 00:55:54.032 --> 00:56:02.840 - it. But yeah, that's what we are offering. We also cut on picnic plates. Here's an example of a picnic 00:56:02.840 --> 00:56:05.662 - plate. Solo brand picnic plates. 00:56:05.762 --> 00:56:14.597 - There's a hole in there, and right here are what they look like when we cut them out. So we're able 00:56:14.597 --> 00:56:23.521 - to get colors, different colors, but the sound quality is pretty rough on these. Sort of sounds like 00:56:23.521 --> 00:56:28.734 - a 78 record, an old 78 record. It works well for some like 00:56:29.250 --> 00:56:37.124 - like heavy rock and roll or punk rock or a noise band, sounds pretty good on those. So if price is your 00:56:37.124 --> 00:56:44.696 - concern, we can put it on a lower quality material and it'll cost less, it won't sound as good, but 00:56:44.696 --> 00:56:52.495 - we like to be able to offer lots of different options to people so that they can get exactly what they 00:56:52.495 --> 00:56:59.006 - want and be happy with what they get. Okay, that sounds good. So 12 minutes per side. 00:56:59.650 --> 00:57:06.798 - And a 12 inch. Yes. Yep, for now. We do have another lay that we'll be able to get hopefully 22 minutes 00:57:06.798 --> 00:57:13.808 - per side, but we don't have that set up here yet. My partner has that set up in Pennsylvania and he's 00:57:13.808 --> 00:57:20.681 - gonna be bringing that here. And hopefully we'll be able to offer that soon. You know, more time is 00:57:20.681 --> 00:57:27.966 - better. You know, the more time you get on the record, the better. So eventually we'll have summer nights 00:57:28.130 --> 00:57:36.743 - putting in one record, so. Well, that'd be nice, yeah. 22 minutes, so. Yeah. Hopefully. Hopefully. There's 00:57:36.743 --> 00:57:44.953 - a lot of setup. When I say setup, it's not we just get it and set it up and play. We got to fine tune 00:57:44.953 --> 00:57:53.083 - it. It takes a long time. Everything takes a long time, as you know. Yeah. Yeah. So we're also, when 00:57:53.083 --> 00:57:56.222 - the 12-inch comes back, it comes here, 00:57:56.354 --> 00:58:05.683 - 12 inch comes here. How many did you order? We'll have 100 blanks. We'll have 112 inches and we'll probably 00:58:05.683 --> 00:58:14.667 - get 107 inches. We're already stocked up on 10. If you wanted a 10 inch right now we could do 10 inches 00:58:14.667 --> 00:58:17.086 - all day long it looks like. 00:58:17.698 --> 00:58:24.136 - Our number one sellers are seven inches and our number two sellers are 12 inches. So we'll just stock 00:58:24.136 --> 00:58:30.638 - up on both of those one. Uh, Oh, probably here in the next couple of weeks or so. Yup. So when you get 00:58:30.638 --> 00:58:37.265 - a hundred, uh, comes in, order another hundreds. Yeah. Yeah. Right. We'll need them. Cause we go through 00:58:37.265 --> 00:58:43.767 - pretty quickly. Cause we're going to need, um, uh, please order another a hundred, um, uh, blanks when 00:58:43.767 --> 00:58:45.534 - that comes in. However, um, 00:58:46.018 --> 00:58:53.836 - I just wanna remind you, Mr. Jack Kilby, so we're gonna, I'll be coming back here, I'll do another session 00:58:53.836 --> 00:59:01.289 - of the record records. However, we're gonna do a 12 inch. Yeah, yeah, we'll do the 12 inch next time. 00:59:01.289 --> 00:59:08.815 - 12 inch next time, so it'll be all day, so. Now do you have a record player at your house? I think so. 00:59:08.815 --> 00:59:15.902 - Good, well you can take those two with you then, and you can listen to them and plan for people. 00:59:16.002 --> 00:59:23.060 - Maybe take them to the record store and have them have them play it over their system Right now remember 00:59:23.060 --> 00:59:29.917 - that they're one sided. So on the other side is a different song Yeah, the other one's different. The 00:59:29.917 --> 00:59:36.976 - other was a different song because it was a mistake Okay, so and it's marked the side that is not marked 00:59:36.976 --> 00:59:41.278 - is your side. Yes Just just so you know, right, right so anyway 00:59:41.730 --> 00:59:52.077 - I'm probably so you know you if I don't see Angelina here Probably Gonna text me and yeah have her have 00:59:52.077 --> 00:59:58.046 - her come tomorrow. Yeah, I'll have her come tomorrow to the 00:59:58.402 --> 01:00:08.662 - to your library. And from two to four. So if we do have an opening from four to five or six, we'll love 01:00:08.662 --> 01:00:18.527 - to have her on the show a little longer. Of course, called Text You Too. Yeah, yeah, definitely. So 01:00:18.527 --> 01:00:27.998 - about the Lenin Beastie Show project. When are you going to air these shows? We are way behind. 01:00:28.098 --> 01:00:38.838 - Season four even and the first half of season five. So I see you shoot them all ahead of time ahead 01:00:38.838 --> 01:00:49.793 - of a time ahead of times so Here's the linobeze work. So from season four of August 31st 2017 We went 01:00:49.793 --> 01:00:53.982 - ahead and do linobeze show put them in 01:00:54.146 --> 01:01:04.820 - So that way I'll upload it in YouTube. Apparently, two episodes at a time. So that's why we have the 01:01:04.820 --> 01:01:15.810 - Lena Beasley YouTube channel. So that's why. And then the community access television in November 2017, 01:01:15.810 --> 01:01:23.102 - in late December, no, I'm sorry, 2017 in December, computer crashed. 01:01:23.234 --> 01:01:34.833 - because of the unexpected crash of iMovie project quit. And then the whole thing got to start all over 01:01:34.833 --> 01:01:46.206 - again. And then in February or April 2018, the whole thing, CATS already updated iMovie and Premier. 01:01:46.306 --> 01:01:55.120 - It's been, uh, off and on, uh, off and on computer. We're having, they're having computer problems right 01:01:55.120 --> 01:02:03.681 - now in cats. So, um, it's been really hectic. So this year, so we're, uh, at least, um, I got the raw 01:02:03.681 --> 01:02:12.579 - video from 2017, all raw videos in 2017 and 18 did not go away on my other drive. And I just put a backup 01:02:12.579 --> 01:02:16.272 - drive too. So I put a backup drive too. So. 01:02:16.272 --> 01:02:25.566 - That way I don't have to lose it. If one of them got broke, so at least I got a backup there. 01:10:50.722 --> 01:11:01.112 - episode 20 is already here now however at this time I'm really excited about this episode right now 01:11:01.112 --> 01:11:11.606 - so I'm very excited about my new guest right now so I just met her at Fono Craft Records shop on 2nd 01:11:11.606 --> 01:11:20.542 - Street so I would like to introduce my new guest on my show is and also a musician is 01:11:20.930 --> 01:11:31.200 - Ladies and gentlemen, please welcome Brittany Campbell. Brittany, if you would come, please. Hi, Brittany. 01:11:31.200 --> 01:11:40.799 - Yeah, nice to see you again. I love you, Brittany. I love you. So yes. How are you doing? I'm good. 01:11:40.799 --> 01:11:46.078 - Yes, indeed, Brittany. So I'm absolutely wonderful. So 01:11:46.658 --> 01:11:56.027 - I'm really so pleased to see you. Likewise. I'm glad you're here today. So I'm really excited to be 01:11:56.027 --> 01:12:05.489 - here. Yeah, me too. So tell us your name and what do you do here, please, on the show. Yeah, my name 01:12:05.489 --> 01:12:14.952 - is Brittany Campbell. I'm a musician and I'm on the show today to play some songs and maybe do a jam 01:12:14.952 --> 01:12:16.638 - with Lennon. Yes. 01:12:17.442 --> 01:12:26.112 - And tell us about yourself a little bit more, please. Uh, yeah. Well, I am 26 years old. I'm from Richmond, 01:12:26.112 --> 01:12:34.461 - Indiana, but I grew up here in Bloomington. Um, I play music. I am a floral manager at Kroger downtown. 01:12:34.461 --> 01:12:42.811 - Um, yeah. And I'm just excited to be here. You're working Kroger on second street. Is that right? Yeah. 01:12:42.811 --> 01:12:43.774 - Yeah. Neat. 01:12:44.802 --> 01:12:57.888 - So that's neat. So guess what? I got on my boots. So got on my boots that I have on right now. So apparently 01:12:57.888 --> 01:13:09.893 - I got some boots that I'd like to show you. Awesome. I'd love to see that. I'd love to see that. So 01:13:09.893 --> 01:13:12.414 - I'd like to present. 01:13:12.546 --> 01:13:24.972 - So like play musical instrumental. So later on this show. So yeah. And also it's a possibility. I got 01:13:24.972 --> 01:13:37.154 - pink jeans. It's in the wardrobe room. So during the commercial break, I like to show you. So nice. 01:13:37.154 --> 01:13:42.270 - So it's inside 16 jeans. So like a little 01:13:42.786 --> 01:13:50.895 - Um, boots, uh, boots, uh, walking. So, so have you be participating in boots walking. So all it is is 01:13:50.895 --> 01:13:59.162 - walking around the circle. So, um, there's, there's, there's no dancing either. Okay. Still no dancing, 01:13:59.162 --> 01:14:07.191 - but, uh, like, uh, be, uh, apparently going to be, uh, making a song called these boots are made for 01:14:07.191 --> 01:14:11.166 - dancing. I actually recorded it in 2016. However, 01:14:12.322 --> 01:14:25.042 - So I sure did. So it was a really great hit. Of course, that reminds me of Nancy Sinatra song there. 01:14:25.042 --> 01:14:37.762 - Oh, these boots are made for walking. So, yes, indeed. So I'm really excited about that. So. So this 01:14:37.762 --> 01:14:41.918 - is really great. So so I like to 01:14:42.850 --> 01:14:53.554 - Uh, show you, uh, those, uh, boots, uh, that would be great. So, and I'm really excited about this. 01:14:53.554 --> 01:15:04.685 - So, so anyway, so I really like to show, um, ladies and gentlemen, I'd like to, uh, show my, um, great, 01:15:04.685 --> 01:15:12.606 - uh, pairs of boots, uh, for that, uh, very best pairs of boots. Stand by. 01:15:16.386 --> 01:15:28.689 - Stand by. So, you just stayed here, so stay seated. Oh, I stay seated? Okay, sorry. Yes, you do need 01:15:28.689 --> 01:15:36.606 - to stay seated if you have a place. So, you're absolutely right. 01:15:46.978 --> 01:16:12.639 - So no talking please still. All right. Boots are made for walking. I thought I had boots in size 14. 01:16:12.639 --> 01:16:16.958 - These are boots. 01:16:17.122 --> 01:16:40.477 - It's size 11. And these brown boots, tall boots. It's also size 11. Very nice. And also stilettos with 01:16:40.477 --> 01:16:43.198 - the buckle. 01:16:44.194 --> 01:16:55.018 - Wow. You can walk in this linen? Uh, sometimes I do. Wow. It's six inch. Um, so, um, yep. Um, how do 01:16:55.018 --> 01:17:06.056 - you acquire all these boots? Uh, yeah. Buying thrift store. Nice. That's the best. Yep. And those, um, 01:17:06.056 --> 01:17:13.022 - are the jeans, uh, the got on. Wow. So, um, yep. Um, indeed. So, 01:17:13.986 --> 01:17:24.527 - I apparently, I'm really excited about those. So, yep, indeed. So, I've got you here. So, what do you 01:17:24.527 --> 01:17:34.964 - do working in Kroger? So, I am in charge of the floral department. So, I make flower arrangements. I 01:17:34.964 --> 01:17:39.614 - just do all the stuff with flowers and like, 01:17:39.810 --> 01:17:48.381 - paperwork and ordering. It's pretty awesome. They like put you through free design classes. So in the 01:17:48.381 --> 01:17:56.952 - future, I'll be a master florist and I can take that with me wherever I get. Nice. Yeah. Nice. That'd 01:17:56.952 --> 01:18:02.078 - be really nice. Yeah. I love flowers and plants. Absolutely. 01:18:03.138 --> 01:18:10.846 - So, and of course, you're a singer. You're playing musical at shows, right? I do, yeah. I started out, 01:18:10.846 --> 01:18:18.703 - I don't know, I'd say I was probably like 18 or 19, a group of girlfriends and I, like we all, you know, 01:18:18.703 --> 01:18:26.186 - just wanted to learn how to play music together. And our friend's mom was just learning guitar, and 01:18:26.186 --> 01:18:30.526 - she was in a band. And so, like, we all learned together. 01:18:30.914 --> 01:18:38.725 - Then someone gave me a baritone ukulele while I was traveling. Yeah. And I still play that and I'm in 01:18:38.725 --> 01:18:46.842 - a band now and I just vocalize in the band. Um, and we go by Patchwork Moonlight. You had a band practice 01:18:46.842 --> 01:18:54.806 - recently. Is that right? Yeah. On Tuesdays we had band practice and our band is growing and it's really 01:18:54.806 --> 01:18:58.558 - exciting. So, yeah. Right. So, uh, that's right. 01:19:00.354 --> 01:19:12.632 - I do know that I'm absolutely looking forward to have you sing on my show on this program on this episode. 01:19:12.632 --> 01:19:24.795 - I'm excited. I'm very excited about it. So I'm really excited about have you on my show. So and of course 01:19:24.795 --> 01:19:28.926 - I'm glad you have a show coming up. 01:19:30.850 --> 01:19:40.155 - Yeah, so we did Battle of the Bands at the Bluebird, and we made it through the first preliminary round. 01:19:40.155 --> 01:19:49.283 - We don't know when the next round is, but that'll be sometime in the near future. I'm doing a hair and 01:19:49.283 --> 01:19:58.233 - modeling show, it's a soiree, at the Royal Hair Parlor this Saturday. I'm excited, and then November 01:19:58.233 --> 01:20:00.094 - 17th I'll be playing 01:20:00.290 --> 01:20:10.146 - Richmond, Indiana. Wow. And I'm actually playing at Jefferson Street Music Studio on November 17th. 01:20:10.146 --> 01:20:19.804 - Really? That's exciting. Yeah. I've already been doing a show at the Players Pub in October 12th. 01:20:19.804 --> 01:20:29.758 - I did. However, I'm playing again on January 18th. Really? Yeah. It's happy hour five to seven. Wow. 01:20:30.050 --> 01:20:38.521 - I'm going to have to request for that. Please come. That would be great. And that would be great. So 01:20:38.521 --> 01:20:46.908 - I like to when it comes during the commercial break, I'll talk to you about walking. Boots are made 01:20:46.908 --> 01:20:47.998 - for walking. 01:20:48.642 --> 01:20:58.723 - Like at least it won't take at least two minutes, two minutes, two minute walking. And, and apparently 01:20:58.723 --> 01:21:08.706 - I'm going to make it into a song that I just recorded two years ago. So, so I got it all recorded two 01:21:08.706 --> 01:21:18.494 - years back. So it's really, it's really fun. Isn't it? So, so I'm absolutely looking forward to it. 01:21:18.690 --> 01:21:28.157 - So it's really fun. So are you really look forward to doing, um, doing, um, a song? Yeah. So if you 01:21:28.157 --> 01:21:38.002 - want to play some that I'm going to have my good friend, Brittany going to be a known new musical guest 01:21:38.002 --> 01:21:43.966 - was regular guests now becomes a new musical guest on my show. 01:21:44.450 --> 01:21:51.691 - So Brittany Campbell, we're going to have her play a couple songs and then after the second commercial 01:21:51.691 --> 01:21:59.284 - break I'll be joining to play music. And we'll be right back after these words. So please don't go anywhere 01:21:59.284 --> 01:22:01.534 - everybody. We'll be right back. 01:26:40.930 --> 01:26:51.821 - Campbell right now, and she's about to sing her song, two songs, however, at this time. So is that right? 01:26:51.821 --> 01:27:02.608 - Yeah. Yes, indeed. So I met you just two months ago. So I saw you wearing those dark blue jeans. I first 01:27:02.608 --> 01:27:06.718 - met you. Yeah. So very nice. Very well. 01:27:07.330 --> 01:27:18.574 - We look forward to playing music with you later on in this episode. Likewise. Likewise. Of course, 01:27:18.574 --> 01:27:30.046 - episode 21, however, that's the next episode. So that would be great. There'd be more of you when it 01:27:30.046 --> 01:27:35.838 - comes to this. Anyhow, I'm really glad to see you. 01:27:36.002 --> 01:27:43.778 - tonight on the Let it Be Easy show, so that would be great. However, this time I would like to have 01:27:43.778 --> 01:27:52.021 - you sing your first song. Are you ready? Yeah. Here we go. This is ladies and gentlemen, this is Brittany 01:27:52.021 --> 01:27:58.942 - Campbell, ladies and gentlemen. Hi. This song is called Lance. It's about my first love. 01:28:31.042 --> 01:28:39.550 - Yes. Okay, sorry. Do we restart the whole song? Yeah. Yeah. Here we go. 01:34:24.226 --> 01:34:33.993 - Brittany. Thank you, Leonard. I really appreciate it. So Brittany, so what do you think about this? 01:34:33.993 --> 01:34:43.759 - Yeah. Yes. Yeah, this has been fun. Yes. So while you were singing, I was playing a duet album, Let 01:34:43.759 --> 01:34:54.014 - it Beasley's first duet album in the works right now. That's awesome. So it's called Love is the Answer. 01:34:54.946 --> 01:35:04.954 - So yes, that's right. It sure is. Love is the answer. However, I do know that I'm absolutely looking 01:35:04.954 --> 01:35:14.963 - forward. And of course, Brittany, I would love to invite you to do a duet album with me. Oh, wow. So 01:35:14.963 --> 01:35:22.494 - that would be great. That would be excellent. So I'm really inviting you to 01:35:23.106 --> 01:35:30.769 - being a participating to a duet album with me. Of course it has to be in an audio studio, of course. 01:35:30.769 --> 01:35:38.355 - So we know it's going to be an audio recording studio. Of course we're going to play at least three 01:35:38.355 --> 01:35:46.094 - rounds and then you're going to add vocals and sing along with me and my voice in the recording. I'll 01:35:46.094 --> 01:35:50.494 - do mine first and then you'll come in. So of course we're 01:35:50.658 --> 01:36:01.695 - Apparently gonna do, of course Christmas is all around the corner. Yeah it is. So apparently we're gonna 01:36:01.695 --> 01:36:12.206 - do it in January. Oh wow. So apparently will. So I'm gonna be looking forward to it. Period. So I'm 01:36:12.206 --> 01:36:20.510 - really looking forward to this project here. So let it be this new duet album. 01:36:20.738 --> 01:36:30.683 - However, at this time, I would like to have you sing a song right now, one more song. And of course, 01:36:30.683 --> 01:36:40.923 - on the next episode, it'll be episode 21, we're gonna actually gonna do musical instrumentals and boots 01:36:40.923 --> 01:36:42.302 - presentation. 01:36:42.498 --> 01:36:48.172 - Boots walking presentation. That's what it is. However, this time I'm going to have you sing another 01:36:48.172 --> 01:36:53.790 - song as of right now. If you would please go ahead and sing. Please. Britney. All right. Thank you. 01:40:15.010 --> 01:40:24.690 - song so bring me I'm really excited about it so so are you ready to look forward to have you back on 01:40:24.690 --> 01:40:34.273 - the next episode on the let me see show so which means I'm gonna be playing bass and then you'll be 01:40:34.273 --> 01:40:36.286 - playing a ukulele so 01:40:36.482 --> 01:40:44.646 - Yeah, but this time I'll be we'll be standing on this episode and play musical instruments. Awesome. 01:40:44.646 --> 01:40:53.053 - So with instrumental songs, it'll be the next episode, which is episode 21 in season five. So, however, 01:40:53.053 --> 01:41:01.298 - of course, you're also looking for a Lenin B.C.'s duet album. So, yes, apparently I got a whole I got 01:41:01.298 --> 01:41:03.966 - I think I got at least 10 songs. 01:41:04.482 --> 01:41:14.369 - new new romance songs. So one of them will be part of it and one is Love Is The Answer. So it'll be 01:41:14.369 --> 01:41:24.453 - and the other one will be the whole album. Wow. I think it's going to be the very first time ever I'm 01:41:24.453 --> 01:41:33.054 - going to do the whole album with a duet. So with a duo, however, I'll say a duo album. 01:41:33.954 --> 01:41:43.935 - So, I'm gonna have you and I gonna do our first duo album. Yeah. So, that would be absolutely great. 01:41:43.935 --> 01:41:54.015 - However, that'd be great. Anyway, so, Brittany Campbell. Yeah, thank you. Thank you so much. So, yes, 01:41:54.015 --> 01:41:58.462 - Brittany. It's so good to see you, Brittany. 01:41:58.978 --> 01:42:06.244 - So anyway, so Brittany, it's so good to see you. Yeah, I'm really glad Brittany Campbell, ladies and 01:42:06.244 --> 01:42:13.798 - gentlemen. So we'll be right back. I'm going to have her come back on the twenty first episode in season 01:42:13.798 --> 01:42:21.567 - five. And that being let me and you going to be playing musical instruments and boots walking presentation. 01:42:21.567 --> 01:42:23.294 - So we'll be right back.